{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/19209"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/19209","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Moments of brocade: The aesthetics of excess in American women's poetry","abstract":"\"The dissertation identifies and explores a female literary tradition that I am calling the \"\"poetics of excess.\"\" The purpose of the study is to offer a new way to read certain women poets whom readers have regarded as flawed by various stylistic and thematic excesses. Instead of thinking of excess as a weakness, I take it to be a deliberate aesthetic strategy for overcoming the limitations that the dominant literary culture imposes on a woman writer. I build my theoretical argument not only on reading of the poems but also on analyses of the letters, journals, and other prose works of the main poets in this tradition--Dickinson, Stein, and Plath. In each chapter I pursue extended reading of their key poems about composition to demonstrate both the workings of excess in the poetry and the poem's own recapitulation of the need for such an aesthetic.\"","abstract_html":""The dissertation identifies and explores a female literary tradition that I am calling the ""poetics of excess."" The purpose of the study is to offer a new way to read certain women poets whom readers have regarded as flawed by various stylistic and thematic excesses. Instead of thinking of excess as a weakness, I take it to be a deliberate aesthetic strategy for overcoming the limitations that the dominant literary culture imposes on a woman writer. I build my theoretical argument not only on reading of the poems but also on analyses of the letters, journals, and other prose works of the main poets in this tradition--Dickinson, Stein, and Plath. In each chapter I pursue extended reading of their key poems about composition to demonstrate both the workings of excess in the poetry and the poem's own recapitulation of the need for such an aesthetic."","abstract_has_math":false,"creators":["Ford, Karen Jackson"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"English","degree_department":null,"school":null,"contributors":["Nelson, Cary"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2011,"date_issued":"2011-05-07T12:00:16Z","date_published":"2011-05-07T12:00:16Z","updated_at":"2026-07-22T22:25:12Z","subjects":["Women's Studies","Literature, American"],"languages":["eng"],"rights":["Copyright 1989 Ford, Karen Jackson"],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["AAI9010856","(UMI)AAI9010856"],"render_values":[{"text":"AAI9010856","href":null,"code":true},{"text":"(UMI)AAI9010856","href":null,"code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/2142/19209","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Nelson, Cary"]},{"key":"dc:creator","label":"Author","values":["Ford, Karen Jackson"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2011-05-07T12:00:16Z","10000-01-01","1989"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Women's Studies","Literature, American"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["eng"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 1989 Ford, Karen Jackson"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["AAI9010856","(UMI)AAI9010856","http://hdl.handle.net/2142/19209"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["\"The dissertation identifies and explores a female literary tradition that I am calling the \"\"poetics of excess.\"\" The purpose of the study is to offer a new way to read certain women poets whom readers have regarded as flawed by various stylistic and thematic excesses. Instead of thinking of excess as a weakness, I take it to be a deliberate aesthetic strategy for overcoming the limitations that the dominant literary culture imposes on a woman writer. I build my theoretical argument not only on reading of the poems but also on analyses of the letters, journals, and other prose works of the main poets in this tradition--Dickinson, Stein, and Plath. In each chapter I pursue extended reading of their key poems about composition to demonstrate both the workings of excess in the poetry and the poem's own recapitulation of the need for such an aesthetic.\"","Made available in DSpace on 2011-05-07T12:00:16Z (GMT). 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Instead of thinking of excess as a weakness, I take it to be a deliberate aesthetic strategy for overcoming the limitations that the dominant literary culture imposes on a woman writer. I build my theoretical argument not only on reading of the poems but also on analyses of the letters, journals, and other prose works of the main poets in this tradition--Dickinson, Stein, and Plath. In each chapter I pursue extended reading of their key poems about composition to demonstrate both the workings of excess in the poetry and the poem's own recapitulation of the need for such an aesthetic.\"","Made available in DSpace on 2011-05-07T12:00:16Z (GMT). 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