{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/120083"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/120083","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Sounding super: Examining aspects of music and sound design in American superhero media","abstract":"Submission original under an indefinite embargo labeled 'Open Access'. The submission was exported from vireo on 2023-09-01 without embargo terms","abstract_html":"Submission original under an indefinite embargo labeled 'Open Access'. The submission was exported from vireo on 2023-09-01 without embargo terms","abstract_has_math":false,"creators":["Sharp, Wes T."],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"Musicology","degree_department":null,"school":null,"contributors":["Solis, Gabriel","Silvers, Michael","Magee, Jeffrey","Turnock, Julie"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2023,"date_issued":"2023-05","date_published":"2023-05","updated_at":"2026-07-22T22:24:56Z","subjects":["Superhero","Music","Sound Design","Cinema","Theater","Videogame","Comic Book","Comics","Graphic Novel"],"languages":["en","eng"],"rights":["Copyright 2023 Wes Sharp"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/2142/120083","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Solis, Gabriel","Silvers, Michael","Magee, Jeffrey","Turnock, Julie"]},{"key":"dc:creator","label":"Author","values":["Sharp, Wes T."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2023-05","2023-04-27"]},{"key":"dc:type","label":"Dc Type","values":["text","Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Musicology"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Superhero","Music","Sound Design","Cinema","Theater","Videogame","Comic Book","Comics","Graphic Novel"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en","eng"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2023 Wes Sharp"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://hdl.handle.net/2142/120083"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Submission original under an indefinite embargo labeled 'Open Access'. The submission was exported from vireo on 2023-09-01 without embargo terms","The student, Wes Sharp, accepted the attached license on 2023-04-25 at 22:35.","The student, Wes Sharp, submitted this Dissertation for approval on 2023-04-25 at 22:47.","This Dissertation was approved for publication on 2023-04-27 at 08:55.","DSpace SAF Submission Ingestion Package generated from Vireo submission #18847 on 2023-09-01 at 16:55:08","In this dissertation I examine relationships between music and sound design in American superhero media. I examine how sound and music are used in audiovisual media to both establish and deconstruct generic conventions. I discuss music and sound design in superhero media from several angles, including their relationship to genre, aesthetics, and popular culture. I begin each chapter with broader theories related to the topics I will discuss and then use case studies to show examples of these broader theories. In Chapter 1, I examine superhero media as a “supergenre” that incorporates musical and sound conventions of multiple discrete media genres. In Chapter 2, I examine superhero media as a middlebrow postmodern transmedia genre and examine how these conventions affect the reception and production of superhero media versus other genres. In Chapter 3 I examine fan interactions with superhero media, including production and reception of fan-made media as a form of creative interaction. In Chapter 4, I examine various forms of parody as interaction with the conventions of superhero media."]},{"key":"dc:format","label":"Dc Format","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["Sounding super: Examining aspects of music and sound design in American superhero media"]}]}],"canonical_facts":{"dc:contributor":["Solis, Gabriel","Silvers, Michael","Magee, Jeffrey","Turnock, Julie"],"dc:creator":["Sharp, Wes T."],"dc:date":["2023-05","2023-04-27"],"dc:description":["Submission original under an indefinite embargo labeled 'Open Access'. The submission was exported from vireo on 2023-09-01 without embargo terms","The student, Wes Sharp, accepted the attached license on 2023-04-25 at 22:35.","The student, Wes Sharp, submitted this Dissertation for approval on 2023-04-25 at 22:47.","This Dissertation was approved for publication on 2023-04-27 at 08:55.","DSpace SAF Submission Ingestion Package generated from Vireo submission #18847 on 2023-09-01 at 16:55:08","In this dissertation I examine relationships between music and sound design in American superhero media. I examine how sound and music are used in audiovisual media to both establish and deconstruct generic conventions. I discuss music and sound design in superhero media from several angles, including their relationship to genre, aesthetics, and popular culture. I begin each chapter with broader theories related to the topics I will discuss and then use case studies to show examples of these broader theories. In Chapter 1, I examine superhero media as a “supergenre” that incorporates musical and sound conventions of multiple discrete media genres. In Chapter 2, I examine superhero media as a middlebrow postmodern transmedia genre and examine how these conventions affect the reception and production of superhero media versus other genres. In Chapter 3 I examine fan interactions with superhero media, including production and reception of fan-made media as a form of creative interaction. In Chapter 4, I examine various forms of parody as interaction with the conventions of superhero media."],"dc:format":["application/pdf"],"dc:identifier":["https://hdl.handle.net/2142/120083"],"dc:language":["en","eng"],"dc:rights":["Copyright 2023 Wes Sharp"],"dc:subject":["Superhero","Music","Sound Design","Cinema","Theater","Videogame","Comic Book","Comics","Graphic Novel"],"dc:title":["Sounding super: Examining aspects of music and sound design in American superhero media"],"dc:type":["text","Thesis"],"thesis:degree_discipline":["Musicology"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["Ph.D."],"thesis:institution_name":["University of Illinois at Urbana-Champaign"]},"updated_at":"2026-07-22T22:24:56Z"}