{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/115332"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/115332","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Triumphant bowls of socialism: A cultural history of the Soviet toilet","abstract":"This dissertation traces the role of the toilet in Soviet art, film, and literature from the 1917 Russian Revolution through the end of the twentieth century. It analyzes the toilet as art object, as trope, and as metaphor in order to identify the particularities of Russian artistic and literary movements throughout the twentieth century and also to examine how they are informed by narratives of the body. 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It analyzes the toilet as art object, as trope, and as metaphor in order to identify the particularities of Russian artistic and literary movements throughout the twentieth century and also to examine how they are informed by narratives of the body. The toilet – unique in the universality of its need and its liminality between private and public – becomes a symbolic means to understand how the literal and metaphorical \"mess\" of the human body does or does not conform to the real-life transformation of interior and exterior spaces."],"dc:format":["application/pdf"],"dc:identifier":["https://hdl.handle.net/2142/115332"],"dc:language":["ru","eng"],"dc:rights":["Copyright 2022 Nadia G. 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