{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/132597"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/132597","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Lion-hearted Zezva: musical memorial at a funerary horse race","abstract":"This thesis is focused on the memorial practices of the Tushetian community of northeastern Georgia, in particular their annual, commemorative festival known as Zezvaoba. Through an analysis of Zezvaoba’s structure, rites, and sounds; an explanation of local histories and beliefs; and personal accounts derived from my ethnographic experience, I contextualize Tushetian practices (musical, equestrian, and culinary) within a broader conversation about regional identity, the politicization of memorial practices, and the utilization of musical performance as a means to both remember the past, and comment on the present and future.","abstract_html":"This thesis is focused on the memorial practices of the Tushetian community of northeastern Georgia, in particular their annual, commemorative festival known as Zezvaoba. Through an analysis of Zezvaoba’s structure, rites, and sounds; an explanation of local histories and beliefs; and personal accounts derived from my ethnographic experience, I contextualize Tushetian practices (musical, equestrian, and culinary) within a broader conversation about regional identity, the politicization of memorial practices, and the utilization of musical performance as a means to both remember the past, and comment on the present and future.","abstract_has_math":false,"creators":["Wheeler, Benjamin Michels"],"institution":"University of Illinois Urbana-Champaign","degree_name":"M.Mus.","degree_level":"Thesis","degree_discipline":"Musicology","degree_department":null,"school":null,"contributors":["Buchanan, Donna A."],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2025,"date_issued":"2025-12","date_published":"2025-12","updated_at":"2026-07-22T22:25:07Z","subjects":["Musicology","Georgia","Tusheti","Mourning","Ritual"],"languages":["en"],"rights":["Copyright 2025 Benjamin Michels Wheeler"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/2142/132597","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Buchanan, Donna A."]},{"key":"dc:creator","label":"Author","values":["Wheeler, Benjamin Michels"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2025-12","2025-12-10"]},{"key":"dc:type","label":"Dc Type","values":["text","Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Musicology"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["M.Mus."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Musicology","Georgia","Tusheti","Mourning","Ritual"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2025 Benjamin Michels Wheeler"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://hdl.handle.net/2142/132597"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["This thesis is focused on the memorial practices of the Tushetian community of northeastern Georgia, in particular their annual, commemorative festival known as Zezvaoba. Through an analysis of Zezvaoba’s structure, rites, and sounds; an explanation of local histories and beliefs; and personal accounts derived from my ethnographic experience, I contextualize Tushetian practices (musical, equestrian, and culinary) within a broader conversation about regional identity, the politicization of memorial practices, and the utilization of musical performance as a means to both remember the past, and comment on the present and future.","Submission original under an indefinite embargo labeled 'Open Access'. The submission was exported from vireo on 2026-02-19 without embargo terms","The student, Benjamin Michels Wheeler, accepted the attached license on 2025-12-09 at 15:46.","The student, Benjamin Michels Wheeler, submitted this Thesis for approval on 2025-12-09 at 15:57.","This Thesis was approved for publication on 2025-12-10 at 07:31.","DSpace SAF Submission Ingestion Package generated from Vireo submission #23114 on 2026-02-19 at 18:30:10"]},{"key":"dc:format","label":"Dc Format","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["Lion-hearted Zezva: musical memorial at a funerary horse race"]}]}],"canonical_facts":{"dc:contributor":["Buchanan, Donna A."],"dc:creator":["Wheeler, Benjamin Michels"],"dc:date":["2025-12","2025-12-10"],"dc:description":["This thesis is focused on the memorial practices of the Tushetian community of northeastern Georgia, in particular their annual, commemorative festival known as Zezvaoba. Through an analysis of Zezvaoba’s structure, rites, and sounds; an explanation of local histories and beliefs; and personal accounts derived from my ethnographic experience, I contextualize Tushetian practices (musical, equestrian, and culinary) within a broader conversation about regional identity, the politicization of memorial practices, and the utilization of musical performance as a means to both remember the past, and comment on the present and future.","Submission original under an indefinite embargo labeled 'Open Access'. The submission was exported from vireo on 2026-02-19 without embargo terms","The student, Benjamin Michels Wheeler, accepted the attached license on 2025-12-09 at 15:46.","The student, Benjamin Michels Wheeler, submitted this Thesis for approval on 2025-12-09 at 15:57.","This Thesis was approved for publication on 2025-12-10 at 07:31.","DSpace SAF Submission Ingestion Package generated from Vireo submission #23114 on 2026-02-19 at 18:30:10"],"dc:format":["application/pdf"],"dc:identifier":["https://hdl.handle.net/2142/132597"],"dc:language":["en"],"dc:rights":["Copyright 2025 Benjamin Michels Wheeler"],"dc:subject":["Musicology","Georgia","Tusheti","Mourning","Ritual"],"dc:title":["Lion-hearted Zezva: musical memorial at a funerary horse race"],"dc:type":["text","Thesis"],"thesis:degree_discipline":["Musicology"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["M.Mus."],"thesis:institution_name":["University of Illinois Urbana-Champaign"]},"updated_at":"2026-07-22T22:25:07Z"}