{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/127408"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/127408","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"The reparative potential of performance: Exploring the work of Aliza Shvarts as negotiations of harm and healing","abstract":"Submission published under a 24 month embargo labeled 'U of I Access', the embargo will last until 2026-12-01","abstract_html":"Submission published under a 24 month embargo labeled 'U of I Access', the embargo will last until 2026-12-01","abstract_has_math":false,"creators":["Wills, Savannah"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"M.A.","degree_level":"Thesis","degree_discipline":"Art History","degree_department":null,"school":null,"contributors":["Weissman , Terri"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2024,"date_issued":"2024-12-13","date_published":"2024-12-13","updated_at":"2026-07-22T22:25:04Z","subjects":["Performance","Repair"],"languages":["en","eng"],"rights":["Copyright 2024 Savannah Wills"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/2142/127408","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Weissman , Terri"]},{"key":"dc:creator","label":"Author","values":["Wills, Savannah"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2024-12-13","2024-12"]},{"key":"dc:type","label":"Dc Type","values":["text","Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Art History"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["M.A."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Performance","Repair"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en","eng"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2024 Savannah Wills"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://hdl.handle.net/2142/127408"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Submission published under a 24 month embargo labeled 'U of I Access', the embargo will last until 2026-12-01","The student, Savannah Wills, accepted the attached license on 2024-12-08 at 17:08.","The student, Savannah Wills, submitted this Thesis for approval on 2024-12-08 at 17:13.","This Thesis was approved for publication on 2024-12-13 at 08:29.","DSpace SAF Submission Ingestion Package generated from Vireo submission #21543 on 2025-03-28 at 14:44:58","What do the theories and practices of reparation offer that justice cannot, and how can artistic practice, especially performance, help to cultivate a kind of radical care that survival amidst multiple systems of oppression require? This paper aims to contribute to the ongoing discourse within art history about the intersection of reparation and artistic practice through an analysis of Aliza Shvarts’s work, which emerges in its fullness as a series of works that should be seen as reiterations and renegotiations—that is, as parts of a dialogue rather than individual statements. Moreover, it is in this communicative aspect, I contend, where we begin to see how performance art can address harm caused by structural violences, specifically gender-based violence."]},{"key":"dc:format","label":"Dc Format","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["The reparative potential of performance: Exploring the work of Aliza Shvarts as negotiations of harm and healing"]}]}],"canonical_facts":{"dc:contributor":["Weissman , Terri"],"dc:creator":["Wills, Savannah"],"dc:date":["2024-12-13","2024-12"],"dc:description":["Submission published under a 24 month embargo labeled 'U of I Access', the embargo will last until 2026-12-01","The student, Savannah Wills, accepted the attached license on 2024-12-08 at 17:08.","The student, Savannah Wills, submitted this Thesis for approval on 2024-12-08 at 17:13.","This Thesis was approved for publication on 2024-12-13 at 08:29.","DSpace SAF Submission Ingestion Package generated from Vireo submission #21543 on 2025-03-28 at 14:44:58","What do the theories and practices of reparation offer that justice cannot, and how can artistic practice, especially performance, help to cultivate a kind of radical care that survival amidst multiple systems of oppression require? This paper aims to contribute to the ongoing discourse within art history about the intersection of reparation and artistic practice through an analysis of Aliza Shvarts’s work, which emerges in its fullness as a series of works that should be seen as reiterations and renegotiations—that is, as parts of a dialogue rather than individual statements. Moreover, it is in this communicative aspect, I contend, where we begin to see how performance art can address harm caused by structural violences, specifically gender-based violence."],"dc:format":["application/pdf"],"dc:identifier":["https://hdl.handle.net/2142/127408"],"dc:language":["en","eng"],"dc:rights":["Copyright 2024 Savannah Wills"],"dc:subject":["Performance","Repair"],"dc:title":["The reparative potential of performance: Exploring the work of Aliza Shvarts as negotiations of harm and healing"],"dc:type":["text","Thesis"],"thesis:degree_discipline":["Art History"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["M.A."],"thesis:institution_name":["University of Illinois at Urbana-Champaign"]},"updated_at":"2026-07-22T22:25:04Z"}