{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/121460"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/121460","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Interdependency between complexity and longevity through the lens of the designer","abstract":"Submission original under an indefinite embargo labeled 'Open Access'. The submission was exported from vireo on 2023-12-04 without embargo terms","abstract_html":"Submission original under an indefinite embargo labeled 'Open Access'. The submission was exported from vireo on 2023-12-04 without embargo terms","abstract_has_math":false,"creators":["Shin, Sung Soo"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"Informatics","degree_department":null,"school":null,"contributors":["Ruecker, Stan","Ham, Chang Dae","Garcia, Juan Salamanca","Strickfaden, Megan"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2023,"date_issued":"2023-08","date_published":"2023-08","updated_at":"2026-07-22T22:24:57Z","subjects":["Visual Complexity","Aesthetic Longevity"],"languages":["en","eng"],"rights":["Copyright 2023 Sung Soo Shin"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/2142/121460","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Ruecker, Stan","Ham, Chang Dae","Garcia, Juan Salamanca","Strickfaden, Megan"]},{"key":"dc:creator","label":"Author","values":["Shin, Sung Soo"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2023-08","2023-07-09"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Informatics"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Visual Complexity","Aesthetic Longevity"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en","eng"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2023 Sung Soo Shin"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://hdl.handle.net/2142/121460"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Submission original under an indefinite embargo labeled 'Open Access'. The submission was exported from vireo on 2023-12-04 without embargo terms","The student, Sung Soo Shin, accepted the attached license on 2023-07-06 at 02:52.","The student, Sung Soo Shin, submitted this Dissertation for approval on 2023-07-06 at 03:03.","This Dissertation was approved for publication on 2023-07-09 at 17:20.","DSpace SAF Submission Ingestion Package generated from Vireo submission #19528 on 2023-12-04 at 17:00:44","In today's design landscape, the prevailing trend leans towards simplicity and minimalism. However, research by Berlyne (1971) stresses the importance of visual complexity in enhancing interest and preference. My research found that product samples incorporating a mixed design, integrating elements of both visual complexity and simplicity, received the highest ratings of odds ratios in terms of participants' willingness to keep them for ten years. This results in an inverted-U shape curve, which aligns with the inverted U-shaped curve of complexity by Berlyne. It illustrates that stimuli with moderate complexity are generally preferred and evoke higher levels of interest. Striking a balance between complexity and simplicity can result in visually captivating and enduring designs that resonate with users over time. The results of this study show that designers working toward that balance should consider the diverse preferences and cognitive capacities of individuals to create experiences that are visually engaging, intellectually stimulating, and capable of standing the test of time: one size, or level of complexity, does not fit all. According to this study, it was found that there is no absolute concept of pure complexity or pure simplicity in good design. The research indicated that approximately 84.66% simplicity can be present in products, even when the audience perceives them as having 0% complexity. Conversely, about 18.34% simplicity can be found in products, despite the audience perceiving them as being 100% complex. The study also shows that the frequency of interaction between users and products may have an impact on their longevity. Specifically, products that are used more frequently may have a higher chance of survival than those that are used less often. In addition, I introduce the CMYK Method, a unique approach to visual design analysis that provides designers with an effective way to evaluate design elements. This method employs specific colors to represent different aspects: cyan for complexity, magenta for simplicity, yellow for familiarity, and black for entropy. By quantitatively evaluating these elements, the CMYK Method formulates an objective and consistent means of analyzing designs. Combining the CMYK scores, supported by the CMYK Interpretation Chart, enables an overall perception of the design. It can be a valuable tool for designers, marketers, and other professionals who need to communicate the perception of a design quickly and effectively to others."]},{"key":"dc:format","label":"Dc Format","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["Interdependency between complexity and longevity through the lens of the designer"]}]}],"canonical_facts":{"dc:contributor":["Ruecker, Stan","Ham, Chang Dae","Garcia, Juan Salamanca","Strickfaden, Megan"],"dc:creator":["Shin, Sung Soo"],"dc:date":["2023-08","2023-07-09"],"dc:description":["Submission original under an indefinite embargo labeled 'Open Access'. The submission was exported from vireo on 2023-12-04 without embargo terms","The student, Sung Soo Shin, accepted the attached license on 2023-07-06 at 02:52.","The student, Sung Soo Shin, submitted this Dissertation for approval on 2023-07-06 at 03:03.","This Dissertation was approved for publication on 2023-07-09 at 17:20.","DSpace SAF Submission Ingestion Package generated from Vireo submission #19528 on 2023-12-04 at 17:00:44","In today's design landscape, the prevailing trend leans towards simplicity and minimalism. However, research by Berlyne (1971) stresses the importance of visual complexity in enhancing interest and preference. My research found that product samples incorporating a mixed design, integrating elements of both visual complexity and simplicity, received the highest ratings of odds ratios in terms of participants' willingness to keep them for ten years. This results in an inverted-U shape curve, which aligns with the inverted U-shaped curve of complexity by Berlyne. It illustrates that stimuli with moderate complexity are generally preferred and evoke higher levels of interest. Striking a balance between complexity and simplicity can result in visually captivating and enduring designs that resonate with users over time. The results of this study show that designers working toward that balance should consider the diverse preferences and cognitive capacities of individuals to create experiences that are visually engaging, intellectually stimulating, and capable of standing the test of time: one size, or level of complexity, does not fit all. According to this study, it was found that there is no absolute concept of pure complexity or pure simplicity in good design. The research indicated that approximately 84.66% simplicity can be present in products, even when the audience perceives them as having 0% complexity. Conversely, about 18.34% simplicity can be found in products, despite the audience perceiving them as being 100% complex. The study also shows that the frequency of interaction between users and products may have an impact on their longevity. Specifically, products that are used more frequently may have a higher chance of survival than those that are used less often. In addition, I introduce the CMYK Method, a unique approach to visual design analysis that provides designers with an effective way to evaluate design elements. This method employs specific colors to represent different aspects: cyan for complexity, magenta for simplicity, yellow for familiarity, and black for entropy. By quantitatively evaluating these elements, the CMYK Method formulates an objective and consistent means of analyzing designs. Combining the CMYK scores, supported by the CMYK Interpretation Chart, enables an overall perception of the design. It can be a valuable tool for designers, marketers, and other professionals who need to communicate the perception of a design quickly and effectively to others."],"dc:format":["application/pdf"],"dc:identifier":["https://hdl.handle.net/2142/121460"],"dc:language":["en","eng"],"dc:rights":["Copyright 2023 Sung Soo Shin"],"dc:subject":["Visual Complexity","Aesthetic Longevity"],"dc:title":["Interdependency between complexity and longevity through the lens of the designer"],"dc:type":["text"],"thesis:degree_discipline":["Informatics"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["Ph.D."],"thesis:institution_name":["University of Illinois at Urbana-Champaign"]},"updated_at":"2026-07-22T22:24:57Z"}