{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/18481"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/18481","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Runaway film production: A critical history of Hollywood's outsourcing discourse","abstract":"Item withdrawn by Mark Zulauf (zulauf@illinois.edu) on 2010-11-29T20:00:48Z Item was in collections: University of Illinois Theses & Dissertations (ID: 1) No. of bitstreams: 2 Yale_Camille.docx: 386512 bytes, checksum: d7327cdb6ea3f20a38b82e0c6e58527d (MD5) Yale_Camille.pdf: 1136380 bytes, checksum: 000df052370517cef1683bb6ca1d5396 (MD5)","abstract_html":"Item withdrawn by Mark Zulauf (zulauf@illinois.edu) on 2010-11-29T20:00:48Z Item was in collections: University of Illinois Theses & Dissertations (ID: 1) No. of bitstreams: 2 Yale_Camille.docx: 386512 bytes, checksum: d7327cdb6ea3f20a38b82e0c6e58527d (MD5) Yale_Camille.pdf: 1136380 bytes, checksum: 000df052370517cef1683bb6ca1d5396 (MD5)","abstract_has_math":false,"creators":["Yale, Camille K."],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"Communications","degree_department":null,"school":null,"contributors":["Nerone, John C.","Hay, James W.","Jones, Steven G.","McCarthy, Cameron R."],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2011,"date_issued":"2011-01-14T22:52:20Z","date_published":"2011-01-14T22:52:20Z","updated_at":"2026-07-22T22:25:11Z","subjects":["runaway production","media industries","globalization","outsourcing","media history"],"languages":["en"],"rights":["Copyright 2010 Camille K. Yale"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/2142/18481","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Nerone, John C.","Hay, James W.","Jones, Steven G.","McCarthy, Cameron R."]},{"key":"dc:creator","label":"Author","values":["Yale, Camille K."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2011-01-14T22:52:20Z","2010-12"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Communications"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["runaway production","media industries","globalization","outsourcing","media history"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2010 Camille K. Yale"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/18481"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Item withdrawn by Mark Zulauf (zulauf@illinois.edu) on 2010-11-29T20:00:48Z Item was in collections: University of Illinois Theses & Dissertations (ID: 1) No. of bitstreams: 2 Yale_Camille.docx: 386512 bytes, checksum: d7327cdb6ea3f20a38b82e0c6e58527d (MD5) Yale_Camille.pdf: 1136380 bytes, checksum: 000df052370517cef1683bb6ca1d5396 (MD5)","Made available in DSpace on 2011-01-14T22:52:20Z (GMT). No. of bitstreams: 3 Yale_Camille.pdf: 1136380 bytes, checksum: 000df052370517cef1683bb6ca1d5396 (MD5) Yale_Camille.docx: 386512 bytes, checksum: d7327cdb6ea3f20a38b82e0c6e58527d (MD5) license.txt: 4062 bytes, checksum: 373e85bb310d12a468f6ce908b51020f (MD5)","Runaway production is a phrase commonly used by Hollywood film and television production labor to describe the outsourcing of production work to foreign locations. It is an issue that has been credited with siphoning tens of millions of dollars and thousands of jobs from the U.S. economy. Despite broad interest in runaway production by journalists, politicians, academics, and media labor interests, and despite its potential impact on hundreds of thousands—and perhaps millions—of workers in the U.S., there has been very little critical analysis of its historical development and function as a political and economic discourse. Through extensive archival research, this dissertation critically examines the history of runaway production, from its introduction in postwar Hollywood to its present use in describing the development of highly competitive television and film production industries in Canada. From a political economic perspective, I argue that the history of runaway production demonstrates how Hollywood’s multinational media corporations have leveraged production work to cultivate goodwill and industry-friendly trade policies across global media markets. More critically, I argue that the history of runaway production tells the story of the development of a Hollywood labor diaspora: a globally dispersed labor force bound by a common cultural identity as Hollywood labor, but divided by their unequal relationship to the discursive mythology of Hollywood as the industry’s authentic “homeland.”"]},{"key":"dc:title","label":"Title","values":["Runaway film production: A critical history of Hollywood's outsourcing discourse"]}]}],"canonical_facts":{"dc:contributor":["Nerone, John C.","Hay, James W.","Jones, Steven G.","McCarthy, Cameron R."],"dc:creator":["Yale, Camille K."],"dc:date":["2011-01-14T22:52:20Z","2010-12"],"dc:description":["Item withdrawn by Mark Zulauf (zulauf@illinois.edu) on 2010-11-29T20:00:48Z Item was in collections: University of Illinois Theses & Dissertations (ID: 1) No. of bitstreams: 2 Yale_Camille.docx: 386512 bytes, checksum: d7327cdb6ea3f20a38b82e0c6e58527d (MD5) Yale_Camille.pdf: 1136380 bytes, checksum: 000df052370517cef1683bb6ca1d5396 (MD5)","Made available in DSpace on 2011-01-14T22:52:20Z (GMT). No. of bitstreams: 3 Yale_Camille.pdf: 1136380 bytes, checksum: 000df052370517cef1683bb6ca1d5396 (MD5) Yale_Camille.docx: 386512 bytes, checksum: d7327cdb6ea3f20a38b82e0c6e58527d (MD5) license.txt: 4062 bytes, checksum: 373e85bb310d12a468f6ce908b51020f (MD5)","Runaway production is a phrase commonly used by Hollywood film and television production labor to describe the outsourcing of production work to foreign locations. It is an issue that has been credited with siphoning tens of millions of dollars and thousands of jobs from the U.S. economy. Despite broad interest in runaway production by journalists, politicians, academics, and media labor interests, and despite its potential impact on hundreds of thousands—and perhaps millions—of workers in the U.S., there has been very little critical analysis of its historical development and function as a political and economic discourse. Through extensive archival research, this dissertation critically examines the history of runaway production, from its introduction in postwar Hollywood to its present use in describing the development of highly competitive television and film production industries in Canada. From a political economic perspective, I argue that the history of runaway production demonstrates how Hollywood’s multinational media corporations have leveraged production work to cultivate goodwill and industry-friendly trade policies across global media markets. More critically, I argue that the history of runaway production tells the story of the development of a Hollywood labor diaspora: a globally dispersed labor force bound by a common cultural identity as Hollywood labor, but divided by their unequal relationship to the discursive mythology of Hollywood as the industry’s authentic “homeland.”"],"dc:identifier":["http://hdl.handle.net/2142/18481"],"dc:language":["en"],"dc:rights":["Copyright 2010 Camille K. Yale"],"dc:subject":["runaway production","media industries","globalization","outsourcing","media history"],"dc:title":["Runaway film production: A critical history of Hollywood's outsourcing discourse"],"thesis:degree_discipline":["Communications"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["Ph.D."],"thesis:institution_name":["University of Illinois at Urbana-Champaign"]},"updated_at":"2026-07-22T22:25:11Z"}