{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/121462"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/121462","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Imagining new possibilities for classical music performance in the 21st-century: Drawing inspiration from the Berlin cabarets of the Weimar Republic","abstract":"Submission original under an indefinite embargo labeled 'Open Access'. The submission was exported from vireo on 2023-12-04 without embargo terms","abstract_html":"Submission original under an indefinite embargo labeled 'Open Access'. The submission was exported from vireo on 2023-12-04 without embargo terms","abstract_has_math":false,"creators":["Kasdan, Rebecca Rose"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"A.Mus.D.","degree_level":"Dissertation","degree_discipline":"Music","degree_department":null,"school":null,"contributors":["Freivogel, Megan","Fairbanks, Stephen","Silvers, Michael","Bashford, Christina"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2023,"date_issued":"2023-08","date_published":"2023-08","updated_at":"2026-07-22T22:24:57Z","subjects":["21st-century Classical Music","Berlin Cabarets","Violin Performance","Weimar Republic"],"languages":["en","eng"],"rights":["Copyright 2023 Rebecca Kasdan"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/2142/121462","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Freivogel, Megan","Fairbanks, Stephen","Silvers, Michael","Bashford, Christina"]},{"key":"dc:creator","label":"Author","values":["Kasdan, Rebecca Rose"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2023-08","2023-07-07"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Music"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["A.Mus.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["21st-century Classical Music","Berlin Cabarets","Violin Performance","Weimar Republic"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en","eng"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2023 Rebecca Kasdan"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://hdl.handle.net/2142/121462"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Submission original under an indefinite embargo labeled 'Open Access'. The submission was exported from vireo on 2023-12-04 without embargo terms","The student, Rebecca Kasdan, accepted the attached license on 2023-07-06 at 11:52.","The student, Rebecca Kasdan, submitted this Dissertation for approval on 2023-07-06 at 12:00.","This Dissertation was approved for publication on 2023-07-07 at 11:43.","DSpace SAF Submission Ingestion Package generated from Vireo submission #19532 on 2023-12-04 at 17:00:45","This dissertation examines the Berlin cabarets of the Weimar Republic as a model for reimagining new possibilities for classical music performances in the 21st-century United States and reshaping and inspiring my own performance practices as a classical violinist. A pivotal site of experimentation, artistic ingenuity, and inclusivity, the Berlin cabarets embraced interdisciplinary collaboration, audience participation, and community engagement in a nonconfrontational forum that addressed current political, economic, and cultural issues in society. First, I investigate the current state of classical music in the 21st-century United States and analyze nonprofit performing arts organizations that are successfully adopting new strategies to build audiences for classical music performances. I draw parallels between the state of classical music during the Weimar Republic and the 21st-century United States and explore how many modern performing arts organizations hold resonance with the Berlin cabarets. Next, I provide a detailed historical overview of the Berlin cabarets of the Weimar Republic, the artistic ingenuity that led to the genre’s success, and the demise of the cabarets during the Third Reich. In chapter 3, I describe the resurgence of the Berlin cabarets in Theresienstadt, a ghetto for Jewish inmates, during World War II. As a recipient of the University of Illinois Graduate Dissertation Travel Grant, I attend three cabaret shows in New York City. I analyze these performances and their correlations with the Berlin cabarets of the Weimar Republic. Lastly, in conjunction with this dissertation, I perform a Violins of Hope Cabaret Concert at the Spurlock Museum in Urbana, Illinois. In collaboration with Violins of Hope, an international exhibit featuring restored instruments from the Holocaust, I present with Avshi Weinstein, Co-Founder of the Violins of Hope project. Drawing inspiration from the successful elements of the Berlin cabarets of the Weimar Republic, this interdisciplinary concert features puppeteers, dancers, musicians, and visual artists from seven countries. I describe the process of planning and presenting this concert, share audience feedback, and reflect on my own performance practices for future classical music concerts."]},{"key":"dc:format","label":"Dc Format","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["Imagining new possibilities for classical music performance in the 21st-century: Drawing inspiration from the Berlin cabarets of the Weimar Republic"]}]}],"canonical_facts":{"dc:contributor":["Freivogel, Megan","Fairbanks, Stephen","Silvers, Michael","Bashford, Christina"],"dc:creator":["Kasdan, Rebecca Rose"],"dc:date":["2023-08","2023-07-07"],"dc:description":["Submission original under an indefinite embargo labeled 'Open Access'. The submission was exported from vireo on 2023-12-04 without embargo terms","The student, Rebecca Kasdan, accepted the attached license on 2023-07-06 at 11:52.","The student, Rebecca Kasdan, submitted this Dissertation for approval on 2023-07-06 at 12:00.","This Dissertation was approved for publication on 2023-07-07 at 11:43.","DSpace SAF Submission Ingestion Package generated from Vireo submission #19532 on 2023-12-04 at 17:00:45","This dissertation examines the Berlin cabarets of the Weimar Republic as a model for reimagining new possibilities for classical music performances in the 21st-century United States and reshaping and inspiring my own performance practices as a classical violinist. A pivotal site of experimentation, artistic ingenuity, and inclusivity, the Berlin cabarets embraced interdisciplinary collaboration, audience participation, and community engagement in a nonconfrontational forum that addressed current political, economic, and cultural issues in society. First, I investigate the current state of classical music in the 21st-century United States and analyze nonprofit performing arts organizations that are successfully adopting new strategies to build audiences for classical music performances. I draw parallels between the state of classical music during the Weimar Republic and the 21st-century United States and explore how many modern performing arts organizations hold resonance with the Berlin cabarets. Next, I provide a detailed historical overview of the Berlin cabarets of the Weimar Republic, the artistic ingenuity that led to the genre’s success, and the demise of the cabarets during the Third Reich. In chapter 3, I describe the resurgence of the Berlin cabarets in Theresienstadt, a ghetto for Jewish inmates, during World War II. As a recipient of the University of Illinois Graduate Dissertation Travel Grant, I attend three cabaret shows in New York City. I analyze these performances and their correlations with the Berlin cabarets of the Weimar Republic. Lastly, in conjunction with this dissertation, I perform a Violins of Hope Cabaret Concert at the Spurlock Museum in Urbana, Illinois. In collaboration with Violins of Hope, an international exhibit featuring restored instruments from the Holocaust, I present with Avshi Weinstein, Co-Founder of the Violins of Hope project. Drawing inspiration from the successful elements of the Berlin cabarets of the Weimar Republic, this interdisciplinary concert features puppeteers, dancers, musicians, and visual artists from seven countries. I describe the process of planning and presenting this concert, share audience feedback, and reflect on my own performance practices for future classical music concerts."],"dc:format":["application/pdf"],"dc:identifier":["https://hdl.handle.net/2142/121462"],"dc:language":["en","eng"],"dc:rights":["Copyright 2023 Rebecca Kasdan"],"dc:subject":["21st-century Classical Music","Berlin Cabarets","Violin Performance","Weimar Republic"],"dc:title":["Imagining new possibilities for classical music performance in the 21st-century: Drawing inspiration from the Berlin cabarets of the Weimar Republic"],"dc:type":["text"],"thesis:degree_discipline":["Music"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["A.Mus.D."],"thesis:institution_name":["University of Illinois at Urbana-Champaign"]},"updated_at":"2026-07-22T22:24:57Z"}