{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/113255"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/113255","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"\"\"\"The Everyday Affective Life of Racism\"\": Forms of Racial Melancholia in Early Asian American Literature\"","abstract":"In “‘The Everyday Affective Life of Racism’: Forms of Racial Melancholia in Early Asian American Literature,” I summon the concept of racial melancholia put forth by Anne Anlin Cheng, David Eng, and Shinhee Han as a springboard, expanding their definitions by closely reading the forms of racial melancholia and ultimately arguing that racial melancholia is an everyday, stoic, weakly intentional, past-oriented, and collective affect. Specifically, I study melancholic feelings in early Asian American texts marked by racial suffering and contend that racial pain emerges in literary forms, such as repetition, understatement, intertextuality, and the motif of the divided self. My dissertation distinguishes itself from earlier works that present racial melancholia as a psychoanalytic concept and instead draws on conceptions of affect, particularly from cultural studies critics such as Ann Cvetkovich, Teresa Brennan, and Sara Ahmed. I contend that the forms of this early, supposedly assimilationist Asian American writing reveal alternative ways of being Asian American and show strategies that Viet Thanh Nguyen calls flexible and negotiative. Chapter 1 focuses on Winnifred Eaton’s appropriation of John Luther Long’s story “Madame Butterfly.” I contend that Eaton’s repetition of the Madame Butterfly story shows not only her inability to let go of the Butterfly plot but also a will to recover from it through a consciously pursued practice of writing that fosters the agency of Asian American subjects. In chapter 2, I uncover the ordinariness of racial melancholia as it materializes in silence and its counterpart, understatement. Using Sianne Ngai’s definition of tone, the chapter focuses on how an understated tone develops through the mode of mimesis, where narrators forego self-exposure and deemphasize the self that experiences the event. By using an understated tone, Sone and Wong maintain their narratives’ dignity and control. Delving into Cheng, Eng, and Han’s definitions of racial melancholia, chapter 3, highlights the motif of the divided self and reads Ichiro’s understated resistance through Sara Ahmed’s concept of the affect alien. The two warring ideals within Ichiro—represented by Ichiro’s mother and Kenji—disintegrate by the end of the novel when Ichiro rejects the melancholia of his mother as well as the fantasy of national reconciliation put forth by the affective community of his friends. I argue that Ichiro stands emphatically alone as an affect alien who discards the telos of happiness. Chapter 4 dramatizes the texture of racial melancholia through the affect of han, a collective feeling of suffering rooted in Korean culture. Pointing out Kang’s use of Romantic literature, I contend that Kang’s novels are Romantically-inflected Modernist novels that exemplify han. Defining han, with Park Kyong-ni, as a contradictory emotion of sadness and hope, tragedy and comedy, and the present and the future, I interpret han as a Romantic and willful affect that conflates and collapses opposite meanings to overcome dejection. The allusions to Romantic literature in Kang’s novels not only convey racially melancholic feelings but also control and sublimate them.","abstract_html":"In “‘The Everyday Affective Life of Racism’: Forms of Racial Melancholia in Early Asian American Literature,” I summon the concept of racial melancholia put forth by Anne Anlin Cheng, David Eng, and Shinhee Han as a springboard, expanding their definitions by closely reading the forms of racial melancholia and ultimately arguing that racial melancholia is an everyday, stoic, weakly intentional, past-oriented, and collective affect. Specifically, I study melancholic feelings in early Asian American texts marked by racial suffering and contend that racial pain emerges in literary forms, such as repetition, understatement, intertextuality, and the motif of the divided self. My dissertation distinguishes itself from earlier works that present racial melancholia as a psychoanalytic concept and instead draws on conceptions of affect, particularly from cultural studies critics such as Ann Cvetkovich, Teresa Brennan, and Sara Ahmed. I contend that the forms of this early, supposedly assimilationist Asian American writing reveal alternative ways of being Asian American and show strategies that Viet Thanh Nguyen calls flexible and negotiative. Chapter 1 focuses on Winnifred Eaton’s appropriation of John Luther Long’s story “Madame Butterfly.” I contend that Eaton’s repetition of the Madame Butterfly story shows not only her inability to let go of the Butterfly plot but also a will to recover from it through a consciously pursued practice of writing that fosters the agency of Asian American subjects. In chapter 2, I uncover the ordinariness of racial melancholia as it materializes in silence and its counterpart, understatement. Using Sianne Ngai’s definition of tone, the chapter focuses on how an understated tone develops through the mode of mimesis, where narrators forego self-exposure and deemphasize the self that experiences the event. By using an understated tone, Sone and Wong maintain their narratives’ dignity and control. Delving into Cheng, Eng, and Han’s definitions of racial melancholia, chapter 3, highlights the motif of the divided self and reads Ichiro’s understated resistance through Sara Ahmed’s concept of the affect alien. The two warring ideals within Ichiro—represented by Ichiro’s mother and Kenji—disintegrate by the end of the novel when Ichiro rejects the melancholia of his mother as well as the fantasy of national reconciliation put forth by the affective community of his friends. I argue that Ichiro stands emphatically alone as an affect alien who discards the telos of happiness. Chapter 4 dramatizes the texture of racial melancholia through the affect of han, a collective feeling of suffering rooted in Korean culture. Pointing out Kang’s use of Romantic literature, I contend that Kang’s novels are Romantically-inflected Modernist novels that exemplify han. Defining han, with Park Kyong-ni, as a contradictory emotion of sadness and hope, tragedy and comedy, and the present and the future, I interpret han as a Romantic and willful affect that conflates and collapses opposite meanings to overcome dejection. The allusions to Romantic literature in Kang’s novels not only convey racially melancholic feelings but also control and sublimate them.","abstract_has_math":false,"creators":["Im, Jane"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"English","degree_department":null,"school":null,"contributors":["Parker, Robert Dale","Loughran, Trish","Paik, Angela Naomi","Spires, Derrick"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2022,"date_issued":"2022-01-12T22:51:39Z","date_published":"2022-01-12T22:51:39Z","updated_at":"2026-07-22T22:24:53Z","subjects":["Asian American Literature, Affect Theory"],"languages":["en"],"rights":["Copyright 2021 Jane Im"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/2142/113255","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Parker, Robert Dale","Loughran, Trish","Paik, Angela Naomi","Spires, Derrick"]},{"key":"dc:creator","label":"Author","values":["Im, Jane"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2022-01-12T22:51:39Z","2024-01-12T22:56:20Z","2021-07-16","2021-08"]},{"key":"dc:type","label":"Dc Type","values":["text","Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Asian American Literature, Affect Theory"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2021 Jane Im"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/113255"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["In “‘The Everyday Affective Life of Racism’: Forms of Racial Melancholia in Early Asian American Literature,” I summon the concept of racial melancholia put forth by Anne Anlin Cheng, David Eng, and Shinhee Han as a springboard, expanding their definitions by closely reading the forms of racial melancholia and ultimately arguing that racial melancholia is an everyday, stoic, weakly intentional, past-oriented, and collective affect. Specifically, I study melancholic feelings in early Asian American texts marked by racial suffering and contend that racial pain emerges in literary forms, such as repetition, understatement, intertextuality, and the motif of the divided self. My dissertation distinguishes itself from earlier works that present racial melancholia as a psychoanalytic concept and instead draws on conceptions of affect, particularly from cultural studies critics such as Ann Cvetkovich, Teresa Brennan, and Sara Ahmed. I contend that the forms of this early, supposedly assimilationist Asian American writing reveal alternative ways of being Asian American and show strategies that Viet Thanh Nguyen calls flexible and negotiative. Chapter 1 focuses on Winnifred Eaton’s appropriation of John Luther Long’s story “Madame Butterfly.” I contend that Eaton’s repetition of the Madame Butterfly story shows not only her inability to let go of the Butterfly plot but also a will to recover from it through a consciously pursued practice of writing that fosters the agency of Asian American subjects. In chapter 2, I uncover the ordinariness of racial melancholia as it materializes in silence and its counterpart, understatement. Using Sianne Ngai’s definition of tone, the chapter focuses on how an understated tone develops through the mode of mimesis, where narrators forego self-exposure and deemphasize the self that experiences the event. By using an understated tone, Sone and Wong maintain their narratives’ dignity and control. Delving into Cheng, Eng, and Han’s definitions of racial melancholia, chapter 3, highlights the motif of the divided self and reads Ichiro’s understated resistance through Sara Ahmed’s concept of the affect alien. The two warring ideals within Ichiro—represented by Ichiro’s mother and Kenji—disintegrate by the end of the novel when Ichiro rejects the melancholia of his mother as well as the fantasy of national reconciliation put forth by the affective community of his friends. I argue that Ichiro stands emphatically alone as an affect alien who discards the telos of happiness. Chapter 4 dramatizes the texture of racial melancholia through the affect of han, a collective feeling of suffering rooted in Korean culture. Pointing out Kang’s use of Romantic literature, I contend that Kang’s novels are Romantically-inflected Modernist novels that exemplify han. Defining han, with Park Kyong-ni, as a contradictory emotion of sadness and hope, tragedy and comedy, and the present and the future, I interpret han as a Romantic and willful affect that conflates and collapses opposite meanings to overcome dejection. The allusions to Romantic literature in Kang’s novels not only convey racially melancholic feelings but also control and sublimate them.","Submission published under a 24 month embargo labeled 'Closed Access', the embargo will last until 2023-08-01","The student, Jane Im, accepted the attached license on 2021-07-16 at 08:34.","The student, Jane Im, submitted this Dissertation for approval on 2021-07-16 at 08:35.","This Dissertation was approved for publication on 2021-07-16 at 11:17.","DSpace SAF Submission Ingestion Package generated from Vireo submission #16706 on 2022-01-12 at 13:03:26","Made available in DSpace on 2022-01-12T22:51:39Z (GMT). No. of bitstreams: 2 IM-DISSERTATION-2021.pdf: 3791006 bytes, checksum: 5462b1839f805d82107b898e9906073c (MD5) LICENSE.txt: 4204 bytes, checksum: 7d2385925754e7c34e5ba44a2da3de7b (MD5) Previous issue date: 2021-07-16","Embargo set by: Seth Robbins for item 121181 Lift date: 2024-01-12T22:51:46Z Reason: Author requested closed access (OA after 2yrs) in Vireo ETD system","Embargo set by: Seth Robbins for item 121181 Lift date: 2024-01-12T22:53:32Z Reason: Author requested closed access (OA after 2yrs) in Vireo ETD system","Embargo set by: Seth Robbins for item 121181 Lift date: 2024-01-12T22:54:14Z Reason: Author requested closed access (OA after 2yrs) in Vireo ETD system","Embargo set by: Seth Robbins for item 121181 Lift date: 2024-01-12T22:55:09Z Reason: Author requested closed access (OA after 2yrs) in Vireo ETD system","Embargo set by: Seth Robbins for item 121181 Lift date: 2024-01-12T22:56:20Z Reason: Author requested closed access (OA after 2yrs) in Vireo ETD system","Author requested closed access (OA after 2yrs) in Vireo ETD system","Limited"]},{"key":"dc:format","label":"Dc Format","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["\"\"\"The Everyday Affective Life of Racism\"\": Forms of Racial Melancholia in Early Asian American Literature\""]}]}],"canonical_facts":{"dc:contributor":["Parker, Robert Dale","Loughran, Trish","Paik, Angela Naomi","Spires, Derrick"],"dc:creator":["Im, Jane"],"dc:date":["2022-01-12T22:51:39Z","2024-01-12T22:56:20Z","2021-07-16","2021-08"],"dc:description":["In “‘The Everyday Affective Life of Racism’: Forms of Racial Melancholia in Early Asian American Literature,” I summon the concept of racial melancholia put forth by Anne Anlin Cheng, David Eng, and Shinhee Han as a springboard, expanding their definitions by closely reading the forms of racial melancholia and ultimately arguing that racial melancholia is an everyday, stoic, weakly intentional, past-oriented, and collective affect. Specifically, I study melancholic feelings in early Asian American texts marked by racial suffering and contend that racial pain emerges in literary forms, such as repetition, understatement, intertextuality, and the motif of the divided self. My dissertation distinguishes itself from earlier works that present racial melancholia as a psychoanalytic concept and instead draws on conceptions of affect, particularly from cultural studies critics such as Ann Cvetkovich, Teresa Brennan, and Sara Ahmed. I contend that the forms of this early, supposedly assimilationist Asian American writing reveal alternative ways of being Asian American and show strategies that Viet Thanh Nguyen calls flexible and negotiative. Chapter 1 focuses on Winnifred Eaton’s appropriation of John Luther Long’s story “Madame Butterfly.” I contend that Eaton’s repetition of the Madame Butterfly story shows not only her inability to let go of the Butterfly plot but also a will to recover from it through a consciously pursued practice of writing that fosters the agency of Asian American subjects. In chapter 2, I uncover the ordinariness of racial melancholia as it materializes in silence and its counterpart, understatement. Using Sianne Ngai’s definition of tone, the chapter focuses on how an understated tone develops through the mode of mimesis, where narrators forego self-exposure and deemphasize the self that experiences the event. By using an understated tone, Sone and Wong maintain their narratives’ dignity and control. Delving into Cheng, Eng, and Han’s definitions of racial melancholia, chapter 3, highlights the motif of the divided self and reads Ichiro’s understated resistance through Sara Ahmed’s concept of the affect alien. The two warring ideals within Ichiro—represented by Ichiro’s mother and Kenji—disintegrate by the end of the novel when Ichiro rejects the melancholia of his mother as well as the fantasy of national reconciliation put forth by the affective community of his friends. I argue that Ichiro stands emphatically alone as an affect alien who discards the telos of happiness. Chapter 4 dramatizes the texture of racial melancholia through the affect of han, a collective feeling of suffering rooted in Korean culture. Pointing out Kang’s use of Romantic literature, I contend that Kang’s novels are Romantically-inflected Modernist novels that exemplify han. Defining han, with Park Kyong-ni, as a contradictory emotion of sadness and hope, tragedy and comedy, and the present and the future, I interpret han as a Romantic and willful affect that conflates and collapses opposite meanings to overcome dejection. The allusions to Romantic literature in Kang’s novels not only convey racially melancholic feelings but also control and sublimate them.","Submission published under a 24 month embargo labeled 'Closed Access', the embargo will last until 2023-08-01","The student, Jane Im, accepted the attached license on 2021-07-16 at 08:34.","The student, Jane Im, submitted this Dissertation for approval on 2021-07-16 at 08:35.","This Dissertation was approved for publication on 2021-07-16 at 11:17.","DSpace SAF Submission Ingestion Package generated from Vireo submission #16706 on 2022-01-12 at 13:03:26","Made available in DSpace on 2022-01-12T22:51:39Z (GMT). No. of bitstreams: 2 IM-DISSERTATION-2021.pdf: 3791006 bytes, checksum: 5462b1839f805d82107b898e9906073c (MD5) LICENSE.txt: 4204 bytes, checksum: 7d2385925754e7c34e5ba44a2da3de7b (MD5) Previous issue date: 2021-07-16","Embargo set by: Seth Robbins for item 121181 Lift date: 2024-01-12T22:51:46Z Reason: Author requested closed access (OA after 2yrs) in Vireo ETD system","Embargo set by: Seth Robbins for item 121181 Lift date: 2024-01-12T22:53:32Z Reason: Author requested closed access (OA after 2yrs) in Vireo ETD system","Embargo set by: Seth Robbins for item 121181 Lift date: 2024-01-12T22:54:14Z Reason: Author requested closed access (OA after 2yrs) in Vireo ETD system","Embargo set by: Seth Robbins for item 121181 Lift date: 2024-01-12T22:55:09Z Reason: Author requested closed access (OA after 2yrs) in Vireo ETD system","Embargo set by: Seth Robbins for item 121181 Lift date: 2024-01-12T22:56:20Z Reason: Author requested closed access (OA after 2yrs) in Vireo ETD system","Author requested closed access (OA after 2yrs) in Vireo ETD system","Limited"],"dc:format":["application/pdf"],"dc:identifier":["http://hdl.handle.net/2142/113255"],"dc:language":["en"],"dc:rights":["Copyright 2021 Jane Im"],"dc:subject":["Asian American Literature, Affect Theory"],"dc:title":["\"\"\"The Everyday Affective Life of Racism\"\": Forms of Racial Melancholia in Early Asian American Literature\""],"dc:type":["text","Thesis"],"thesis:degree_discipline":["English"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["Ph.D."],"thesis:institution_name":["University of Illinois at Urbana-Champaign"]},"updated_at":"2026-07-22T22:24:53Z"}