{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/124700"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/124700","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Soundtracking Sovietness: Daily life, labor, and the power of song in Russia, 1920-1980","abstract":"Submission published under a 24 month embargo labeled 'Closed Access', the embargo will last until 2026-05-01","abstract_html":"Submission published under a 24 month embargo labeled 'Closed Access', the embargo will last until 2026-05-01","abstract_has_math":false,"creators":["Abosch, Elizabeth"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"History","degree_department":null,"school":null,"contributors":["Steinberg, Mark","Randolph, John","Buchanan, Donna","Chaplin, Tamara"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2024,"date_issued":"2024-05","date_published":"2024-05","updated_at":"2026-07-22T22:25:02Z","subjects":["Soviet","Russia","History","Song","Songs","Popular Music","Leonid Utesov","Rapm","Arkadii Severnyi","Folksong","Folklore","State Power","Soviet Culture","Popular Culture"],"languages":["en","eng"],"rights":["Copyright 2024 Elizabeth Abosch"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/2142/124700","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Steinberg, Mark","Randolph, John","Buchanan, Donna","Chaplin, Tamara"]},{"key":"dc:creator","label":"Author","values":["Abosch, Elizabeth"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2024-05","2024-04-25"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["History"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Soviet","Russia","History","Song","Songs","Popular Music","Leonid Utesov","Rapm","Arkadii Severnyi","Folksong","Folklore","State Power","Soviet Culture","Popular Culture"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en","eng"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2024 Elizabeth Abosch"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://hdl.handle.net/2142/124700"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Submission published under a 24 month embargo labeled 'Closed Access', the embargo will last until 2026-05-01","The student, Elizabeth Abosch, accepted the attached license on 2024-04-24 at 13:56.","The student, Elizabeth Abosch, submitted this Dissertation for approval on 2024-04-24 at 13:59.","This Dissertation was approved for publication on 2024-04-25 at 15:10.","DSpace SAF Submission Ingestion Package generated from Vireo submission #20613 on 2024-09-16 at 00:50:26","This dissertation examines the creation of the sound of “Sovietness” through the development of mass song and ideological campaigns against unsanctioned popular music in the Soviet Union from 1920-1980, focusing primarily on Russia. It analyzes narratives in public discourse about the effects and experience of singing and listening in newspapers and journals, film, music, literature, song collections, and the personal archives of artists and arts organizations in Moscow. In publicizing this experience and discourse, I argue that Soviet people engaged with, negotiated, and rejected the Soviet identity with words and their own listening habits. Histories of Soviet music have previously concerned the struggles and bonds between composers, bureaucrats, and state power. A focus on the concept of song reveals how ideologues, officials, and the public understood music to influence emotion and behavior. Through filling and saturating Soviet spaces, song was able to manifest an ideal atmosphere of socialist construction or, alternatively, drag listeners and singers to the backwardness of the past. The USSR emerged alongside the radio and gramophone and collapsed parallel to the birth of tape recorders and other technologies of individualized listening; technologies of recorded and broadcast sound had a significant role in the promotion and fragmentation of collective culture. This study of the discourse about the life of songs in Soviet society was more than a matter of public taste. It was about how individuals, groups, peoples, and spaces should sound Soviet, and the risk to the socialist project in sounding otherwise."]},{"key":"dc:format","label":"Dc Format","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["Soundtracking Sovietness: Daily life, labor, and the power of song in Russia, 1920-1980"]}]}],"canonical_facts":{"dc:contributor":["Steinberg, Mark","Randolph, John","Buchanan, Donna","Chaplin, Tamara"],"dc:creator":["Abosch, Elizabeth"],"dc:date":["2024-05","2024-04-25"],"dc:description":["Submission published under a 24 month embargo labeled 'Closed Access', the embargo will last until 2026-05-01","The student, Elizabeth Abosch, accepted the attached license on 2024-04-24 at 13:56.","The student, Elizabeth Abosch, submitted this Dissertation for approval on 2024-04-24 at 13:59.","This Dissertation was approved for publication on 2024-04-25 at 15:10.","DSpace SAF Submission Ingestion Package generated from Vireo submission #20613 on 2024-09-16 at 00:50:26","This dissertation examines the creation of the sound of “Sovietness” through the development of mass song and ideological campaigns against unsanctioned popular music in the Soviet Union from 1920-1980, focusing primarily on Russia. It analyzes narratives in public discourse about the effects and experience of singing and listening in newspapers and journals, film, music, literature, song collections, and the personal archives of artists and arts organizations in Moscow. In publicizing this experience and discourse, I argue that Soviet people engaged with, negotiated, and rejected the Soviet identity with words and their own listening habits. Histories of Soviet music have previously concerned the struggles and bonds between composers, bureaucrats, and state power. A focus on the concept of song reveals how ideologues, officials, and the public understood music to influence emotion and behavior. Through filling and saturating Soviet spaces, song was able to manifest an ideal atmosphere of socialist construction or, alternatively, drag listeners and singers to the backwardness of the past. The USSR emerged alongside the radio and gramophone and collapsed parallel to the birth of tape recorders and other technologies of individualized listening; technologies of recorded and broadcast sound had a significant role in the promotion and fragmentation of collective culture. This study of the discourse about the life of songs in Soviet society was more than a matter of public taste. It was about how individuals, groups, peoples, and spaces should sound Soviet, and the risk to the socialist project in sounding otherwise."],"dc:format":["application/pdf"],"dc:identifier":["https://hdl.handle.net/2142/124700"],"dc:language":["en","eng"],"dc:rights":["Copyright 2024 Elizabeth Abosch"],"dc:subject":["Soviet","Russia","History","Song","Songs","Popular Music","Leonid Utesov","Rapm","Arkadii Severnyi","Folksong","Folklore","State Power","Soviet Culture","Popular Culture"],"dc:title":["Soundtracking Sovietness: Daily life, labor, and the power of song in Russia, 1920-1980"],"dc:type":["text"],"thesis:degree_discipline":["History"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["Ph.D."],"thesis:institution_name":["University of Illinois at Urbana-Champaign"]},"updated_at":"2026-07-22T22:25:02Z"}