{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/14632"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/14632","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"\"\"\"The friendship of peoples\"\": Soviet ballet, nationalities policy, and the artistic media, 1953-1968\"","abstract":"\"This project places the art form of Soviet classical ballet within the political and cultural context of the Khrushchev-era Thaw. It traces the Soviet Union's long-standing nationalities policy--envisioned by Lenin even before 1917 and championed by Stalin throughout his tenure--and its connection to the proliferation of state-sponsored classical ballet theatres across the ethnically diverse, non-Russian regions and republics of the USSR. Classical ballet served a dual purpose in fulfilling the Soviet Union's claim to be the most culturally, scientifically, economically, and politically advanced country on earth. First, the internationally-heralded achievements of Russia's two oldest ballet institutions--the Bolshoi and Kirov Theatres--served to demonstrate Soviet cultural superiority to the rest of the world. Second, by founding state-sponsored ballet theatres in its peripheries, the Soviet Union utilized the art form of classical dance as a part of its civilizing mission to spread culture to its own \"\"backward\"\" regions. The artistic achievements of these provincial and republic ballet theatres served as a powerful source of propaganda, not only to Moscow and Leningrad, but also abroad, emphasizing the Soviet Union's dedication to cultural development even in traditionally under-developed regions.\"","abstract_html":"&quot;This project places the art form of Soviet classical ballet within the political and cultural context of the Khrushchev-era Thaw. It traces the Soviet Union&#x27;s long-standing nationalities policy--envisioned by Lenin even before 1917 and championed by Stalin throughout his tenure--and its connection to the proliferation of state-sponsored classical ballet theatres across the ethnically diverse, non-Russian regions and republics of the USSR. Classical ballet served a dual purpose in fulfilling the Soviet Union&#x27;s claim to be the most culturally, scientifically, economically, and politically advanced country on earth. First, the internationally-heralded achievements of Russia&#x27;s two oldest ballet institutions--the Bolshoi and Kirov Theatres--served to demonstrate Soviet cultural superiority to the rest of the world. Second, by founding state-sponsored ballet theatres in its peripheries, the Soviet Union utilized the art form of classical dance as a part of its civilizing mission to spread culture to its own &quot;&quot;backward&quot;&quot; regions. The artistic achievements of these provincial and republic ballet theatres served as a powerful source of propaganda, not only to Moscow and Leningrad, but also abroad, emphasizing the Soviet Union&#x27;s dedication to cultural development even in traditionally under-developed regions.&quot;","abstract_has_math":false,"creators":["Hamm, Kristen E."],"institution":"University of Illinois at Urbana-Champaign","degree_name":"M.A.","degree_level":"Thesis","degree_discipline":"Russian, E Eur, Eurasian St","degree_department":null,"school":null,"contributors":["Koenker, Diane P."],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2010,"date_issued":"2010-01-06T16:20:09Z","date_published":"2010-01-06T16:20:09Z","updated_at":"2026-07-22T22:25:07Z","subjects":["Soviet Union--Cultural History","Soviet Union--Ballet","Soviet Union--Government Policy--Minorities"],"languages":["en"],"rights":["Copyright 2009 Kristen E. 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