{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/124459"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/124459","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Haunting visions: The refusal of settler-colonial containment in C. Ree’s Dark Water and annie ross’s Pots and Other Living Beings","abstract":"This thesis considers two projects—C. Ree’s Dark Water and annie ross’s Pots and Other Living Beings—through concepts of haunting that figure in contemporary Indigenous or anti- colonial thought. By focusing on acts of settler-colonial violence embedded in surroundings that have been rendered neutral, Ree and ross utilize a hauntology. They alter their audiences’ perception of the spaces they work in, making them aware of the settler-colonial “containers,” or settler-colonial ontologies, that frame how these spaces are understood. Dark Water and Pots and Other Living Beings are analyzed in this thesis for their similar hauntological characteristics. They each deal with bodily representation through an absent presence. They each forgo representing a corporeal figure in space, resorting instead to other strategies of invoking human presence. Agents of contamination are present in both works, in which each contaminant is meant to portray the slow and enduring violence of settler-colonial ways of knowing and operating. The ways Ree and ross’s projects differ also provide generative units of analysis for this thesis. Their differing environments, contrasting attunement to haunting, and different mediums allow us to analyze the ways in which settler-colonial vision is constituted through multiple “framing” and “containing” structures, which a hauntological approach makes visible.","abstract_html":"This thesis considers two projects—C. Ree’s Dark Water and annie ross’s Pots and Other Living Beings—through concepts of haunting that figure in contemporary Indigenous or anti- colonial thought. By focusing on acts of settler-colonial violence embedded in surroundings that have been rendered neutral, Ree and ross utilize a hauntology. They alter their audiences’ perception of the spaces they work in, making them aware of the settler-colonial “containers,” or settler-colonial ontologies, that frame how these spaces are understood. Dark Water and Pots and Other Living Beings are analyzed in this thesis for their similar hauntological characteristics. They each deal with bodily representation through an absent presence. They each forgo representing a corporeal figure in space, resorting instead to other strategies of invoking human presence. Agents of contamination are present in both works, in which each contaminant is meant to portray the slow and enduring violence of settler-colonial ways of knowing and operating. The ways Ree and ross’s projects differ also provide generative units of analysis for this thesis. Their differing environments, contrasting attunement to haunting, and different mediums allow us to analyze the ways in which settler-colonial vision is constituted through multiple “framing” and “containing” structures, which a hauntological approach makes visible.","abstract_has_math":false,"creators":["Leatherman, Brittany"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"M.A.","degree_level":"Thesis","degree_discipline":"Art History","degree_department":null,"school":null,"contributors":["Romberg, Kristin"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2024,"date_issued":"2024-05","date_published":"2024-05","updated_at":"2026-07-22T22:25:00Z","subjects":["Hauntology","Haunting","Settler Colonialism","Anti-colonial","Refusal","Indigenous Art","Contemporary Art","History","Performance","Installation Art","Nuclear Violence"],"languages":["eng","en"],"rights":["Copyright 2024 Brittany Leatherman"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/2142/124459","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Romberg, Kristin"]},{"key":"dc:creator","label":"Author","values":["Leatherman, Brittany"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2024-05","2024-05-02"]},{"key":"dc:type","label":"Dc Type","values":["Text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Art History"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["M.A."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Hauntology","Haunting","Settler Colonialism","Anti-colonial","Refusal","Indigenous Art","Contemporary Art","History","Performance","Installation Art","Nuclear Violence"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["eng","en"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2024 Brittany Leatherman"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://hdl.handle.net/2142/124459"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["This thesis considers two projects—C. Ree’s Dark Water and annie ross’s Pots and Other Living Beings—through concepts of haunting that figure in contemporary Indigenous or anti- colonial thought. By focusing on acts of settler-colonial violence embedded in surroundings that have been rendered neutral, Ree and ross utilize a hauntology. They alter their audiences’ perception of the spaces they work in, making them aware of the settler-colonial “containers,” or settler-colonial ontologies, that frame how these spaces are understood. Dark Water and Pots and Other Living Beings are analyzed in this thesis for their similar hauntological characteristics. They each deal with bodily representation through an absent presence. They each forgo representing a corporeal figure in space, resorting instead to other strategies of invoking human presence. Agents of contamination are present in both works, in which each contaminant is meant to portray the slow and enduring violence of settler-colonial ways of knowing and operating. The ways Ree and ross’s projects differ also provide generative units of analysis for this thesis. Their differing environments, contrasting attunement to haunting, and different mediums allow us to analyze the ways in which settler-colonial vision is constituted through multiple “framing” and “containing” structures, which a hauntological approach makes visible.","Submission original under an indefinite embargo labeled 'Open Access'. The submission was exported from vireo on 2024-09-16 without embargo terms","The student, Brittany Leatherman, accepted the attached license on 2024-05-02 at 01:15.","The student, Brittany Leatherman, submitted this Thesis for approval on 2024-05-02 at 01:32.","This Thesis was approved for publication on 2024-05-02 at 16:10.","DSpace SAF Submission Ingestion Package generated from Vireo submission #20751 on 2024-09-16 at 00:37:51"]},{"key":"dc:format","label":"Dc Format","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["Haunting visions: The refusal of settler-colonial containment in C. Ree’s Dark Water and annie ross’s Pots and Other Living Beings"]}]}],"canonical_facts":{"dc:contributor":["Romberg, Kristin"],"dc:creator":["Leatherman, Brittany"],"dc:date":["2024-05","2024-05-02"],"dc:description":["This thesis considers two projects—C. Ree’s Dark Water and annie ross’s Pots and Other Living Beings—through concepts of haunting that figure in contemporary Indigenous or anti- colonial thought. By focusing on acts of settler-colonial violence embedded in surroundings that have been rendered neutral, Ree and ross utilize a hauntology. They alter their audiences’ perception of the spaces they work in, making them aware of the settler-colonial “containers,” or settler-colonial ontologies, that frame how these spaces are understood. Dark Water and Pots and Other Living Beings are analyzed in this thesis for their similar hauntological characteristics. They each deal with bodily representation through an absent presence. They each forgo representing a corporeal figure in space, resorting instead to other strategies of invoking human presence. Agents of contamination are present in both works, in which each contaminant is meant to portray the slow and enduring violence of settler-colonial ways of knowing and operating. The ways Ree and ross’s projects differ also provide generative units of analysis for this thesis. Their differing environments, contrasting attunement to haunting, and different mediums allow us to analyze the ways in which settler-colonial vision is constituted through multiple “framing” and “containing” structures, which a hauntological approach makes visible.","Submission original under an indefinite embargo labeled 'Open Access'. The submission was exported from vireo on 2024-09-16 without embargo terms","The student, Brittany Leatherman, accepted the attached license on 2024-05-02 at 01:15.","The student, Brittany Leatherman, submitted this Thesis for approval on 2024-05-02 at 01:32.","This Thesis was approved for publication on 2024-05-02 at 16:10.","DSpace SAF Submission Ingestion Package generated from Vireo submission #20751 on 2024-09-16 at 00:37:51"],"dc:format":["application/pdf"],"dc:identifier":["https://hdl.handle.net/2142/124459"],"dc:language":["eng","en"],"dc:rights":["Copyright 2024 Brittany Leatherman"],"dc:subject":["Hauntology","Haunting","Settler Colonialism","Anti-colonial","Refusal","Indigenous Art","Contemporary Art","History","Performance","Installation Art","Nuclear Violence"],"dc:title":["Haunting visions: The refusal of settler-colonial containment in C. Ree’s Dark Water and annie ross’s Pots and Other Living Beings"],"dc:type":["Text"],"thesis:degree_discipline":["Art History"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["M.A."],"thesis:institution_name":["University of Illinois at Urbana-Champaign"]},"updated_at":"2026-07-22T22:25:00Z"}