{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/19518"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/19518","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Power, propaganda and subversion: Chivalry on the English Renaissance stage","abstract":"Unlike chivalric romances in poetry and prose, plays depicting armored knights guided by a feudal code of chivalry were popular for only a brief period during the Renaissance. Yet this chivalric drama exerted an important influence in society, alternately supporting or undermining attempts by the monarch and nobility to employ chivalry as a means of consolidating their power. Quite popular during the 1570s and '80s, dramatic representations of chivalric romances in professional theaters correspond to the use of chivalry as ideological propaganda in Tudor festivals. In the late 1590s and early 1600s, however, chivalric drama became less romantic and more cynical, corresponding to the declining use of chivalric propaganda in courtly entertainments and the growing abuses at court. In spite of a brief revival of chivalric drama for Prince Henry, these plays disappear altogether from the English stage after his death in 1612.","abstract_html":"Unlike chivalric romances in poetry and prose, plays depicting armored knights guided by a feudal code of chivalry were popular for only a brief period during the Renaissance. Yet this chivalric drama exerted an important influence in society, alternately supporting or undermining attempts by the monarch and nobility to employ chivalry as a means of consolidating their power. Quite popular during the 1570s and '80s, dramatic representations of chivalric romances in professional theaters correspond to the use of chivalry as ideological propaganda in Tudor festivals. In the late 1590s and early 1600s, however, chivalric drama became less romantic and more cynical, corresponding to the declining use of chivalric propaganda in courtly entertainments and the growing abuses at court. In spite of a brief revival of chivalric drama for Prince Henry, these plays disappear altogether from the English stage after his death in 1612.","abstract_has_math":false,"creators":["Hadorn, Peter Thomas"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"English","degree_department":null,"school":null,"contributors":["Cole, Howard"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2011,"date_issued":"2011-05-07T12:10:00Z","date_published":"2011-05-07T12:10:00Z","updated_at":"2026-07-22T22:25:14Z","subjects":["Theater","Literature, English"],"languages":["eng"],"rights":["Copyright 1989 Hadorn, Peter Thomas"],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["AAI8916257","(UMI)AAI8916257"],"render_values":[{"text":"AAI8916257","href":null,"code":true},{"text":"(UMI)AAI8916257","href":null,"code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/2142/19518","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Cole, Howard"]},{"key":"dc:creator","label":"Author","values":["Hadorn, Peter Thomas"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2011-05-07T12:10:00Z","10000-01-01","1989"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Theater","Literature, English"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["eng"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 1989 Hadorn, Peter Thomas"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["AAI8916257","(UMI)AAI8916257","http://hdl.handle.net/2142/19518"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Unlike chivalric romances in poetry and prose, plays depicting armored knights guided by a feudal code of chivalry were popular for only a brief period during the Renaissance. Yet this chivalric drama exerted an important influence in society, alternately supporting or undermining attempts by the monarch and nobility to employ chivalry as a means of consolidating their power. Quite popular during the 1570s and '80s, dramatic representations of chivalric romances in professional theaters correspond to the use of chivalry as ideological propaganda in Tudor festivals. In the late 1590s and early 1600s, however, chivalric drama became less romantic and more cynical, corresponding to the declining use of chivalric propaganda in courtly entertainments and the growing abuses at court. In spite of a brief revival of chivalric drama for Prince Henry, these plays disappear altogether from the English stage after his death in 1612.","Made available in DSpace on 2011-05-07T12:10:00Z (GMT). No. of bitstreams: 2 license.txt: 4922 bytes, checksum: 910b249b4beec47e7ab768910c8f966f (MD5) 8916257.pdf: 11440952 bytes, checksum: 99ea3e2adfd6fc126687a3fb7ce2f6bb (MD5) Previous issue date: 1989","Item marked as restricted to the 'UIUC Users [automated]' Group (id=2) by Howard Ding (hding2@illinois.edu) on 2011-05-07T14:37:34Z Item is restricted indefinitely.","Restriction data tranferred 2014-07-01T11:15:27-05:00 Original Data Group with Access UIUC Users [automated] Release Date: none Reason: ETDs are only available to UIUC Users without author permission","ETDs are only available to UIUC Users without author permission","U of I Only"]},{"key":"dc:title","label":"Title","values":["Power, propaganda and subversion: Chivalry on the English Renaissance stage"]}]}],"canonical_facts":{"dc:contributor":["Cole, Howard"],"dc:creator":["Hadorn, Peter Thomas"],"dc:date":["2011-05-07T12:10:00Z","10000-01-01","1989"],"dc:description":["Unlike chivalric romances in poetry and prose, plays depicting armored knights guided by a feudal code of chivalry were popular for only a brief period during the Renaissance. Yet this chivalric drama exerted an important influence in society, alternately supporting or undermining attempts by the monarch and nobility to employ chivalry as a means of consolidating their power. Quite popular during the 1570s and '80s, dramatic representations of chivalric romances in professional theaters correspond to the use of chivalry as ideological propaganda in Tudor festivals. In the late 1590s and early 1600s, however, chivalric drama became less romantic and more cynical, corresponding to the declining use of chivalric propaganda in courtly entertainments and the growing abuses at court. In spite of a brief revival of chivalric drama for Prince Henry, these plays disappear altogether from the English stage after his death in 1612.","Made available in DSpace on 2011-05-07T12:10:00Z (GMT). No. of bitstreams: 2 license.txt: 4922 bytes, checksum: 910b249b4beec47e7ab768910c8f966f (MD5) 8916257.pdf: 11440952 bytes, checksum: 99ea3e2adfd6fc126687a3fb7ce2f6bb (MD5) Previous issue date: 1989","Item marked as restricted to the 'UIUC Users [automated]' Group (id=2) by Howard Ding (hding2@illinois.edu) on 2011-05-07T14:37:34Z Item is restricted indefinitely.","Restriction data tranferred 2014-07-01T11:15:27-05:00 Original Data Group with Access UIUC Users [automated] Release Date: none Reason: ETDs are only available to UIUC Users without author permission","ETDs are only available to UIUC Users without author permission","U of I Only"],"dc:identifier":["AAI8916257","(UMI)AAI8916257","http://hdl.handle.net/2142/19518"],"dc:language":["eng"],"dc:rights":["Copyright 1989 Hadorn, Peter Thomas"],"dc:subject":["Theater","Literature, English"],"dc:title":["Power, propaganda and subversion: Chivalry on the English Renaissance stage"],"dc:type":["text"],"thesis:degree_discipline":["English"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["Ph.D."],"thesis:institution_name":["University of Illinois at Urbana-Champaign"]},"updated_at":"2026-07-22T22:25:14Z"}