{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/113998"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/113998","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Affinities and innovations in selected piano music of Béla Bartók and György Ligeti","abstract":"Submission published under a 24 month embargo labeled 'U of I Access', the embargo will last until 2023-12-01","abstract_html":"Submission published under a 24 month embargo labeled 'U of I Access', the embargo will last until 2023-12-01","abstract_has_math":false,"creators":["Xue, Lishan"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"A.Mus.D.","degree_level":"Dissertation","degree_discipline":"Music","degree_department":null,"school":null,"contributors":["Taylor, Stephen Andrew","Heiles, William","Tsitsaros, Christo","Buchanan, Donna A."],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2022,"date_issued":"2022-04-29T21:46:15Z","date_published":"2022-04-29T21:46:15Z","updated_at":"2026-07-22T22:24:54Z","subjects":["Music"],"languages":["en","eng"],"rights":["Copyright 2021 Lishan Xue"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/2142/113998","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Taylor, Stephen Andrew","Heiles, William","Tsitsaros, Christo","Buchanan, Donna A."]},{"key":"dc:creator","label":"Author","values":["Xue, Lishan"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2022-04-29T21:46:15Z","2024-04-29T21:47:53Z","2021-12","2021-12-03"]},{"key":"dc:type","label":"Dc Type","values":["text","Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Music"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["A.Mus.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Music"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en","eng"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2021 Lishan Xue"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/113998"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Submission published under a 24 month embargo labeled 'U of I Access', the embargo will last until 2023-12-01","The student, Lishan Xue, accepted the attached license on 2021-12-02 at 09:10.","The student, Lishan Xue, submitted this Dissertation for approval on 2021-12-02 at 09:11.","This Dissertation was approved for publication on 2021-12-03 at 08:39.","DSpace SAF Submission Ingestion Package generated from Vireo submission #17354 on 2022-04-06 at 17:17:42","Made available in DSpace on 2022-04-29T21:46:15Z (GMT). No. of bitstreams: 2 XUE-DISSERTATION-2021.pdf: 5402709 bytes, checksum: 49742ea0794af1973be700fb8ef608d0 (MD5) LICENSE.txt: 4207 bytes, checksum: d179f43186eb45f7e2dec7144f4bde13 (MD5) Previous issue date: 2021-12-03","Embargo set by: Seth Robbins for item 123362 Lift date: 2024-04-29T21:46:25Z Reason: Author requested U of Illinois access only (OA after 2yrs) in Vireo ETD system","Embargo set by: Seth Robbins for item 123362 Lift date: 2024-04-29T21:47:53Z Reason: Author requested U of Illinois access only (OA after 2yrs) in Vireo ETD system","Author requested U of Illinois access only (OA after 2yrs) in Vireo ETD system","U of I Only","This dissertation studies the similarities and differences between selected piano works of Béla Bartók and György Ligeti. Brief biographies of the two composers and their compositional styles are presented to provide background context and framework. The examples studied in this dissertation are selected movements from Bartók’s Bagatelles, Out of Doors, and Mikrokosmos as well as Ligeti’s Invention, Musica Ricercata, and Fanfares. Through comparative analysis, this dissertation seeks to answer the following questions: How much did Bartók influence Ligeti, not only in his early period, but also in the later part of his career? How did this influence evolve as Ligeti continued to develop his own style? Which of Bartók’s compositional traits influenced Ligeti the most, and how did they serve Ligeti in advancing his own innovation as a composer? Ultimately, my analysis demonstrates that Ligeti metamorphosed not only through the “mother tongue” of Bartók, but through the land of folk music, other composers whose work he valued, other cultures that fascinated him (Indonesian, African, Cuban, and Brazilian), and other nutrients from all disciplines (philosophy, literature, the sciences) to become a hugely influential composer at the end of the twentieth century."]},{"key":"dc:format","label":"Dc Format","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["Affinities and innovations in selected piano music of Béla Bartók and György Ligeti"]}]}],"canonical_facts":{"dc:contributor":["Taylor, Stephen Andrew","Heiles, William","Tsitsaros, Christo","Buchanan, Donna A."],"dc:creator":["Xue, Lishan"],"dc:date":["2022-04-29T21:46:15Z","2024-04-29T21:47:53Z","2021-12","2021-12-03"],"dc:description":["Submission published under a 24 month embargo labeled 'U of I Access', the embargo will last until 2023-12-01","The student, Lishan Xue, accepted the attached license on 2021-12-02 at 09:10.","The student, Lishan Xue, submitted this Dissertation for approval on 2021-12-02 at 09:11.","This Dissertation was approved for publication on 2021-12-03 at 08:39.","DSpace SAF Submission Ingestion Package generated from Vireo submission #17354 on 2022-04-06 at 17:17:42","Made available in DSpace on 2022-04-29T21:46:15Z (GMT). No. of bitstreams: 2 XUE-DISSERTATION-2021.pdf: 5402709 bytes, checksum: 49742ea0794af1973be700fb8ef608d0 (MD5) LICENSE.txt: 4207 bytes, checksum: d179f43186eb45f7e2dec7144f4bde13 (MD5) Previous issue date: 2021-12-03","Embargo set by: Seth Robbins for item 123362 Lift date: 2024-04-29T21:46:25Z Reason: Author requested U of Illinois access only (OA after 2yrs) in Vireo ETD system","Embargo set by: Seth Robbins for item 123362 Lift date: 2024-04-29T21:47:53Z Reason: Author requested U of Illinois access only (OA after 2yrs) in Vireo ETD system","Author requested U of Illinois access only (OA after 2yrs) in Vireo ETD system","U of I Only","This dissertation studies the similarities and differences between selected piano works of Béla Bartók and György Ligeti. Brief biographies of the two composers and their compositional styles are presented to provide background context and framework. The examples studied in this dissertation are selected movements from Bartók’s Bagatelles, Out of Doors, and Mikrokosmos as well as Ligeti’s Invention, Musica Ricercata, and Fanfares. Through comparative analysis, this dissertation seeks to answer the following questions: How much did Bartók influence Ligeti, not only in his early period, but also in the later part of his career? How did this influence evolve as Ligeti continued to develop his own style? Which of Bartók’s compositional traits influenced Ligeti the most, and how did they serve Ligeti in advancing his own innovation as a composer? Ultimately, my analysis demonstrates that Ligeti metamorphosed not only through the “mother tongue” of Bartók, but through the land of folk music, other composers whose work he valued, other cultures that fascinated him (Indonesian, African, Cuban, and Brazilian), and other nutrients from all disciplines (philosophy, literature, the sciences) to become a hugely influential composer at the end of the twentieth century."],"dc:format":["application/pdf"],"dc:identifier":["http://hdl.handle.net/2142/113998"],"dc:language":["en","eng"],"dc:rights":["Copyright 2021 Lishan Xue"],"dc:subject":["Music"],"dc:title":["Affinities and innovations in selected piano music of Béla Bartók and György Ligeti"],"dc:type":["text","Thesis"],"thesis:degree_discipline":["Music"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["A.Mus.D."],"thesis:institution_name":["University of Illinois at Urbana-Champaign"]},"updated_at":"2026-07-22T22:24:54Z"}