{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/121486"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/121486","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Being non-binary on Japanese Disney Channel: An analysis of the gendered language used in The Owl House","abstract":"Submission original under an indefinite embargo labeled 'Open Access'. The submission was exported from vireo on 2023-12-04 without embargo terms","abstract_html":"Submission original under an indefinite embargo labeled 'Open Access'. The submission was exported from vireo on 2023-12-04 without embargo terms","abstract_has_math":false,"creators":["Herendeen, Sarah"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"M.A.","degree_level":"Thesis","degree_discipline":"E Asian Languages & Cultures","degree_department":null,"school":null,"contributors":["Sadler, Misumi"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2023,"date_issued":"2023-08","date_published":"2023-08","updated_at":"2026-07-22T22:24:57Z","subjects":["Disney","Disney Channel","The Owl House","Role Language","Character Language","Japanese","Sociolinguistics","Lgbtq","Non-binary","Gendered Language","Japanese Gendered Language"],"languages":["en","eng"],"rights":["Copyright 2023 Sarah M. Herendeen"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/2142/121486","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Sadler, Misumi"]},{"key":"dc:creator","label":"Author","values":["Herendeen, Sarah"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2023-08","2023-07-17"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["E Asian Languages & Cultures"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["M.A."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Disney","Disney Channel","The Owl House","Role Language","Character Language","Japanese","Sociolinguistics","Lgbtq","Non-binary","Gendered Language","Japanese Gendered Language"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en","eng"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2023 Sarah M. Herendeen"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://hdl.handle.net/2142/121486"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Submission original under an indefinite embargo labeled 'Open Access'. The submission was exported from vireo on 2023-12-04 without embargo terms","The student, Sarah Herendeen, accepted the attached license on 2023-07-10 at 10:52.","The student, Sarah Herendeen, submitted this Thesis for approval on 2023-07-10 at 11:46.","This Thesis was approved for publication on 2023-07-17 at 10:46.","DSpace SAF Submission Ingestion Package generated from Vireo submission #19589 on 2023-12-04 at 17:01:10","The Owl House is an animated fantasy-horror series that aired on Disney Channel and has been a trail blazer for LGBTQ+ representation in children’s media. A significant factor contributing to this status is the inclusion of a non-binary character in a prominent role. In my research, using linguistic data I collected from the Japanese dubbed version of the show, I look at what kind of language is used by and towards this character in comparison with the language used by and towards other characters in the show. I pay special attention to those linguistic features that are stereotypically classed as gendered language in order to determine what the presence or lack of these features says about the linguistic characterization of the character, and if their non-binary identity is still evident in the Japanese dubbed version of the show."]},{"key":"dc:format","label":"Dc Format","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["Being non-binary on Japanese Disney Channel: An analysis of the gendered language used in The Owl House"]}]}],"canonical_facts":{"dc:contributor":["Sadler, Misumi"],"dc:creator":["Herendeen, Sarah"],"dc:date":["2023-08","2023-07-17"],"dc:description":["Submission original under an indefinite embargo labeled 'Open Access'. The submission was exported from vireo on 2023-12-04 without embargo terms","The student, Sarah Herendeen, accepted the attached license on 2023-07-10 at 10:52.","The student, Sarah Herendeen, submitted this Thesis for approval on 2023-07-10 at 11:46.","This Thesis was approved for publication on 2023-07-17 at 10:46.","DSpace SAF Submission Ingestion Package generated from Vireo submission #19589 on 2023-12-04 at 17:01:10","The Owl House is an animated fantasy-horror series that aired on Disney Channel and has been a trail blazer for LGBTQ+ representation in children’s media. A significant factor contributing to this status is the inclusion of a non-binary character in a prominent role. In my research, using linguistic data I collected from the Japanese dubbed version of the show, I look at what kind of language is used by and towards this character in comparison with the language used by and towards other characters in the show. I pay special attention to those linguistic features that are stereotypically classed as gendered language in order to determine what the presence or lack of these features says about the linguistic characterization of the character, and if their non-binary identity is still evident in the Japanese dubbed version of the show."],"dc:format":["application/pdf"],"dc:identifier":["https://hdl.handle.net/2142/121486"],"dc:language":["en","eng"],"dc:rights":["Copyright 2023 Sarah M. Herendeen"],"dc:subject":["Disney","Disney Channel","The Owl House","Role Language","Character Language","Japanese","Sociolinguistics","Lgbtq","Non-binary","Gendered Language","Japanese Gendered Language"],"dc:title":["Being non-binary on Japanese Disney Channel: An analysis of the gendered language used in The Owl House"],"dc:type":["text"],"thesis:degree_discipline":["E Asian Languages & Cultures"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["M.A."],"thesis:institution_name":["University of Illinois at Urbana-Champaign"]},"updated_at":"2026-07-22T22:24:57Z"}