{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/18361"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/18361","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Chinese instruments in a western contemporary idiom selected works of Chen Yi","abstract":"The purpose of this study is to show composer Chen Yi (b.1953)’s musical synthesis of East and West. Examples and analysis are made from the following selected pieces: Fiddle Suite, The Points, Ancient Dances, Ning, Song in Winter, Chinese Fables and Ancient Beauty, which all contain Chinese instruments. Technical issues of combining Chinese and Western instruments are discussed, as well as Chinese philosophy and the arts that inspire the pieces. In addition, examples are made to show the influences of Chinese traditional music in Chen’s music, as well as the absorption of Western twentieth century compositional techniques as more systematic methods to support her compositions.","abstract_html":"The purpose of this study is to show composer Chen Yi (b.1953)’s musical synthesis of East and West. Examples and analysis are made from the following selected pieces: Fiddle Suite, The Points, Ancient Dances, Ning, Song in Winter, Chinese Fables and Ancient Beauty, which all contain Chinese instruments. Technical issues of combining Chinese and Western instruments are discussed, as well as Chinese philosophy and the arts that inspire the pieces. In addition, examples are made to show the influences of Chinese traditional music in Chen’s music, as well as the absorption of Western twentieth century compositional techniques as more systematic methods to support her compositions.","abstract_has_math":false,"creators":["Huang, Tsai-Yun"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"A.Mus.D.","degree_level":"Dissertation","degree_discipline":"Music","degree_department":null,"school":null,"contributors":["Taube, Heinrich K.","Lund, Erik R.","Heiles, William H.","Ward, Thomas R."],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2011,"date_issued":"2011-01-14T22:47:39Z","date_published":"2011-01-14T22:47:39Z","updated_at":"2026-07-22T22:25:11Z","subjects":[],"languages":["en"],"rights":["Copyright 2010 Tsai-Yun Huang"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/2142/18361","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Taube, Heinrich K.","Lund, Erik R.","Heiles, William H.","Ward, Thomas R."]},{"key":"dc:creator","label":"Author","values":["Huang, Tsai-Yun"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2011-01-14T22:47:39Z","2010-12"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Music"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["A.Mus.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2010 Tsai-Yun Huang"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/18361"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["The purpose of this study is to show composer Chen Yi (b.1953)’s musical synthesis of East and West. 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