{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/15576"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/15576","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"From exile to transcendence: racial mixture and the journey of revision in the works of Lydia Maria Child, Hannah Crafts, Kate Chopin, James Weldon Johnson, and Jean Toomer","abstract":"My study, entitled From Exiles to Transcendences focuses on five authors: Lydia Maria Child, Hannah Crafts, Kate Chopin, James Weldon Johnson, and Jean Toomer. It examines each author’s effort to represent the mixed-race character as a constant “process of becoming” (Hall, Questions of Identity 4). This study aims to convey the distinctiveness of the American mixed-race character in American literature and to provide a thorough reading of how this distinctiveness is portrayed and sustained throughout the scope of the selected texts. My dissertation identifies the mixed-race voice as experientially distinct from other American raced voices while acknowledging the mixed-race character as one who demonstrates a connectedness to a plurality of racial cultures. The following chapters span a period of approximately 100 years and illustrate a common concern among them, albeit from differing perspectives and influences, regarding how home and family function as fluid spaces of racial subjectivity. My study maintains a position that the above authors questioned the presumed irreversibility of an entrenched understanding of family ties; that they challenged and rescripted the historically defined self with a self that privileges experience and discovery over pre-given identities; and that they depicted their characters as evolving subjects who created themselves with name and identity as they moved toward their “process of becoming.”","abstract_html":"My study, entitled From Exiles to Transcendences focuses on five authors: Lydia Maria Child, Hannah Crafts, Kate Chopin, James Weldon Johnson, and Jean Toomer. It examines each author’s effort to represent the mixed-race character as a constant “process of becoming” (Hall, Questions of Identity 4). This study aims to convey the distinctiveness of the American mixed-race character in American literature and to provide a thorough reading of how this distinctiveness is portrayed and sustained throughout the scope of the selected texts. My dissertation identifies the mixed-race voice as experientially distinct from other American raced voices while acknowledging the mixed-race character as one who demonstrates a connectedness to a plurality of racial cultures. The following chapters span a period of approximately 100 years and illustrate a common concern among them, albeit from differing perspectives and influences, regarding how home and family function as fluid spaces of racial subjectivity. My study maintains a position that the above authors questioned the presumed irreversibility of an entrenched understanding of family ties; that they challenged and rescripted the historically defined self with a self that privileges experience and discovery over pre-given identities; and that they depicted their characters as evolving subjects who created themselves with name and identity as they moved toward their “process of becoming.”","abstract_has_math":false,"creators":["Lynch, Suzanne M."],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"English","degree_department":null,"school":null,"contributors":["Foote, Stephanie","Deck, Alice","Somerville, Siobhan B.","Nelson, Cary"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2010,"date_issued":"2010-05-14T20:51:05Z","date_published":"2010-05-14T20:51:05Z","updated_at":"2026-07-22T22:25:08Z","subjects":["mulatta","racial trancendence","racial plurality","racial subjectivity","home and family"],"languages":["en"],"rights":["Copyright 2010 Suzanne M. 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My dissertation identifies the mixed-race voice as experientially distinct from other American raced voices while acknowledging the mixed-race character as one who demonstrates a connectedness to a plurality of racial cultures. The following chapters span a period of approximately 100 years and illustrate a common concern among them, albeit from differing perspectives and influences, regarding how home and family function as fluid spaces of racial subjectivity. My study maintains a position that the above authors questioned the presumed irreversibility of an entrenched understanding of family ties; that they challenged and rescripted the historically defined self with a self that privileges experience and discovery over pre-given identities; and that they depicted their characters as evolving subjects who created themselves with name and identity as they moved toward their “process of becoming.”","Item withdrawn by Mark Zulauf (zulauf@illinois.edu) on 2010-02-18T20:50:59Z Item was in collections: University of Illinois Theses & Dissertations (ID: 1) No. of bitstreams: 2 Lynch_Suzanne.pdf: 1070852 bytes, checksum: 47e7e2b928d158a48a11b0474a36a800 (MD5) Lynch_Suzanne complete disseration feb 152010.doc: 457216 bytes, checksum: 92c0f36ef9b1afe0dc20ae32ec38875b (MD5)","Made available in DSpace on 2010-05-14T20:51:05Z (GMT). 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