{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/16902"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/16902","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Colonial Music, Confraternities, and Power in the Archdiocese of Lima","abstract":"My dissertation studies the intersections of colonial Spanish ecclesiastical and secular hegemonic orthodoxy, subaltern heterodoxy, the confraternity as an institutional nexus of these competing forces, and the musical expressions thereof in the Archdiocese of Lima, particularly during the seventeenth and eighteenth centuries. All strata of society, from slave to viceroy, gathered in confraternities, which could serve as institutions of both church control and the conservation of “pagan” traditions, and which contributed the greater portion of musical activities during the yearly religious festivals. These festivals, in turn, formed one of the principal contexts for public displays of colonial positions of power. My dissertation, through the lenses of confraternities and their musical life, explores power and cultural traditions in the archdiocese as an exemplar of how these forces operated throughout the Spanish American colonies, challenging a retroactive, historically inappropriate narrative of unilateral Spanish domination, racial essentialism, and homogenization of subaltern groups.","abstract_html":"My dissertation studies the intersections of colonial Spanish ecclesiastical and secular hegemonic orthodoxy, subaltern heterodoxy, the confraternity as an institutional nexus of these competing forces, and the musical expressions thereof in the Archdiocese of Lima, particularly during the seventeenth and eighteenth centuries. All strata of society, from slave to viceroy, gathered in confraternities, which could serve as institutions of both church control and the conservation of “pagan” traditions, and which contributed the greater portion of musical activities during the yearly religious festivals. These festivals, in turn, formed one of the principal contexts for public displays of colonial positions of power. My dissertation, through the lenses of confraternities and their musical life, explores power and cultural traditions in the archdiocese as an exemplar of how these forces operated throughout the Spanish American colonies, challenging a retroactive, historically inappropriate narrative of unilateral Spanish domination, racial essentialism, and homogenization of subaltern groups.","abstract_has_math":false,"creators":["Young, Kydalla E."],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"Musicology","degree_department":null,"school":null,"contributors":["Hill, John W.","Bashford, Christina","Buchanan, Donna A.","Ward, Thomas R."],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2010,"date_issued":"2010-08-20T18:01:18Z","date_published":"2010-08-20T18:01:18Z","updated_at":"2026-07-22T22:25:09Z","subjects":["Peru","colonial","Andes","Spanish colonies","Catholic Church","confraternity"],"languages":["en"],"rights":["Copyright 2010 Kydalla Etheyo Young"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/2142/16902","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Hill, John W.","Bashford, Christina","Buchanan, Donna A.","Ward, Thomas R."]},{"key":"dc:creator","label":"Author","values":["Young, Kydalla E."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2010-08-20T18:01:18Z","2010-08"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Musicology"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Peru","colonial","Andes","Spanish colonies","Catholic Church","confraternity"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2010 Kydalla Etheyo Young"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/16902"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["My dissertation studies the intersections of colonial Spanish ecclesiastical and secular hegemonic orthodoxy, subaltern heterodoxy, the confraternity as an institutional nexus of these competing forces, and the musical expressions thereof in the Archdiocese of Lima, particularly during the seventeenth and eighteenth centuries. 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My dissertation, through the lenses of confraternities and their musical life, explores power and cultural traditions in the archdiocese as an exemplar of how these forces operated throughout the Spanish American colonies, challenging a retroactive, historically inappropriate narrative of unilateral Spanish domination, racial essentialism, and homogenization of subaltern groups.","Item withdrawn by Mark Zulauf (zulauf@illinois.edu) on 2010-07-16T13:38:27Z Item was in collections: University of Illinois Theses & Dissertations (ID: 1) No. of bitstreams: 1 Young_Kydalla.pdf: 3571438 bytes, checksum: d3c5f79582fbde29f09e9266c4da0054 (MD5)","Made available in DSpace on 2010-08-20T18:01:18Z (GMT). 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All strata of society, from slave to viceroy, gathered in confraternities, which could serve as institutions of both church control and the conservation of “pagan” traditions, and which contributed the greater portion of musical activities during the yearly religious festivals. These festivals, in turn, formed one of the principal contexts for public displays of colonial positions of power. 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