{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/21689"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/21689","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Literary creation and cultural understanding: Reflections on Chinese culture in Andre Malraux's works and its influence on Malraux's career","abstract":"This thesis attempts to investigate the relationship between Andre Malraux's literary creation and Chinese culture, especially Chinese philosophy and art. Malraux's appreciation of Chinese art was closely related to his knowledge of Chinese philosophies. For instance, in Chinese painting, he saw a philosophy of communion between man and the universe.","abstract_html":"This thesis attempts to investigate the relationship between Andre Malraux's literary creation and Chinese culture, especially Chinese philosophy and art. Malraux's appreciation of Chinese art was closely related to his knowledge of Chinese philosophies. For instance, in Chinese painting, he saw a philosophy of communion between man and the universe.","abstract_has_math":false,"creators":["Song, Ning"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"French","degree_department":null,"school":null,"contributors":["Popescu, Nicolae"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2011,"date_issued":"2011-05-07T13:16:13Z","date_published":"2011-05-07T13:16:13Z","updated_at":"2026-07-22T22:25:18Z","subjects":["Biography","Literature, Romance","Anthropology, Cultural"],"languages":["eng"],"rights":["Copyright 1996 Song, Ning"],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["(UMI)AAI9625197","AAI9625197"],"render_values":[{"text":"(UMI)AAI9625197","href":null,"code":true},{"text":"AAI9625197","href":null,"code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/2142/21689","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Popescu, Nicolae"]},{"key":"dc:creator","label":"Author","values":["Song, Ning"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2011-05-07T13:16:13Z","10000-01-01","1996"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["French"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Biography","Literature, Romance","Anthropology, Cultural"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["eng"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 1996 Song, Ning"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["(UMI)AAI9625197","http://hdl.handle.net/2142/21689","AAI9625197"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["This thesis attempts to investigate the relationship between Andre Malraux's literary creation and Chinese culture, especially Chinese philosophy and art. Malraux's appreciation of Chinese art was closely related to his knowledge of Chinese philosophies. For instance, in Chinese painting, he saw a philosophy of communion between man and the universe.","In this thesis, we first discuss Chinese art, such as painting and sculpture, in Malraux's writings. We then analyze the contrasts between Taoist, Confucianist massification and European individualization, along with some other ideological differences between Chinese culture and European culture such as they appear in Malraux's works. According to Malraux, Chinese culture and European culture were clearly distinguished by their respective positions, and by their respective passiveness and activeness. We present our criticism of this extreme view.","Finally we discuss the three stages of Malraux's literary creative cycle, and their relations with Chinese culture. Malraux's creative cycle and novels start off with individual adventure, go through collectivist commitment, and return to individual ideals. Throughout this evolution, we analyze the influence of Chinese culture during the transitions.","Made available in DSpace on 2011-05-07T13:16:13Z (GMT). No. of bitstreams: 2 license.txt: 4922 bytes, checksum: 910b249b4beec47e7ab768910c8f966f (MD5) 9625197.pdf: 4404997 bytes, checksum: 3346dfb3cb0e8473108baa027a605bfa (MD5) Previous issue date: 1996","Item marked as restricted to the 'UIUC Users [automated]' Group (id=2) by Howard Ding (hding2@illinois.edu) on 2011-05-07T14:52:33Z Item is restricted indefinitely.","Restriction data tranferred 2014-07-01T11:24:12-05:00 Original Data Group with Access UIUC Users [automated] Release Date: none Reason: ETDs are only available to UIUC Users without author permission","ETDs are only available to UIUC Users without author permission","U of I Only"]},{"key":"dc:title","label":"Title","values":["Literary creation and cultural understanding: Reflections on Chinese culture in Andre Malraux's works and its influence on Malraux's career"]}]}],"canonical_facts":{"dc:contributor":["Popescu, Nicolae"],"dc:creator":["Song, Ning"],"dc:date":["2011-05-07T13:16:13Z","10000-01-01","1996"],"dc:description":["This thesis attempts to investigate the relationship between Andre Malraux's literary creation and Chinese culture, especially Chinese philosophy and art. Malraux's appreciation of Chinese art was closely related to his knowledge of Chinese philosophies. For instance, in Chinese painting, he saw a philosophy of communion between man and the universe.","In this thesis, we first discuss Chinese art, such as painting and sculpture, in Malraux's writings. We then analyze the contrasts between Taoist, Confucianist massification and European individualization, along with some other ideological differences between Chinese culture and European culture such as they appear in Malraux's works. According to Malraux, Chinese culture and European culture were clearly distinguished by their respective positions, and by their respective passiveness and activeness. We present our criticism of this extreme view.","Finally we discuss the three stages of Malraux's literary creative cycle, and their relations with Chinese culture. Malraux's creative cycle and novels start off with individual adventure, go through collectivist commitment, and return to individual ideals. Throughout this evolution, we analyze the influence of Chinese culture during the transitions.","Made available in DSpace on 2011-05-07T13:16:13Z (GMT). No. of bitstreams: 2 license.txt: 4922 bytes, checksum: 910b249b4beec47e7ab768910c8f966f (MD5) 9625197.pdf: 4404997 bytes, checksum: 3346dfb3cb0e8473108baa027a605bfa (MD5) Previous issue date: 1996","Item marked as restricted to the 'UIUC Users [automated]' Group (id=2) by Howard Ding (hding2@illinois.edu) on 2011-05-07T14:52:33Z Item is restricted indefinitely.","Restriction data tranferred 2014-07-01T11:24:12-05:00 Original Data Group with Access UIUC Users [automated] Release Date: none Reason: ETDs are only available to UIUC Users without author permission","ETDs are only available to UIUC Users without author permission","U of I Only"],"dc:identifier":["(UMI)AAI9625197","http://hdl.handle.net/2142/21689","AAI9625197"],"dc:language":["eng"],"dc:rights":["Copyright 1996 Song, Ning"],"dc:subject":["Biography","Literature, Romance","Anthropology, Cultural"],"dc:title":["Literary creation and cultural understanding: Reflections on Chinese culture in Andre Malraux's works and its influence on Malraux's career"],"dc:type":["text"],"thesis:degree_discipline":["French"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["Ph.D."],"thesis:institution_name":["University of Illinois at Urbana-Champaign"]},"updated_at":"2026-07-22T22:25:18Z"}