{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/125646"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/125646","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"“Hold on to the memories:” Exploring timbral and fabricated nostalgia in Taylor Swift’s music","abstract":"Submission original under an indefinite embargo labeled 'Open Access'. The submission was exported from vireo on 2025-02-04 without embargo terms","abstract_html":"Submission original under an indefinite embargo labeled 'Open Access'. The submission was exported from vireo on 2025-02-04 without embargo terms","abstract_has_math":false,"creators":["Mirabal, Adrianna Eliza"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"M.Mus.","degree_level":"Thesis","degree_discipline":"Music","degree_department":null,"school":null,"contributors":["Silvers, Michael B","Ramirez, Carlos Roberto"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2024,"date_issued":"2024-07-17","date_published":"2024-07-17","updated_at":"2026-07-22T22:25:02Z","subjects":["Timbre","Nostalgia","Materiality","Taylor Swift"],"languages":["en","eng"],"rights":["Copyright 2024 Adrianna Eliza Mirabal"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/2142/125646","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Silvers, Michael B","Ramirez, Carlos Roberto"]},{"key":"dc:creator","label":"Author","values":["Mirabal, Adrianna Eliza"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2024-07-17","2024-08"]},{"key":"dc:type","label":"Dc Type","values":["text","Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Music"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["M.Mus."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Timbre","Nostalgia","Materiality","Taylor Swift"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en","eng"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2024 Adrianna Eliza Mirabal"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://hdl.handle.net/2142/125646"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Submission original under an indefinite embargo labeled 'Open Access'. The submission was exported from vireo on 2025-02-04 without embargo terms","The student, Adrianna Mirabal, accepted the attached license on 2024-07-17 at 12:12.","The student, Adrianna Mirabal, submitted this Thesis for approval on 2024-07-17 at 12:22.","This Thesis was approved for publication on 2024-07-17 at 14:27.","DSpace SAF Submission Ingestion Package generated from Vireo submission #21142 on 2025-02-04 at 21:05:26","This thesis examines Taylor Swift’s rerecordings and the formats of her musical releases by positioning them within the context of nostalgia. It includes a critical analysis and autoethnography of Swift’s Fearless rerecording as a mode to understand “timbral nostalgia,” a theory I have coined that combines the nostalgic feeling that is brought upon while listening to a particular timbre. It also includes a critical discussion of the industrial nature of popular music and centers Swift’s participation in creating material media in an increasingly digital age thus fostering what I call, “fabricated nostalgia.” Finally, by combining these two theories—“timbral nostalgia” and “fabricated nostalgia”—it will discuss how Swift’s musical brand benefits and deploys nostalgic ideals for her fans. Taylor Swift’s rerecording endeavor has allowed her to revisit and recreate her musical past. After her old record label sold her first six albums to Scooter Braun, Swift’s plan to rerecord her old work was not only personal but profitable. Swift’s effort to further devalue her back catalog has worked in her favor as she rerecords each album subtitled, ‘Taylor’s Version,’ positioning her with a regained ownership and power over her old music. Simultaneously, Swift has also released entirely new albums that are not only available digitally but materially with exclusive content and aesthetics. In much of Swift’s musical work, and through her successful “Eras Tour,” she continuously participates in nostalgia. Whether that be through the recreation of each era as she releases the rerecording or through her use and implementation of material media, Swift’s push for nostalgic musical experiences cannot be denied. By highlighting my own relationship to Swift, I present this thesis as a vehicle to explore how Swift’s music and brand inspire nostalgic experiences for her listeners."]},{"key":"dc:format","label":"Dc Format","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["“Hold on to the memories:” Exploring timbral and fabricated nostalgia in Taylor Swift’s music"]}]}],"canonical_facts":{"dc:contributor":["Silvers, Michael B","Ramirez, Carlos Roberto"],"dc:creator":["Mirabal, Adrianna Eliza"],"dc:date":["2024-07-17","2024-08"],"dc:description":["Submission original under an indefinite embargo labeled 'Open Access'. The submission was exported from vireo on 2025-02-04 without embargo terms","The student, Adrianna Mirabal, accepted the attached license on 2024-07-17 at 12:12.","The student, Adrianna Mirabal, submitted this Thesis for approval on 2024-07-17 at 12:22.","This Thesis was approved for publication on 2024-07-17 at 14:27.","DSpace SAF Submission Ingestion Package generated from Vireo submission #21142 on 2025-02-04 at 21:05:26","This thesis examines Taylor Swift’s rerecordings and the formats of her musical releases by positioning them within the context of nostalgia. It includes a critical analysis and autoethnography of Swift’s Fearless rerecording as a mode to understand “timbral nostalgia,” a theory I have coined that combines the nostalgic feeling that is brought upon while listening to a particular timbre. It also includes a critical discussion of the industrial nature of popular music and centers Swift’s participation in creating material media in an increasingly digital age thus fostering what I call, “fabricated nostalgia.” Finally, by combining these two theories—“timbral nostalgia” and “fabricated nostalgia”—it will discuss how Swift’s musical brand benefits and deploys nostalgic ideals for her fans. Taylor Swift’s rerecording endeavor has allowed her to revisit and recreate her musical past. After her old record label sold her first six albums to Scooter Braun, Swift’s plan to rerecord her old work was not only personal but profitable. Swift’s effort to further devalue her back catalog has worked in her favor as she rerecords each album subtitled, ‘Taylor’s Version,’ positioning her with a regained ownership and power over her old music. Simultaneously, Swift has also released entirely new albums that are not only available digitally but materially with exclusive content and aesthetics. In much of Swift’s musical work, and through her successful “Eras Tour,” she continuously participates in nostalgia. Whether that be through the recreation of each era as she releases the rerecording or through her use and implementation of material media, Swift’s push for nostalgic musical experiences cannot be denied. By highlighting my own relationship to Swift, I present this thesis as a vehicle to explore how Swift’s music and brand inspire nostalgic experiences for her listeners."],"dc:format":["application/pdf"],"dc:identifier":["https://hdl.handle.net/2142/125646"],"dc:language":["en","eng"],"dc:rights":["Copyright 2024 Adrianna Eliza Mirabal"],"dc:subject":["Timbre","Nostalgia","Materiality","Taylor Swift"],"dc:title":["“Hold on to the memories:” Exploring timbral and fabricated nostalgia in Taylor Swift’s music"],"dc:type":["text","Thesis"],"thesis:degree_discipline":["Music"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["M.Mus."],"thesis:institution_name":["University of Illinois at Urbana-Champaign"]},"updated_at":"2026-07-22T22:25:02Z"}