{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/20020"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/20020","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"James Cagney, Outside/inside: Assimilation of a New York City star in 1930s Hollywood","abstract":"\"My dissertation examines the reception of James Cagney in the light of ethnicity and immigration in the 1930s. I contend that it is only in this era that Cagney represents an inbetween type. His Irish-American catholicism marks him as subordinate to the W.A.S.P. mainstream and simultaneously positions him as a figure of influence over other New York ethnic newcomers (Italians, Jews, Poles, and Slavs). To star studies I combine close readings of thirteen 1930s films (including Blonde Crazy (1931), Mayor of Hell (1933), Here Comes the Navy (1934), and Angels With Dirty Faces (1938)) with a concern for linking text to historical context (the Payne Studies, James T. Farrell's Studs Lonigan novels, and other representations of the working class which comprise a large number of \"\"new\"\" immigrants).\"","abstract_html":""My dissertation examines the reception of James Cagney in the light of ethnicity and immigration in the 1930s. I contend that it is only in this era that Cagney represents an inbetween type. His Irish-American catholicism marks him as subordinate to the W.A.S.P. mainstream and simultaneously positions him as a figure of influence over other New York ethnic newcomers (Italians, Jews, Poles, and Slavs). To star studies I combine close readings of thirteen 1930s films (including Blonde Crazy (1931), Mayor of Hell (1933), Here Comes the Navy (1934), and Angels With Dirty Faces (1938)) with a concern for linking text to historical context (the Payne Studies, James T. Farrell's Studs Lonigan novels, and other representations of the working class which comprise a large number of ""new"" immigrants)."","abstract_has_math":false,"creators":["Tracey, Grant Annis George"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"English","degree_department":null,"school":null,"contributors":["Carringer, Robert L."],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2011,"date_issued":"2011-05-07T12:26:15Z","date_published":"2011-05-07T12:26:15Z","updated_at":"2026-07-22T22:25:15Z","subjects":["History, United States","Cinema"],"languages":["eng"],"rights":["Copyright 1994 Tracey, Grant Annis George"],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["AAI9512574","(UMI)AAI9512574"],"render_values":[{"text":"AAI9512574","href":null,"code":true},{"text":"(UMI)AAI9512574","href":null,"code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/2142/20020","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Carringer, Robert L."]},{"key":"dc:creator","label":"Author","values":["Tracey, Grant Annis George"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2011-05-07T12:26:15Z","10000-01-01","1994"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["History, United States","Cinema"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["eng"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 1994 Tracey, Grant Annis George"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["AAI9512574","(UMI)AAI9512574","http://hdl.handle.net/2142/20020"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["\"My dissertation examines the reception of James Cagney in the light of ethnicity and immigration in the 1930s. I contend that it is only in this era that Cagney represents an inbetween type. His Irish-American catholicism marks him as subordinate to the W.A.S.P. mainstream and simultaneously positions him as a figure of influence over other New York ethnic newcomers (Italians, Jews, Poles, and Slavs). To star studies I combine close readings of thirteen 1930s films (including Blonde Crazy (1931), Mayor of Hell (1933), Here Comes the Navy (1934), and Angels With Dirty Faces (1938)) with a concern for linking text to historical context (the Payne Studies, James T. Farrell's Studs Lonigan novels, and other representations of the working class which comprise a large number of \"\"new\"\" immigrants).\"","Made available in DSpace on 2011-05-07T12:26:15Z (GMT). No. of bitstreams: 2 license.txt: 4922 bytes, checksum: 910b249b4beec47e7ab768910c8f966f (MD5) 9512574.pdf: 12360755 bytes, checksum: 52f4ef5b0e4ac8fe518e1813904153be (MD5) Previous issue date: 1994","Item marked as restricted to the 'UIUC Users [automated]' Group (id=2) by Howard Ding (hding2@illinois.edu) on 2011-05-07T14:41:00Z Item is restricted indefinitely.","Restriction data tranferred 2014-07-01T11:17:41-05:00 Original Data Group with Access UIUC Users [automated] Release Date: none Reason: ETDs are only available to UIUC Users without author permission","ETDs are only available to UIUC Users without author permission","U of I Only"]},{"key":"dc:title","label":"Title","values":["James Cagney, Outside/inside: Assimilation of a New York City star in 1930s Hollywood"]}]}],"canonical_facts":{"dc:contributor":["Carringer, Robert L."],"dc:creator":["Tracey, Grant Annis George"],"dc:date":["2011-05-07T12:26:15Z","10000-01-01","1994"],"dc:description":["\"My dissertation examines the reception of James Cagney in the light of ethnicity and immigration in the 1930s. I contend that it is only in this era that Cagney represents an inbetween type. His Irish-American catholicism marks him as subordinate to the W.A.S.P. mainstream and simultaneously positions him as a figure of influence over other New York ethnic newcomers (Italians, Jews, Poles, and Slavs). To star studies I combine close readings of thirteen 1930s films (including Blonde Crazy (1931), Mayor of Hell (1933), Here Comes the Navy (1934), and Angels With Dirty Faces (1938)) with a concern for linking text to historical context (the Payne Studies, James T. Farrell's Studs Lonigan novels, and other representations of the working class which comprise a large number of \"\"new\"\" immigrants).\"","Made available in DSpace on 2011-05-07T12:26:15Z (GMT). No. of bitstreams: 2 license.txt: 4922 bytes, checksum: 910b249b4beec47e7ab768910c8f966f (MD5) 9512574.pdf: 12360755 bytes, checksum: 52f4ef5b0e4ac8fe518e1813904153be (MD5) Previous issue date: 1994","Item marked as restricted to the 'UIUC Users [automated]' Group (id=2) by Howard Ding (hding2@illinois.edu) on 2011-05-07T14:41:00Z Item is restricted indefinitely.","Restriction data tranferred 2014-07-01T11:17:41-05:00 Original Data Group with Access UIUC Users [automated] Release Date: none Reason: ETDs are only available to UIUC Users without author permission","ETDs are only available to UIUC Users without author permission","U of I Only"],"dc:identifier":["AAI9512574","(UMI)AAI9512574","http://hdl.handle.net/2142/20020"],"dc:language":["eng"],"dc:rights":["Copyright 1994 Tracey, Grant Annis George"],"dc:subject":["History, United States","Cinema"],"dc:title":["James Cagney, Outside/inside: Assimilation of a New York City star in 1930s Hollywood"],"dc:type":["text"],"thesis:degree_discipline":["English"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["Ph.D."],"thesis:institution_name":["University of Illinois at Urbana-Champaign"]},"updated_at":"2026-07-22T22:25:15Z"}