{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/120437"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/120437","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Life in the afterimage: embodied performance in the work of Carrie Mae Weems, Adama Delphine Fawundu, and Renée Stout","abstract":"Submission published under a 24 month embargo labeled 'U of I Access', the embargo will last until 2025-05-01","abstract_html":"Submission published under a 24 month embargo labeled 'U of I Access', the embargo will last until 2025-05-01","abstract_has_math":false,"creators":["Richter, Sarah"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"Art History","degree_department":null,"school":null,"contributors":["Weissman, Terri","Romberg, Kristin","O'Brien, David","Vazquez, Oscar"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2023,"date_issued":"2023-05","date_published":"2023-05","updated_at":"2026-07-22T22:24:57Z","subjects":["Black Feminist Artists","Neo-colonial","Photography","Performance","Carrie Mae Weems","Renee Stout","Adam Delphine Fawundu","Self-portraits"],"languages":["en","eng"],"rights":["Copyright 2023 Sarah Richter"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/2142/120437","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Weissman, Terri","Romberg, Kristin","O'Brien, David","Vazquez, Oscar"]},{"key":"dc:creator","label":"Author","values":["Richter, Sarah"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2023-05","2023-04-28"]},{"key":"dc:type","label":"Dc Type","values":["text","Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Art History"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Black Feminist Artists","Neo-colonial","Photography","Performance","Carrie Mae Weems","Renee Stout","Adam Delphine Fawundu","Self-portraits"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en","eng"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2023 Sarah Richter"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://hdl.handle.net/2142/120437"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Submission published under a 24 month embargo labeled 'U of I Access', the embargo will last until 2025-05-01","The student, Sarah Richter, accepted the attached license on 2023-04-28 at 12:43.","The student, Sarah Richter, submitted this Dissertation for approval on 2023-04-28 at 12:48.","This Dissertation was approved for publication on 2023-04-28 at 15:05.","DSpace SAF Submission Ingestion Package generated from Vireo submission #19239 on 2023-09-01 at 17:15:18","This work examines the three photographic and performance series by contemporary Black feminist artists Carrie Mae Weems, Adama Delphine Fawunudu, and Renée Stout. 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By creating these visual memoirs, they offer a corrective gesture that challenges the erasure and marginalization of Black experiences and histories."]},{"key":"dc:format","label":"Dc Format","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["Life in the afterimage: embodied performance in the work of Carrie Mae Weems, Adama Delphine Fawundu, and Renée Stout"]}]}],"canonical_facts":{"dc:contributor":["Weissman, Terri","Romberg, Kristin","O'Brien, David","Vazquez, Oscar"],"dc:creator":["Richter, Sarah"],"dc:date":["2023-05","2023-04-28"],"dc:description":["Submission published under a 24 month embargo labeled 'U of I Access', the embargo will last until 2025-05-01","The student, Sarah Richter, accepted the attached license on 2023-04-28 at 12:43.","The student, Sarah Richter, submitted this Dissertation for approval on 2023-04-28 at 12:48.","This Dissertation was approved for publication on 2023-04-28 at 15:05.","DSpace SAF Submission Ingestion Package generated from Vireo submission #19239 on 2023-09-01 at 17:15:18","This work examines the three photographic and performance series by contemporary Black feminist artists Carrie Mae Weems, Adama Delphine Fawunudu, and Renée Stout. 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