{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/124392"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/124392","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Réception and Indigenous representation: French colonial theatre in Nouvelle France 1606-1727","abstract":"Submission original under an indefinite embargo labeled 'Open Access'. The submission was exported from vireo on 2024-09-16 without embargo terms","abstract_html":"Submission original under an indefinite embargo labeled 'Open Access'. The submission was exported from vireo on 2024-09-16 without embargo terms","abstract_has_math":false,"creators":["Goodell, Emily Margaret"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"Theatre","degree_department":null,"school":null,"contributors":["Stevens, Andrea","Robinson, Valleri","Rand, Jacki","Molldrem Harkulich, Christiana"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2024,"date_issued":"2024-04-26","date_published":"2024-04-26","updated_at":"2026-07-22T22:25:00Z","subjects":["Theatre","Indigenous","Colonial","New France","History","Native American"],"languages":["en","eng"],"rights":["Copyright 2024 Emily Goodell"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/2142/124392","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Stevens, Andrea","Robinson, Valleri","Rand, Jacki","Molldrem Harkulich, Christiana"]},{"key":"dc:creator","label":"Author","values":["Goodell, Emily Margaret"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2024-04-26","2024-05"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Theatre"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Theatre","Indigenous","Colonial","New France","History","Native American"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en","eng"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2024 Emily Goodell"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://hdl.handle.net/2142/124392"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Submission original under an indefinite embargo labeled 'Open Access'. The submission was exported from vireo on 2024-09-16 without embargo terms","The student, Emily Goodell, accepted the attached license on 2024-04-24 at 11:48.","The student, Emily Goodell, submitted this Dissertation for approval on 2024-04-24 at 11:56.","This Dissertation was approved for publication on 2024-04-26 at 13:22.","DSpace SAF Submission Ingestion Package generated from Vireo submission #20610 on 2024-09-16 at 00:36:07","Through the exploration of French-Colonial réceptions, I examine the political, religious, and theatrical relations between colonists and Natives. These réceptions are an amateur drama style in which dignitaries were received before a feast with songs, prose, and verse. Each has key dramatic elements making them unique theatrical practices which I outline in detailed analysis of the individual scripts alongside analyses of each as singular events. Combined with their intense socio-political overtones and indigenous characters, each réception indicates distinct colonial frameworks across Nouvelle France. For the first and most popular piece, Théâtre de Neptune (1606), I extend previous translation work and analysis by placing it beside the other réceptions and noting various treaties and religious edicts put in place post-performance by those in attendance. Secondly, I translate La Réception D’Argenson (1658) and dive into linguistic comparisons, audience responses, shifting political ties, and relationships with the homeland. Finally, I translate and analyze an untitled réception which I call MSV (1727). MSV intimately reflects on the gendered religiosity and indoctrination process of Nouvelle France. Together, the performances demonstrate a progression of Franco-Native relations and the mounting power dynamics between European crowns and the Catholic Church over Native bodies. This dissertation contributes to Colonial Studies, Indigenous Studies, and Theatre History in three ways: first, my use of Indigenous scholars in addition to colonial studies in order to analyze these performances, second, my two translations with attention to the Indigenous and Colonial nuances of the time, and third, my historical speculation on the staging of each piece."]},{"key":"dc:format","label":"Dc Format","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["Réception and Indigenous representation: French colonial theatre in Nouvelle France 1606-1727"]}]}],"canonical_facts":{"dc:contributor":["Stevens, Andrea","Robinson, Valleri","Rand, Jacki","Molldrem Harkulich, Christiana"],"dc:creator":["Goodell, Emily Margaret"],"dc:date":["2024-04-26","2024-05"],"dc:description":["Submission original under an indefinite embargo labeled 'Open Access'. The submission was exported from vireo on 2024-09-16 without embargo terms","The student, Emily Goodell, accepted the attached license on 2024-04-24 at 11:48.","The student, Emily Goodell, submitted this Dissertation for approval on 2024-04-24 at 11:56.","This Dissertation was approved for publication on 2024-04-26 at 13:22.","DSpace SAF Submission Ingestion Package generated from Vireo submission #20610 on 2024-09-16 at 00:36:07","Through the exploration of French-Colonial réceptions, I examine the political, religious, and theatrical relations between colonists and Natives. These réceptions are an amateur drama style in which dignitaries were received before a feast with songs, prose, and verse. Each has key dramatic elements making them unique theatrical practices which I outline in detailed analysis of the individual scripts alongside analyses of each as singular events. Combined with their intense socio-political overtones and indigenous characters, each réception indicates distinct colonial frameworks across Nouvelle France. For the first and most popular piece, Théâtre de Neptune (1606), I extend previous translation work and analysis by placing it beside the other réceptions and noting various treaties and religious edicts put in place post-performance by those in attendance. Secondly, I translate La Réception D’Argenson (1658) and dive into linguistic comparisons, audience responses, shifting political ties, and relationships with the homeland. Finally, I translate and analyze an untitled réception which I call MSV (1727). MSV intimately reflects on the gendered religiosity and indoctrination process of Nouvelle France. Together, the performances demonstrate a progression of Franco-Native relations and the mounting power dynamics between European crowns and the Catholic Church over Native bodies. This dissertation contributes to Colonial Studies, Indigenous Studies, and Theatre History in three ways: first, my use of Indigenous scholars in addition to colonial studies in order to analyze these performances, second, my two translations with attention to the Indigenous and Colonial nuances of the time, and third, my historical speculation on the staging of each piece."],"dc:format":["application/pdf"],"dc:identifier":["https://hdl.handle.net/2142/124392"],"dc:language":["en","eng"],"dc:rights":["Copyright 2024 Emily Goodell"],"dc:subject":["Theatre","Indigenous","Colonial","New France","History","Native American"],"dc:title":["Réception and Indigenous representation: French colonial theatre in Nouvelle France 1606-1727"],"dc:type":["text"],"thesis:degree_discipline":["Theatre"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["Ph.D."],"thesis:institution_name":["University of Illinois at Urbana-Champaign"]},"updated_at":"2026-07-22T22:25:00Z"}