{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/113213"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/113213","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Kimono threads: unraveling ontologies, epistemologies, and ethics","abstract":"What is kimono? How do we know what we know about kimono, and whose voices matter? Who should (or should not) wear kimono? Repeated protests, social media engagement, and boycotts have underscored the exigent nature of these divisive questions, particularly for those interested in fashion, aesthetics, and cultural exchange. This thesis presents an extended reflection on these themes in the form of three essays. In the essays, I draw on interviews with wearers of kimono, public discourse on kimono from news outlets and social media spaces, English-language scholarly writing about kimonos, and autoethnographic anecdotes from my own experiences wearing kimono in Japan and the U.S. to show how the simplest answers to these questions only scratch the surface of people’s diverse experiences of kimono. Each essay “remixes” the same set of sources to examine a different angle on kimono knowledge: kimono ontologies, kimono epistemologies, and kimono ethics. I think with grassroots theorists, kimono enthusiasts, and activists to present alternative approaches to these questions that begin to fill in the gaps left behind by the macro-level approach prevalent in social media discourse and English-language scholarly writing on the kimono. I argue that attention to specificity is the first step we should take in course-correcting away from easy answers toward a more complex engagement with the breadth of ways that different people use and think about kimono.","abstract_html":"What is kimono? How do we know what we know about kimono, and whose voices matter? Who should (or should not) wear kimono? Repeated protests, social media engagement, and boycotts have underscored the exigent nature of these divisive questions, particularly for those interested in fashion, aesthetics, and cultural exchange. This thesis presents an extended reflection on these themes in the form of three essays. In the essays, I draw on interviews with wearers of kimono, public discourse on kimono from news outlets and social media spaces, English-language scholarly writing about kimonos, and autoethnographic anecdotes from my own experiences wearing kimono in Japan and the U.S. to show how the simplest answers to these questions only scratch the surface of people’s diverse experiences of kimono. Each essay “remixes” the same set of sources to examine a different angle on kimono knowledge: kimono ontologies, kimono epistemologies, and kimono ethics. I think with grassroots theorists, kimono enthusiasts, and activists to present alternative approaches to these questions that begin to fill in the gaps left behind by the macro-level approach prevalent in social media discourse and English-language scholarly writing on the kimono. I argue that attention to specificity is the first step we should take in course-correcting away from easy answers toward a more complex engagement with the breadth of ways that different people use and think about kimono.","abstract_has_math":false,"creators":["Rodriguez, Natalya D."],"institution":"University of Illinois at Urbana-Champaign","degree_name":"M.A.","degree_level":"Thesis","degree_discipline":"E Asian Languages & Cultures","degree_department":null,"school":null,"contributors":["Martin, Jeffrey T","Tierney, Robert","Wilson, Roderick I"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2022,"date_issued":"2022-01-12T22:35:19Z","date_published":"2022-01-12T22:35:19Z","updated_at":"2026-07-22T22:24:53Z","subjects":["kimono","fashion","identity","ethics","anthropology of dress"],"languages":["en"],"rights":["© 2021 Natalya Rodriguez"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/2142/113213","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Martin, Jeffrey T","Tierney, Robert","Wilson, Roderick I"]},{"key":"dc:creator","label":"Author","values":["Rodriguez, Natalya D."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2022-01-12T22:35:19Z","2024-01-12T22:35:30Z","2021-07-19","2021-08"]},{"key":"dc:type","label":"Dc Type","values":["text","Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["E Asian Languages & Cultures"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["M.A."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["kimono","fashion","identity","ethics","anthropology of dress"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["© 2021 Natalya Rodriguez"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/113213"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["What is kimono? How do we know what we know about kimono, and whose voices matter? Who should (or should not) wear kimono? Repeated protests, social media engagement, and boycotts have underscored the exigent nature of these divisive questions, particularly for those interested in fashion, aesthetics, and cultural exchange. This thesis presents an extended reflection on these themes in the form of three essays. In the essays, I draw on interviews with wearers of kimono, public discourse on kimono from news outlets and social media spaces, English-language scholarly writing about kimonos, and autoethnographic anecdotes from my own experiences wearing kimono in Japan and the U.S. to show how the simplest answers to these questions only scratch the surface of people’s diverse experiences of kimono. Each essay “remixes” the same set of sources to examine a different angle on kimono knowledge: kimono ontologies, kimono epistemologies, and kimono ethics. I think with grassroots theorists, kimono enthusiasts, and activists to present alternative approaches to these questions that begin to fill in the gaps left behind by the macro-level approach prevalent in social media discourse and English-language scholarly writing on the kimono. I argue that attention to specificity is the first step we should take in course-correcting away from easy answers toward a more complex engagement with the breadth of ways that different people use and think about kimono.","Submission published under a 24 month embargo labeled 'U of I Access', the embargo will last until 2023-08-01","The student, Natalya Rodriguez, accepted the attached license on 2021-07-16 at 14:28.","The student, Natalya Rodriguez, submitted this Thesis for approval on 2021-07-16 at 14:41.","This Thesis was approved for publication on 2021-07-19 at 13:25.","DSpace SAF Submission Ingestion Package generated from Vireo submission #16988 on 2022-01-12 at 12:55:27","Made available in DSpace on 2022-01-12T22:35:19Z (GMT). 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Who should (or should not) wear kimono? Repeated protests, social media engagement, and boycotts have underscored the exigent nature of these divisive questions, particularly for those interested in fashion, aesthetics, and cultural exchange. This thesis presents an extended reflection on these themes in the form of three essays. In the essays, I draw on interviews with wearers of kimono, public discourse on kimono from news outlets and social media spaces, English-language scholarly writing about kimonos, and autoethnographic anecdotes from my own experiences wearing kimono in Japan and the U.S. to show how the simplest answers to these questions only scratch the surface of people’s diverse experiences of kimono. Each essay “remixes” the same set of sources to examine a different angle on kimono knowledge: kimono ontologies, kimono epistemologies, and kimono ethics. I think with grassroots theorists, kimono enthusiasts, and activists to present alternative approaches to these questions that begin to fill in the gaps left behind by the macro-level approach prevalent in social media discourse and English-language scholarly writing on the kimono. 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