{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/116122"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/116122","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Social anxieties and lost “spirit”: The relationship of horror films and their remakes from Japan, South Korea, and the United States","abstract":"Submission published under a 24 month embargo labeled 'U of I Access', the embargo will last until 2024-08-01","abstract_html":"Submission published under a 24 month embargo labeled 'U of I Access', the embargo will last until 2024-08-01","abstract_has_math":false,"creators":["Ford, Anna Mari"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"M.A.","degree_level":"Thesis","degree_discipline":"E Asian Languages & Cultures","degree_department":null,"school":null,"contributors":["Wilson, Roderick I","Song, Myoung-Sun","Tierney, Robert T"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2022,"date_issued":"2022-08","date_published":"2022-08","updated_at":"2026-07-22T22:24:55Z","subjects":["horror film","Japan","South Korea","United States","supernatural other"],"languages":["en","eng"],"rights":["Copyright 2022 Anna Ford"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/2142/116122","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Wilson, Roderick I","Song, Myoung-Sun","Tierney, Robert T"]},{"key":"dc:creator","label":"Author","values":["Ford, Anna Mari"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2022-08","2022-07-21"]},{"key":"dc:type","label":"Dc Type","values":["text","Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["E Asian Languages & Cultures"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["M.A."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["horror film","Japan","South Korea","United States","supernatural other"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en","eng"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2022 Anna Ford"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://hdl.handle.net/2142/116122"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Submission published under a 24 month embargo labeled 'U of I Access', the embargo will last until 2024-08-01","The student, Anna Ford, accepted the attached license on 2022-07-20 at 10:17.","The student, Anna Ford, submitted this Thesis for approval on 2022-07-20 at 10:18.","This Thesis was approved for publication on 2022-07-21 at 08:48.","DSpace SAF Submission Ingestion Package generated from Vireo submission #18388 on 2022-11-15 at 21:40:37","This study investigates the depictions of the supernatural other and ethical dilemmas within horror films from Japan, South Korea, and the United States and compares them to remakes of these same horror films in a different cultural context. The main portions of analysis are focus on Ringu (1998) and its two remakes The Ring Virus (1999) and The Ring (2002), A Tale of Two Sisters (2003) and its remake The Uninvited (2009), Haunters (2010) and its remake Monsterz (2014). By choosing films and their subsequent remakes, I illuminate how the portrayal of the supernatural other as what is fear-inducing in the films reflects social anxieties towards physical disability, mental health, and ideal family dynamics. I postulate that elements relating to socio-cultural specificities have been changed to suit the audiences they are intended for, such as changing the religious connotations of a ghost or different portrayals of good and evil. While these changes have been considered why a remade film loses its appeal to audiences, I argue that these changes were not the main reason why remakes were not as well received by viewers and critics. Instead, these remakes disappointed their audiences because they changed the overall “spirit” of the successful original."]},{"key":"dc:format","label":"Dc Format","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["Social anxieties and lost “spirit”: The relationship of horror films and their remakes from Japan, South Korea, and the United States"]}]}],"canonical_facts":{"dc:contributor":["Wilson, Roderick I","Song, Myoung-Sun","Tierney, Robert T"],"dc:creator":["Ford, Anna Mari"],"dc:date":["2022-08","2022-07-21"],"dc:description":["Submission published under a 24 month embargo labeled 'U of I Access', the embargo will last until 2024-08-01","The student, Anna Ford, accepted the attached license on 2022-07-20 at 10:17.","The student, Anna Ford, submitted this Thesis for approval on 2022-07-20 at 10:18.","This Thesis was approved for publication on 2022-07-21 at 08:48.","DSpace SAF Submission Ingestion Package generated from Vireo submission #18388 on 2022-11-15 at 21:40:37","This study investigates the depictions of the supernatural other and ethical dilemmas within horror films from Japan, South Korea, and the United States and compares them to remakes of these same horror films in a different cultural context. The main portions of analysis are focus on Ringu (1998) and its two remakes The Ring Virus (1999) and The Ring (2002), A Tale of Two Sisters (2003) and its remake The Uninvited (2009), Haunters (2010) and its remake Monsterz (2014). By choosing films and their subsequent remakes, I illuminate how the portrayal of the supernatural other as what is fear-inducing in the films reflects social anxieties towards physical disability, mental health, and ideal family dynamics. I postulate that elements relating to socio-cultural specificities have been changed to suit the audiences they are intended for, such as changing the religious connotations of a ghost or different portrayals of good and evil. While these changes have been considered why a remade film loses its appeal to audiences, I argue that these changes were not the main reason why remakes were not as well received by viewers and critics. Instead, these remakes disappointed their audiences because they changed the overall “spirit” of the successful original."],"dc:format":["application/pdf"],"dc:identifier":["https://hdl.handle.net/2142/116122"],"dc:language":["en","eng"],"dc:rights":["Copyright 2022 Anna Ford"],"dc:subject":["horror film","Japan","South Korea","United States","supernatural other"],"dc:title":["Social anxieties and lost “spirit”: The relationship of horror films and their remakes from Japan, South Korea, and the United States"],"dc:type":["text","Thesis"],"thesis:degree_discipline":["E Asian Languages & Cultures"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["M.A."],"thesis:institution_name":["University of Illinois at Urbana-Champaign"]},"updated_at":"2026-07-22T22:24:55Z"}