{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/18428"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/18428","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Performance Insights for Mozart Piano Sonatas Derived from Eighteenth-Century Compositional Guides","abstract":"This thesis uses ideas found in the eighteenth-century composition guides of Joseph Riepel, Heinrich Christoph Koch, Anton Reicha and Johann Friedrich Daube to gain insight into the musical language found in the Mozart sonatas K. 281, 333, 457 and 576. The contemporaneous concepts of the phrase punctuation, expansion and extension, phrase hierarchy, logical relations, and topics forms the basis of the analyses. Insights from the analysis lead to suggestions for performance related to tempos, dynamic changes, phrase separation, pauses, hierarchy of stresses, and other musical elements. The analyses offer more dramatic possibilities of expression, supplementing the innate communicative ability of the performer.","abstract_html":"This thesis uses ideas found in the eighteenth-century composition guides of Joseph Riepel, Heinrich Christoph Koch, Anton Reicha and Johann Friedrich Daube to gain insight into the musical language found in the Mozart sonatas K. 281, 333, 457 and 576. The contemporaneous concepts of the phrase punctuation, expansion and extension, phrase hierarchy, logical relations, and topics forms the basis of the analyses. Insights from the analysis lead to suggestions for performance related to tempos, dynamic changes, phrase separation, pauses, hierarchy of stresses, and other musical elements. The analyses offer more dramatic possibilities of expression, supplementing the innate communicative ability of the performer.","abstract_has_math":false,"creators":["Hudson, Sharon J."],"institution":"University of Illinois at Urbana-Champaign","degree_name":"A.Mus.D.","degree_level":"Dissertation","degree_discipline":"Music","degree_department":null,"school":null,"contributors":["Hill, John W.","Heiles, William H.","Tipei, Sever","Ehlen, Timothy"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2011,"date_issued":"2011-01-14T22:50:32Z","date_published":"2011-01-14T22:50:32Z","updated_at":"2026-07-22T22:25:11Z","subjects":["Koch","Riepel","Mozart piano sonatas","K. 281","K. 333","K. 457","K. 576","phrase punctuation","eighteenth-century theory"],"languages":["en"],"rights":["Copyright 2010 Sharon J. Hudson"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/2142/18428","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Hill, John W.","Heiles, William H.","Tipei, Sever","Ehlen, Timothy"]},{"key":"dc:creator","label":"Author","values":["Hudson, Sharon J."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2011-01-14T22:50:32Z","2010-12"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Music"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["A.Mus.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Koch","Riepel","Mozart piano sonatas","K. 281","K. 333","K. 457","K. 576","phrase punctuation","eighteenth-century theory"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2010 Sharon J. 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Hudson"],"dc:subject":["Koch","Riepel","Mozart piano sonatas","K. 281","K. 333","K. 457","K. 576","phrase punctuation","eighteenth-century theory"],"dc:title":["Performance Insights for Mozart Piano Sonatas Derived from Eighteenth-Century Compositional Guides"],"thesis:degree_discipline":["Music"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["A.Mus.D."],"thesis:institution_name":["University of Illinois at Urbana-Champaign"]},"updated_at":"2026-07-22T22:25:11Z"}