{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/21656"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/21656","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"From the finite to the infinite: Death and altered perspective in Russian literature","abstract":"\"This dissertation concerns a tradition in Russian literature in which there occurs at the moment of death of the hero a change in perspective. This altered perspective in general is from a very narrow, finite vision to a broader, often times infinite vision in which an idea of the author's Weltanschauung is apparent. This change in perspective can occur in one of five \"\"agents\"\" of the story: the character that dies, other characters in the story, the narrator, the author and the reader. This tradition will be analyzed by looking at examples from all periods of Russian literature. Beginning with medieval Russian literature, the tradition is traced from its genesis through its development up to the late twentieth century. Sample works are analyzed in detail both textually and contextually and together provide insight into the progression of the tradition.\"","abstract_html":""This dissertation concerns a tradition in Russian literature in which there occurs at the moment of death of the hero a change in perspective. This altered perspective in general is from a very narrow, finite vision to a broader, often times infinite vision in which an idea of the author's Weltanschauung is apparent. This change in perspective can occur in one of five ""agents"" of the story: the character that dies, other characters in the story, the narrator, the author and the reader. This tradition will be analyzed by looking at examples from all periods of Russian literature. Beginning with medieval Russian literature, the tradition is traced from its genesis through its development up to the late twentieth century. Sample works are analyzed in detail both textually and contextually and together provide insight into the progression of the tradition."","abstract_has_math":false,"creators":["Robinson, Marc Alan"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"Slavic Languages and Literatures","degree_department":null,"school":null,"contributors":["Pachmuss, Temira A."],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2011,"date_issued":"2011-05-07T13:15:12Z","date_published":"2011-05-07T13:15:12Z","updated_at":"2026-07-22T22:25:18Z","subjects":["Literature, Slavic and East European"],"languages":["eng"],"rights":["Copyright 1991 Robinson, Marc Alan"],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["AAI9136716","(UMI)AAI9136716"],"render_values":[{"text":"AAI9136716","href":null,"code":true},{"text":"(UMI)AAI9136716","href":null,"code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/2142/21656","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Pachmuss, Temira A."]},{"key":"dc:creator","label":"Author","values":["Robinson, Marc Alan"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2011-05-07T13:15:12Z","10000-01-01","1991"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Slavic Languages and Literatures"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Literature, Slavic and East European"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["eng"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 1991 Robinson, Marc Alan"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["AAI9136716","(UMI)AAI9136716","http://hdl.handle.net/2142/21656"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["\"This dissertation concerns a tradition in Russian literature in which there occurs at the moment of death of the hero a change in perspective. This altered perspective in general is from a very narrow, finite vision to a broader, often times infinite vision in which an idea of the author's Weltanschauung is apparent. This change in perspective can occur in one of five \"\"agents\"\" of the story: the character that dies, other characters in the story, the narrator, the author and the reader. This tradition will be analyzed by looking at examples from all periods of Russian literature. Beginning with medieval Russian literature, the tradition is traced from its genesis through its development up to the late twentieth century. Sample works are analyzed in detail both textually and contextually and together provide insight into the progression of the tradition.\"","\"Both extremely famous works, like Gogol's \"\"The Overcoat\"\" and Tolstoj's The Death of Ivan Il'ic, and minor works, such as Remizov's \"\"Zanofa\"\" and Garsin's \"\"Night\"\", are analyzed to show the tradition in both great and minor literature. Genres represented include the novel, the povest', the short story, drama and poetry showing the tradition to cross genre lines. The work concludes with a discussion of the nature of death in Russian literature, time in the tradition and avenues for further research.\"","Made available in DSpace on 2011-05-07T13:15:12Z (GMT). No. of bitstreams: 2 license.txt: 4922 bytes, checksum: 910b249b4beec47e7ab768910c8f966f (MD5) 9136716.pdf: 12745560 bytes, checksum: 8d915241a6ac9ac06d4ad5826ce2fcb9 (MD5) Previous issue date: 1991","Item marked as restricted to the 'UIUC Users [automated]' Group (id=2) by Howard Ding (hding2@illinois.edu) on 2011-05-07T14:52:19Z Item is restricted indefinitely.","Restriction data tranferred 2014-07-01T11:24:05-05:00 Original Data Group with Access UIUC Users [automated] Release Date: none Reason: ETDs are only available to UIUC Users without author permission","ETDs are only available to UIUC Users without author permission","U of I Only"]},{"key":"dc:title","label":"Title","values":["From the finite to the infinite: Death and altered perspective in Russian literature"]}]}],"canonical_facts":{"dc:contributor":["Pachmuss, Temira A."],"dc:creator":["Robinson, Marc Alan"],"dc:date":["2011-05-07T13:15:12Z","10000-01-01","1991"],"dc:description":["\"This dissertation concerns a tradition in Russian literature in which there occurs at the moment of death of the hero a change in perspective. This altered perspective in general is from a very narrow, finite vision to a broader, often times infinite vision in which an idea of the author's Weltanschauung is apparent. This change in perspective can occur in one of five \"\"agents\"\" of the story: the character that dies, other characters in the story, the narrator, the author and the reader. This tradition will be analyzed by looking at examples from all periods of Russian literature. Beginning with medieval Russian literature, the tradition is traced from its genesis through its development up to the late twentieth century. Sample works are analyzed in detail both textually and contextually and together provide insight into the progression of the tradition.\"","\"Both extremely famous works, like Gogol's \"\"The Overcoat\"\" and Tolstoj's The Death of Ivan Il'ic, and minor works, such as Remizov's \"\"Zanofa\"\" and Garsin's \"\"Night\"\", are analyzed to show the tradition in both great and minor literature. Genres represented include the novel, the povest', the short story, drama and poetry showing the tradition to cross genre lines. The work concludes with a discussion of the nature of death in Russian literature, time in the tradition and avenues for further research.\"","Made available in DSpace on 2011-05-07T13:15:12Z (GMT). No. of bitstreams: 2 license.txt: 4922 bytes, checksum: 910b249b4beec47e7ab768910c8f966f (MD5) 9136716.pdf: 12745560 bytes, checksum: 8d915241a6ac9ac06d4ad5826ce2fcb9 (MD5) Previous issue date: 1991","Item marked as restricted to the 'UIUC Users [automated]' Group (id=2) by Howard Ding (hding2@illinois.edu) on 2011-05-07T14:52:19Z Item is restricted indefinitely.","Restriction data tranferred 2014-07-01T11:24:05-05:00 Original Data Group with Access UIUC Users [automated] Release Date: none Reason: ETDs are only available to UIUC Users without author permission","ETDs are only available to UIUC Users without author permission","U of I Only"],"dc:identifier":["AAI9136716","(UMI)AAI9136716","http://hdl.handle.net/2142/21656"],"dc:language":["eng"],"dc:rights":["Copyright 1991 Robinson, Marc Alan"],"dc:subject":["Literature, Slavic and East European"],"dc:title":["From the finite to the infinite: Death and altered perspective in Russian literature"],"dc:type":["text"],"thesis:degree_discipline":["Slavic Languages and Literatures"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["Ph.D."],"thesis:institution_name":["University of Illinois at Urbana-Champaign"]},"updated_at":"2026-07-22T22:25:18Z"}