{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/124652"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/124652","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Written gardens revisited: Gender and women’s garden poetry in late Imperial China","abstract":"Submission published under a 24 month embargo labeled 'Closed Access', the embargo will last until 2026-05-01","abstract_html":"Submission published under a 24 month embargo labeled 'Closed Access', the embargo will last until 2026-05-01","abstract_has_math":false,"creators":["Wang, Yuefan"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"E Asian Languages & Cultures","degree_department":null,"school":null,"contributors":["Cai, Zong-qi","Hays, David Lyle","Shao, Dan","Persiani, Gian-Piero"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2024,"date_issued":"2024-05","date_published":"2024-05","updated_at":"2026-07-22T22:25:02Z","subjects":["Garden Literature","Chinese Landscape","Women's Poetry","Gender","Late Imperial China"],"languages":["en","eng"],"rights":["Copyright 2024 Yuefan Wang"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/2142/124652","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Cai, Zong-qi","Hays, David Lyle","Shao, Dan","Persiani, Gian-Piero"]},{"key":"dc:creator","label":"Author","values":["Wang, Yuefan"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2024-05","2024-04-20"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["E Asian Languages & Cultures"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Garden Literature","Chinese Landscape","Women's Poetry","Gender","Late Imperial China"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en","eng"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2024 Yuefan Wang"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://hdl.handle.net/2142/124652"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Submission published under a 24 month embargo labeled 'Closed Access', the embargo will last until 2026-05-01","The student, Yuefan Wang, accepted the attached license on 2024-04-10 at 16:06.","The student, Yuefan Wang, submitted this Dissertation for approval on 2024-04-10 at 16:31.","This Dissertation was approved for publication on 2024-04-20 at 11:16.","DSpace SAF Submission Ingestion Package generated from Vireo submission #20351 on 2024-09-16 at 00:49:14","This dissertation unites two stands of significant phenomenon in late imperial China (approximately 1600-1900): the newfound popularity of garden literature, and an unprecedented prominent gendered tension between the male-dominated tradition of garden writing and the feminized nature of the garden space. Combining methodologies of archival research and textual analysis from the fields of literature, women and gender studies, history, art history, and landscape architecture, this interdisciplinary study focuses on garden poetry by gentry women from the 17th to early 20th centuries. It explores how garden poetry enabled these women, conventionally expected to be confined in the domestic realm, to produce poetic spaces for multiple purposes, such as mediating their subject construction and gender relations, engaging in social-political discourse, and eventually carving a place for women’s voices in the subgenre of Chinese literature. From the perspectives of the domestic space, social and public space, and pictorial space, this study examines poems about family gardens (17th cent.), diverse gardens within a city (17th-18th cent.), and garden paintings (18th-early 20th cent.). It reveals that garden poems present multifaceted aspects of gentry women’s changing lives during the late imperial period, shedding light on their experiences, roles, and aspirations. On the one hand, gentlewomen played the gendered roles defined by the Confucian orthodoxy in the garden, an extension of the inner chamber; on the other hand, they formed different social groupings and strategically engaged in worldly affairs through garden writing. In their poetic output of gardens, the female poets assumed different personae to respond to the Ming-Qing transition, enriched the literary geography of the culturally inscribed Hangzhou city, redefined their conventionally subordinate position in artistic representations of gardens, and provided a female perspective on the modernization of Chinese garden culture. These physical, textual, and pictorial garden spaces, which were embedded in familial, cultural, and political changes, enriched women poets’ creations as authors and afforded their agency as gentlewomen in the late imperial literati circle."]},{"key":"dc:format","label":"Dc Format","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["Written gardens revisited: Gender and women’s garden poetry in late Imperial China"]}]}],"canonical_facts":{"dc:contributor":["Cai, Zong-qi","Hays, David Lyle","Shao, Dan","Persiani, Gian-Piero"],"dc:creator":["Wang, Yuefan"],"dc:date":["2024-05","2024-04-20"],"dc:description":["Submission published under a 24 month embargo labeled 'Closed Access', the embargo will last until 2026-05-01","The student, Yuefan Wang, accepted the attached license on 2024-04-10 at 16:06.","The student, Yuefan Wang, submitted this Dissertation for approval on 2024-04-10 at 16:31.","This Dissertation was approved for publication on 2024-04-20 at 11:16.","DSpace SAF Submission Ingestion Package generated from Vireo submission #20351 on 2024-09-16 at 00:49:14","This dissertation unites two stands of significant phenomenon in late imperial China (approximately 1600-1900): the newfound popularity of garden literature, and an unprecedented prominent gendered tension between the male-dominated tradition of garden writing and the feminized nature of the garden space. Combining methodologies of archival research and textual analysis from the fields of literature, women and gender studies, history, art history, and landscape architecture, this interdisciplinary study focuses on garden poetry by gentry women from the 17th to early 20th centuries. It explores how garden poetry enabled these women, conventionally expected to be confined in the domestic realm, to produce poetic spaces for multiple purposes, such as mediating their subject construction and gender relations, engaging in social-political discourse, and eventually carving a place for women’s voices in the subgenre of Chinese literature. From the perspectives of the domestic space, social and public space, and pictorial space, this study examines poems about family gardens (17th cent.), diverse gardens within a city (17th-18th cent.), and garden paintings (18th-early 20th cent.). It reveals that garden poems present multifaceted aspects of gentry women’s changing lives during the late imperial period, shedding light on their experiences, roles, and aspirations. On the one hand, gentlewomen played the gendered roles defined by the Confucian orthodoxy in the garden, an extension of the inner chamber; on the other hand, they formed different social groupings and strategically engaged in worldly affairs through garden writing. In their poetic output of gardens, the female poets assumed different personae to respond to the Ming-Qing transition, enriched the literary geography of the culturally inscribed Hangzhou city, redefined their conventionally subordinate position in artistic representations of gardens, and provided a female perspective on the modernization of Chinese garden culture. These physical, textual, and pictorial garden spaces, which were embedded in familial, cultural, and political changes, enriched women poets’ creations as authors and afforded their agency as gentlewomen in the late imperial literati circle."],"dc:format":["application/pdf"],"dc:identifier":["https://hdl.handle.net/2142/124652"],"dc:language":["en","eng"],"dc:rights":["Copyright 2024 Yuefan Wang"],"dc:subject":["Garden Literature","Chinese Landscape","Women's Poetry","Gender","Late Imperial China"],"dc:title":["Written gardens revisited: Gender and women’s garden poetry in late Imperial China"],"dc:type":["text"],"thesis:degree_discipline":["E Asian Languages & Cultures"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["Ph.D."],"thesis:institution_name":["University of Illinois at Urbana-Champaign"]},"updated_at":"2026-07-22T22:25:02Z"}