{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/115911"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/115911","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Transcolonial nationhood: Global interplay in Irish and Korean national theatre","abstract":"Submission published under a 24 month embargo labeled 'Closed Access', the embargo will last until 2024-08-01","abstract_html":"Submission published under a 24 month embargo labeled 'Closed Access', the embargo will last until 2024-08-01","abstract_has_math":false,"creators":["Hwang, Ji Hyea"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"Comparative Literature","degree_department":null,"school":null,"contributors":["Tierney, Robert","Hassan, Waïl S","Mahaffey, Vicki","Markley, Robert","Kwon, Nayoung A"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2022,"date_issued":"2022-08","date_published":"2022-08","updated_at":"2026-07-22T22:24:55Z","subjects":["Colonial Theatre","National Theatre","Transcolonialism","Irish Drama","Korean Drama"],"languages":["en","eng"],"rights":["Copyright 2022 Ji Hyea Hwang"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/2142/115911","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Tierney, Robert","Hassan, Waïl S","Mahaffey, Vicki","Markley, Robert","Kwon, Nayoung A"]},{"key":"dc:creator","label":"Author","values":["Hwang, Ji Hyea"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2022-08","2022-07-13"]},{"key":"dc:type","label":"Dc Type","values":["text","Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Comparative Literature"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Colonial Theatre","National Theatre","Transcolonialism","Irish Drama","Korean Drama"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en","eng"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2022 Ji Hyea Hwang"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://hdl.handle.net/2142/115911"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Submission published under a 24 month embargo labeled 'Closed Access', the embargo will last until 2024-08-01","The student, Ji Hyea Hwang, accepted the attached license on 2022-07-11 at 11:21.","The student, Ji Hyea Hwang, submitted this Dissertation for approval on 2022-07-11 at 11:37.","This Dissertation was approved for publication on 2022-07-13 at 10:43.","DSpace SAF Submission Ingestion Package generated from Vireo submission #18214 on 2022-11-16 at 10:54:59","This dissertation shows how colonial Irish and colonial Korean dramatists interweaved foreign modes and methods of staging nationhood into their narratives. I examine how theatre becomes a site in which the colonized subjects stage plays that represent their own nationhood. This research compares two specific instances of national theatre establishment in Colonial Korea and Colonial Ireland, and the transnational and intercultural influences that worked on both national theatres. I examine the parallels between the two cases, in which the dramatists try to develop and establish a national theatre by referencing drama and theatre across one or more cultures. This allows the dramatists to locate their own theatre tradition in the global context, as well as to relate to other communities and nations to address their domestic concerns. The examples of the Korean and Irish national theatres established in the late stages of their respective colonial eras will demonstrate how the national theatre was established as a means to resist colonial oppression by representing their own people on stage, while at the same time serving as a means to establish their presence as a national theatre tradition in the context of world literature. I focus on the initial stages of the national theatre in Korea and Ireland, which began in the later stages of colonial rule, comparing how the plays were structured, types of literary movements that the works belonged to, and most importantly, the emphasis on national identity. This research points out the limitations of postcolonial theories which rely on the West vs. Non-West model of colonialism, as well as common misuse of theories of Orientalism and Westernization when discussing modern national traditions. By introducing these two theatre traditions to the discussions of colonial and postcolonial theatre, I promote comparative studies of colonial narratives from empires and regions that are left out of postcolonial research, which is concerned with European empires and its colonies, and question existing ideas of global postcolonialisms and nationalisms."]},{"key":"dc:format","label":"Dc Format","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["Transcolonial nationhood: Global interplay in Irish and Korean national theatre"]}]}],"canonical_facts":{"dc:contributor":["Tierney, Robert","Hassan, Waïl S","Mahaffey, Vicki","Markley, Robert","Kwon, Nayoung A"],"dc:creator":["Hwang, Ji Hyea"],"dc:date":["2022-08","2022-07-13"],"dc:description":["Submission published under a 24 month embargo labeled 'Closed Access', the embargo will last until 2024-08-01","The student, Ji Hyea Hwang, accepted the attached license on 2022-07-11 at 11:21.","The student, Ji Hyea Hwang, submitted this Dissertation for approval on 2022-07-11 at 11:37.","This Dissertation was approved for publication on 2022-07-13 at 10:43.","DSpace SAF Submission Ingestion Package generated from Vireo submission #18214 on 2022-11-16 at 10:54:59","This dissertation shows how colonial Irish and colonial Korean dramatists interweaved foreign modes and methods of staging nationhood into their narratives. I examine how theatre becomes a site in which the colonized subjects stage plays that represent their own nationhood. This research compares two specific instances of national theatre establishment in Colonial Korea and Colonial Ireland, and the transnational and intercultural influences that worked on both national theatres. I examine the parallels between the two cases, in which the dramatists try to develop and establish a national theatre by referencing drama and theatre across one or more cultures. This allows the dramatists to locate their own theatre tradition in the global context, as well as to relate to other communities and nations to address their domestic concerns. The examples of the Korean and Irish national theatres established in the late stages of their respective colonial eras will demonstrate how the national theatre was established as a means to resist colonial oppression by representing their own people on stage, while at the same time serving as a means to establish their presence as a national theatre tradition in the context of world literature. I focus on the initial stages of the national theatre in Korea and Ireland, which began in the later stages of colonial rule, comparing how the plays were structured, types of literary movements that the works belonged to, and most importantly, the emphasis on national identity. This research points out the limitations of postcolonial theories which rely on the West vs. Non-West model of colonialism, as well as common misuse of theories of Orientalism and Westernization when discussing modern national traditions. By introducing these two theatre traditions to the discussions of colonial and postcolonial theatre, I promote comparative studies of colonial narratives from empires and regions that are left out of postcolonial research, which is concerned with European empires and its colonies, and question existing ideas of global postcolonialisms and nationalisms."],"dc:format":["application/pdf"],"dc:identifier":["https://hdl.handle.net/2142/115911"],"dc:language":["en","eng"],"dc:rights":["Copyright 2022 Ji Hyea Hwang"],"dc:subject":["Colonial Theatre","National Theatre","Transcolonialism","Irish Drama","Korean Drama"],"dc:title":["Transcolonial nationhood: Global interplay in Irish and Korean national theatre"],"dc:type":["text","Thesis"],"thesis:degree_discipline":["Comparative Literature"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["Ph.D."],"thesis:institution_name":["University of Illinois at Urbana-Champaign"]},"updated_at":"2026-07-22T22:24:55Z"}