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The primary goals of the study were (1) to identify and define a recognizable and common set of characteristics which constitute the typical German part-song of the period, also (2) to relate the social and political conditions which helped give it its shape, and finally (3) to select out a number of part-songs of interest to both historians and performers.","abstract_has_math":false,"creators":["Henderson, Mark A."],"institution":"University of Illinois at Urbana-Champaign","degree_name":"D.M.A.","degree_level":"Dissertation","degree_discipline":"Music","degree_department":null,"school":null,"contributors":["Temperley, Nicholas"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2011,"date_issued":"2011-05-07T12:36:41Z","date_published":"2011-05-07T12:36:41Z","updated_at":"2026-07-22T22:25:15Z","subjects":["Music"],"languages":["eng"],"rights":["Copyright 1989 Henderson, Mark A."],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["AAI8916261","(UMI)AAI8916261"],"render_values":[{"text":"AAI8916261","href":null,"code":true},{"text":"(UMI)AAI8916261","href":null,"code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/2142/20349","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Temperley, Nicholas"]},{"key":"dc:creator","label":"Author","values":["Henderson, Mark A."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2011-05-07T12:36:41Z","10000-01-01","1989"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Music"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["D.M.A."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Music"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["eng"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 1989 Henderson, Mark A."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["AAI8916261","(UMI)AAI8916261","http://hdl.handle.net/2142/20349"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["This work is a genre study of the German part-song between about 1790 and 1850. The primary goals of the study were (1) to identify and define a recognizable and common set of characteristics which constitute the typical German part-song of the period, also (2) to relate the social and political conditions which helped give it its shape, and finally (3) to select out a number of part-songs of interest to both historians and performers.","\"Three major areas are covered in the course of the work. The first looks at the social/political setting, including the drive toward German unification as it relates to the topic. The second investigates the part-songs of, primarily, Schubert, Schumann, and Mendelssohn, but also of other composers, and then treats the question of performance practice. The third consists of an Appendix containing a translation of Hans Georg Nageli's \"\"Eighty-One Part-Songs and Choruses...\"\", some bylaws of representative choruses of the period, and finally, a rather large number of part-songs, many of which are not otherwise available in print and which, together, give a broad overview of the early nineteenth-century part-song.\"","Made available in DSpace on 2011-05-07T12:36:41Z (GMT). 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The primary goals of the study were (1) to identify and define a recognizable and common set of characteristics which constitute the typical German part-song of the period, also (2) to relate the social and political conditions which helped give it its shape, and finally (3) to select out a number of part-songs of interest to both historians and performers.","\"Three major areas are covered in the course of the work. The first looks at the social/political setting, including the drive toward German unification as it relates to the topic. The second investigates the part-songs of, primarily, Schubert, Schumann, and Mendelssohn, but also of other composers, and then treats the question of performance practice. 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