The genesis of French Romanticism: P.-N. Guerin's studio and the public sphere
type: CreativeWork
description: Scholars have presented innumerable definitions of Romanticism, which are often predicated on the ideologies of individualism and the avant-garde. In contrast, this dissertation argues French Romantic painting was actually defined in the realm of the bourgeois public sphere, where painters, the press, pamphleteers, agents of artistic institutions, and private citizens debated and ultimately determined the very nature of French Romantic painting.
abstract: Scholars have presented innumerable definitions of Romanticism, which are often predicated on the ideologies of individualism and the avant-garde. In contrast, this dissertation argues French Romantic painting was actually defined in the realm of the bourgeois public sphere, where painters, the press, pamphleteers, agents of artistic institutions, and private citizens debated and ultimately determined the very nature of French Romantic painting.
author: Lambertson, John Paul, III
language: eng
keywords: Education, Art, History, European, Art History
date published: 2011-05-07T12:48:53Z
date modified: 2026-07-22T22:25:16Z
provider: University of Illinois - Urbana-Champaign
publisher: Networked Digital Library of Theses and Dissertations
type: WebPage
source organization: University of Illinois at Urbana-Champaign

PropertyValue
property ID: Handle
value: http://hdl.handle.net/2142/20774