{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/110670"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/110670","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Sonic landscapes: The environmental choral music of R. Murray Schafer and John Luther Adams","abstract":"During the past several decades, there has been a growing trend to address social concerns through choral music. Composers have taken on such topics as civil rights, suicide prevention, LGBTQ rights, women’s issues, as well as other current affairs. One of the sub-genres of this socially conscious repertoire is choral music that focuses on the ecology and the growing concern of environmental issues. Composers are engaging with this topic in a variety of ways, but few North American composers have devoted themselves so thoroughly to this genre as have R. Murray Schafer and John Luther Adams, both of whom have found inspiration as composers through their work as environmental activists. Schafer’s Landscapes and Soundscapes (2010) and Adams’s Canticles of the Holy Wind (2017) are two prominent examples from this repertoire, each exhibiting a unique relationship to the natural world. By examining these two compositions, as well as other recent works in the genre, this paper will explore the concept of environmental activism through choral music and its relevance in the field.","abstract_html":"During the past several decades, there has been a growing trend to address social concerns through choral music. Composers have taken on such topics as civil rights, suicide prevention, LGBTQ rights, women’s issues, as well as other current affairs. One of the sub-genres of this socially conscious repertoire is choral music that focuses on the ecology and the growing concern of environmental issues. Composers are engaging with this topic in a variety of ways, but few North American composers have devoted themselves so thoroughly to this genre as have R. Murray Schafer and John Luther Adams, both of whom have found inspiration as composers through their work as environmental activists. Schafer’s Landscapes and Soundscapes (2010) and Adams’s Canticles of the Holy Wind (2017) are two prominent examples from this repertoire, each exhibiting a unique relationship to the natural world. By examining these two compositions, as well as other recent works in the genre, this paper will explore the concept of environmental activism through choral music and its relevance in the field.","abstract_has_math":false,"creators":["Hedegaard, Kirsten"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"A.Mus.D.","degree_level":"Dissertation","degree_discipline":"Music","degree_department":null,"school":null,"contributors":["Silvers, Michael","Megill, Andrew","Solya, Andrea","Carrillo, Carlos"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2021,"date_issued":"2021-09-17T02:34:27Z","date_published":"2021-09-17T02:34:27Z","updated_at":"2026-07-22T22:24:52Z","subjects":["environmental choral works","ecological choral music"],"languages":["en"],"rights":["Copyright 2021 Kirsten Hedegaard"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/2142/110670","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Silvers, Michael","Megill, Andrew","Solya, Andrea","Carrillo, Carlos"]},{"key":"dc:creator","label":"Author","values":["Hedegaard, Kirsten"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2021-09-17T02:34:27Z","2023-09-17T02:34:57Z","2021-04-19","2021-05"]},{"key":"dc:type","label":"Dc Type","values":["text","Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Music"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["A.Mus.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["environmental choral works","ecological choral music"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2021 Kirsten Hedegaard"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/110670"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["During the past several decades, there has been a growing trend to address social concerns through choral music. Composers have taken on such topics as civil rights, suicide prevention, LGBTQ rights, women’s issues, as well as other current affairs. One of the sub-genres of this socially conscious repertoire is choral music that focuses on the ecology and the growing concern of environmental issues. Composers are engaging with this topic in a variety of ways, but few North American composers have devoted themselves so thoroughly to this genre as have R. Murray Schafer and John Luther Adams, both of whom have found inspiration as composers through their work as environmental activists. Schafer’s Landscapes and Soundscapes (2010) and Adams’s Canticles of the Holy Wind (2017) are two prominent examples from this repertoire, each exhibiting a unique relationship to the natural world. By examining these two compositions, as well as other recent works in the genre, this paper will explore the concept of environmental activism through choral music and its relevance in the field.","Submission published under a 24 month embargo labeled 'U of I Access', the embargo will last until 2023-05-01","The student, Kirsten Hedegaard, accepted the attached license on 2021-04-14 at 15:37.","The student, Kirsten Hedegaard, submitted this Dissertation for approval on 2021-04-14 at 15:49.","This Dissertation was approved for publication on 2021-04-19 at 16:30.","DSpace SAF Submission Ingestion Package generated from Vireo submission #16333 on 2021-09-16 at 17:03:06","Made available in DSpace on 2021-09-17T02:34:27Z (GMT). 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Murray Schafer and John Luther Adams"]}]}],"canonical_facts":{"dc:contributor":["Silvers, Michael","Megill, Andrew","Solya, Andrea","Carrillo, Carlos"],"dc:creator":["Hedegaard, Kirsten"],"dc:date":["2021-09-17T02:34:27Z","2023-09-17T02:34:57Z","2021-04-19","2021-05"],"dc:description":["During the past several decades, there has been a growing trend to address social concerns through choral music. Composers have taken on such topics as civil rights, suicide prevention, LGBTQ rights, women’s issues, as well as other current affairs. One of the sub-genres of this socially conscious repertoire is choral music that focuses on the ecology and the growing concern of environmental issues. Composers are engaging with this topic in a variety of ways, but few North American composers have devoted themselves so thoroughly to this genre as have R. Murray Schafer and John Luther Adams, both of whom have found inspiration as composers through their work as environmental activists. Schafer’s Landscapes and Soundscapes (2010) and Adams’s Canticles of the Holy Wind (2017) are two prominent examples from this repertoire, each exhibiting a unique relationship to the natural world. By examining these two compositions, as well as other recent works in the genre, this paper will explore the concept of environmental activism through choral music and its relevance in the field.","Submission published under a 24 month embargo labeled 'U of I Access', the embargo will last until 2023-05-01","The student, Kirsten Hedegaard, accepted the attached license on 2021-04-14 at 15:37.","The student, Kirsten Hedegaard, submitted this Dissertation for approval on 2021-04-14 at 15:49.","This Dissertation was approved for publication on 2021-04-19 at 16:30.","DSpace SAF Submission Ingestion Package generated from Vireo submission #16333 on 2021-09-16 at 17:03:06","Made available in DSpace on 2021-09-17T02:34:27Z (GMT). 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Murray Schafer and John Luther Adams"],"dc:type":["text","Thesis"],"thesis:degree_discipline":["Music"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["A.Mus.D."],"thesis:institution_name":["University of Illinois at Urbana-Champaign"]},"updated_at":"2026-07-22T22:24:52Z"}