{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/21978"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/21978","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"A Part of it All. (Original writing);","abstract":"This work is a collection of stories about my encounters with celebrity, fame, and the culture industry. It is intensely autobiographical. Through writing about various critical moments in my life as a writer/producer of theatrical movies, I interpret my obsession with becoming a part of the motion picture and television industries. Using myself as exemplar, I examine the associated social phenomena from various points of view, including looking at the pursuit of celebrity as addiction and at celebrity itself as a third space, invoking Homi Bhabha's spatial metaphor. The collection of stories is heavily informed by critical theory and the post-colonial discourse, although not always overtly so. After Raymond Carver, the style of writing is minimalist, and much is said in the silent spaces between words--I employ silence as an evocative tool in the manner of such feminist and post-colonial writers as Trinh Minh-ha and Gayatri Spivak. And, while working within the form of the short story, I fight against that form, hoping to find not symmetry and closure, but polyphonic voices and astounding juxtapositions. Mingling spare dialogic interactions with thick description and coincidental popular culture texts, I promote a verisimilitude that encourages readers to enter the world I am creating while it presents them with new critical tools for exploring their own worlds in ways that matter. And, after Norman Denzin, I enter the texts through epiphanic moments of realization or sudden inspiration and use the process of writing about those moments to explore how I go about coming to terms with my various, ever-changing incarnations. Unanchored and free floating in a postmodern world, I reach no conclusions.","abstract_html":"This work is a collection of stories about my encounters with celebrity, fame, and the culture industry. It is intensely autobiographical. Through writing about various critical moments in my life as a writer/producer of theatrical movies, I interpret my obsession with becoming a part of the motion picture and television industries. Using myself as exemplar, I examine the associated social phenomena from various points of view, including looking at the pursuit of celebrity as addiction and at celebrity itself as a third space, invoking Homi Bhabha's spatial metaphor. The collection of stories is heavily informed by critical theory and the post-colonial discourse, although not always overtly so. After Raymond Carver, the style of writing is minimalist, and much is said in the silent spaces between words--I employ silence as an evocative tool in the manner of such feminist and post-colonial writers as Trinh Minh-ha and Gayatri Spivak. And, while working within the form of the short story, I fight against that form, hoping to find not symmetry and closure, but polyphonic voices and astounding juxtapositions. Mingling spare dialogic interactions with thick description and coincidental popular culture texts, I promote a verisimilitude that encourages readers to enter the world I am creating while it presents them with new critical tools for exploring their own worlds in ways that matter. And, after Norman Denzin, I enter the texts through epiphanic moments of realization or sudden inspiration and use the process of writing about those moments to explore how I go about coming to terms with my various, ever-changing incarnations. Unanchored and free floating in a postmodern world, I reach no conclusions.","abstract_has_math":false,"creators":["Kohn, Nathaniel Herman"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"Communications","degree_department":null,"school":null,"contributors":["Denzin, Norman K."],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2011,"date_issued":"2011-05-07T13:25:03Z","date_published":"2011-05-07T13:25:03Z","updated_at":"2026-07-22T22:25:19Z","subjects":["Sociology, Theory and Methods","Literature, American","Mass Communications","Cinema"],"languages":["eng"],"rights":["Copyright 1995 Kohn, Nathaniel Herman"],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["AAI9543632","(UMI)AAI9543632"],"render_values":[{"text":"AAI9543632","href":null,"code":true},{"text":"(UMI)AAI9543632","href":null,"code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/2142/21978","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Denzin, Norman K."]},{"key":"dc:creator","label":"Author","values":["Kohn, Nathaniel Herman"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2011-05-07T13:25:03Z","10000-01-01","1995"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Communications"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Sociology, Theory and Methods","Literature, American","Mass Communications","Cinema"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["eng"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 1995 Kohn, Nathaniel Herman"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["AAI9543632","(UMI)AAI9543632","http://hdl.handle.net/2142/21978"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["This work is a collection of stories about my encounters with celebrity, fame, and the culture industry. 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