{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/117708"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/117708","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Queer trash and archival messes: The politics of queer curation","abstract":"Submission original under an indefinite embargo labeled 'Open Access'. The submission was exported from vireo on 2023-04-12 without embargo terms","abstract_html":"Submission original under an indefinite embargo labeled 'Open Access'. The submission was exported from vireo on 2023-04-12 without embargo terms","abstract_has_math":false,"creators":["Ting, Angela Maria Hipolito"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"M.A.","degree_level":"Thesis","degree_discipline":"Art History","degree_department":null,"school":null,"contributors":["Reitz, Erin"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2022,"date_issued":"2022-12","date_published":"2022-12","updated_at":"2026-07-22T22:24:56Z","subjects":["Queer theory","archival studies","curatorial methods","Filipino Americans","identity politics","neoliberalism"],"languages":["en","eng"],"rights":["Copyright 2022 Angela Ting"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/2142/117708","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Reitz, Erin"]},{"key":"dc:creator","label":"Author","values":["Ting, Angela Maria Hipolito"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2022-12","2022-08-16"]},{"key":"dc:type","label":"Dc Type","values":["text","Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Art History"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["M.A."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Queer theory","archival studies","curatorial methods","Filipino Americans","identity politics","neoliberalism"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en","eng"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2022 Angela Ting"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://hdl.handle.net/2142/117708"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Submission original under an indefinite embargo labeled 'Open Access'. The submission was exported from vireo on 2023-04-12 without embargo terms","The student, Angela Ting, accepted the attached license on 2022-08-15 at 16:07.","The student, Angela Ting, submitted this Thesis for approval on 2022-08-15 at 16:43.","This Thesis was approved for publication on 2022-08-16 at 13:14.","DSpace SAF Submission Ingestion Package generated from Vireo submission #18458 on 2023-04-12 at 07:23:02","This thesis uses queer curatorial practices to analyze the GLBT Historical Society’s Filipino Task Force on AIDS (FTFA) collection, which is comprised of the ephemeral archival material of a health organization that served queer and trans Filipinos in the Bay Area from 1988 to 2005. Queer curatorial practices are methods that subvert typical notions of curation and exhibition through radical political agency. These methods are put into practice through the speculative exhibition Para sa atin. The collection of queer ephemera, also known as queer trash, is driven by affective fetishism. The illegibility of queer trash and queer messes, rooted in their resistance to representation, is what gives archival objects the political potential for queer radicalism. However, neoliberal cultural institutions such as universities and museums seek to quantify and tokenize minoritized populations. From this contradiction, I propose speculative queer curatorial methods to find a way to work with objects (such as those in the FTFA collection) that refuses to reproduce neoliberal institutionality and uses queer world-building to dream of liberated futures. Nevertheless, queer failure characterizes the imagined nature of Para sa atin, leaving behind ephemeral traces that speculate on new modes of queer living that can be rehearsed in the present."]},{"key":"dc:format","label":"Dc Format","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["Queer trash and archival messes: The politics of queer curation"]}]}],"canonical_facts":{"dc:contributor":["Reitz, Erin"],"dc:creator":["Ting, Angela Maria Hipolito"],"dc:date":["2022-12","2022-08-16"],"dc:description":["Submission original under an indefinite embargo labeled 'Open Access'. The submission was exported from vireo on 2023-04-12 without embargo terms","The student, Angela Ting, accepted the attached license on 2022-08-15 at 16:07.","The student, Angela Ting, submitted this Thesis for approval on 2022-08-15 at 16:43.","This Thesis was approved for publication on 2022-08-16 at 13:14.","DSpace SAF Submission Ingestion Package generated from Vireo submission #18458 on 2023-04-12 at 07:23:02","This thesis uses queer curatorial practices to analyze the GLBT Historical Society’s Filipino Task Force on AIDS (FTFA) collection, which is comprised of the ephemeral archival material of a health organization that served queer and trans Filipinos in the Bay Area from 1988 to 2005. Queer curatorial practices are methods that subvert typical notions of curation and exhibition through radical political agency. These methods are put into practice through the speculative exhibition Para sa atin. The collection of queer ephemera, also known as queer trash, is driven by affective fetishism. The illegibility of queer trash and queer messes, rooted in their resistance to representation, is what gives archival objects the political potential for queer radicalism. However, neoliberal cultural institutions such as universities and museums seek to quantify and tokenize minoritized populations. From this contradiction, I propose speculative queer curatorial methods to find a way to work with objects (such as those in the FTFA collection) that refuses to reproduce neoliberal institutionality and uses queer world-building to dream of liberated futures. Nevertheless, queer failure characterizes the imagined nature of Para sa atin, leaving behind ephemeral traces that speculate on new modes of queer living that can be rehearsed in the present."],"dc:format":["application/pdf"],"dc:identifier":["https://hdl.handle.net/2142/117708"],"dc:language":["en","eng"],"dc:rights":["Copyright 2022 Angela Ting"],"dc:subject":["Queer theory","archival studies","curatorial methods","Filipino Americans","identity politics","neoliberalism"],"dc:title":["Queer trash and archival messes: The politics of queer curation"],"dc:type":["text","Thesis"],"thesis:degree_discipline":["Art History"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["M.A."],"thesis:institution_name":["University of Illinois at Urbana-Champaign"]},"updated_at":"2026-07-22T22:24:56Z"}