{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/113212"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/113212","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"The White Men Are Coming! The White Men Are Coming!: Identifying Navajoness through Reservation Tourism in 30 Days, Jamie's American Road Trip, and Navajo Cops","abstract":"Native Americans as a marginalized population within the United States are typically rendered invisible within contemporary culture and society. Often relegated to the past, within the American and global imagination, Natives are habitually characterized by homogenizing stereotypes, which only contributes to the erasure of tribes’ unique histories, cultures, and identities. In an attempt to illuminate one such tribe, this dissertation narrows the scholarly focus of Native American representations in media to examine the production and consumption of the Navajo tribe through three docuseries—30 Days (2008), Jamie’s American Road Trip (2009/2012), and Navajo Cops (2012). Situated at the intersection of Media Studies, American Indian Studies, Cultural Studies, and Postcolonial Studies, this dissertation explores the ways in which Navajo identities are constructed by the shows’ white/non-Navajo hosts and producers for viewers’ cultural consumption. Interrogating a combined total of nine episodes, I seek to understand the ways in which Navajos are made (in)visible and represented through the shows’ touristic and ethnographic elements, reliance on Wild West imagery, disavowal of U.S. settler colonialism, and perpetuation of romantic Native tropes.","abstract_html":"Native Americans as a marginalized population within the United States are typically rendered invisible within contemporary culture and society. Often relegated to the past, within the American and global imagination, Natives are habitually characterized by homogenizing stereotypes, which only contributes to the erasure of tribes’ unique histories, cultures, and identities. In an attempt to illuminate one such tribe, this dissertation narrows the scholarly focus of Native American representations in media to examine the production and consumption of the Navajo tribe through three docuseries—30 Days (2008), Jamie’s American Road Trip (2009/2012), and Navajo Cops (2012). Situated at the intersection of Media Studies, American Indian Studies, Cultural Studies, and Postcolonial Studies, this dissertation explores the ways in which Navajo identities are constructed by the shows’ white/non-Navajo hosts and producers for viewers’ cultural consumption. Interrogating a combined total of nine episodes, I seek to understand the ways in which Navajos are made (in)visible and represented through the shows’ touristic and ethnographic elements, reliance on Wild West imagery, disavowal of U.S. settler colonialism, and perpetuation of romantic Native tropes.","abstract_has_math":false,"creators":["McSwain, Megan Y."],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"Communications and Media","degree_department":null,"school":null,"contributors":["McCarthy, Cameron","Molina-Guzman, Isabel","Ciafone, Amanda","Byrd, Jodi"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2022,"date_issued":"2022-01-12T22:35:19Z","date_published":"2022-01-12T22:35:19Z","updated_at":"2026-07-22T22:24:53Z","subjects":["Navajos","Native Americans","media representations","reservation tourism","reality TV"],"languages":["en"],"rights":["Copyright 2021 Megan McSwain"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/2142/113212","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["McCarthy, Cameron","Molina-Guzman, Isabel","Ciafone, Amanda","Byrd, Jodi"]},{"key":"dc:creator","label":"Author","values":["McSwain, Megan Y."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2022-01-12T22:35:19Z","2024-01-12T22:35:30Z","2021-07-28","2021-08"]},{"key":"dc:type","label":"Dc Type","values":["text","Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Communications and Media"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Navajos","Native Americans","media representations","reservation tourism","reality TV"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2021 Megan McSwain"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/113212"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Native Americans as a marginalized population within the United States are typically rendered invisible within contemporary culture and society. 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Interrogating a combined total of nine episodes, I seek to understand the ways in which Navajos are made (in)visible and represented through the shows’ touristic and ethnographic elements, reliance on Wild West imagery, disavowal of U.S. settler colonialism, and perpetuation of romantic Native tropes.","Submission published under a 24 month embargo labeled 'U of I Access', the embargo will last until 2023-08-01","The student, Megan McSwain, accepted the attached license on 2021-07-16 at 13:02.","The student, Megan McSwain, submitted this Dissertation for approval on 2021-07-16 at 13:12.","This Dissertation was approved for publication on 2021-07-28 at 09:38.","DSpace SAF Submission Ingestion Package generated from Vireo submission #16984 on 2022-01-12 at 12:55:25","Made available in DSpace on 2022-01-12T22:35:19Z (GMT). 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In an attempt to illuminate one such tribe, this dissertation narrows the scholarly focus of Native American representations in media to examine the production and consumption of the Navajo tribe through three docuseries—30 Days (2008), Jamie’s American Road Trip (2009/2012), and Navajo Cops (2012). Situated at the intersection of Media Studies, American Indian Studies, Cultural Studies, and Postcolonial Studies, this dissertation explores the ways in which Navajo identities are constructed by the shows’ white/non-Navajo hosts and producers for viewers’ cultural consumption. Interrogating a combined total of nine episodes, I seek to understand the ways in which Navajos are made (in)visible and represented through the shows’ touristic and ethnographic elements, reliance on Wild West imagery, disavowal of U.S. settler colonialism, and perpetuation of romantic Native tropes.","Submission published under a 24 month embargo labeled 'U of I Access', the embargo will last until 2023-08-01","The student, Megan McSwain, accepted the attached license on 2021-07-16 at 13:02.","The student, Megan McSwain, submitted this Dissertation for approval on 2021-07-16 at 13:12.","This Dissertation was approved for publication on 2021-07-28 at 09:38.","DSpace SAF Submission Ingestion Package generated from Vireo submission #16984 on 2022-01-12 at 12:55:25","Made available in DSpace on 2022-01-12T22:35:19Z (GMT). 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