{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/109568"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/109568","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"American pain: The sentimental, the lyrical, the medical, the realistic","abstract":"This dissertation investigates the meanings we make out of pain—the inseparable spheres of bodily pain and psychological suffering. I ask: How has American literature represented and interpreted pain in the latter half of the nineteenth century and early twentieth century? What are the economic and moral consequences of such representations and interpretations of pain? What forms of linguistic expression disentangle bodily pain? I assert that American literature after the advent of surgical ether in 1846 at Massachusetts General Hospital in Boston offers a remarkable “turn” within the inquiry into pain and its representation. The question then becomes: How did certain literary modes of representation—the sentimental, the lyrical, the medical, the realistic—construct divergent and convergent meanings of bodily pain?","abstract_html":"This dissertation investigates the meanings we make out of pain—the inseparable spheres of bodily pain and psychological suffering. I ask: How has American literature represented and interpreted pain in the latter half of the nineteenth century and early twentieth century? What are the economic and moral consequences of such representations and interpretations of pain? What forms of linguistic expression disentangle bodily pain? I assert that American literature after the advent of surgical ether in 1846 at Massachusetts General Hospital in Boston offers a remarkable “turn” within the inquiry into pain and its representation. The question then becomes: How did certain literary modes of representation—the sentimental, the lyrical, the medical, the realistic—construct divergent and convergent meanings of bodily pain?","abstract_has_math":false,"creators":["Thomas, Eric Austin"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"English","degree_department":null,"school":null,"contributors":["Parker, Robert D.","Newcomb, John T.","Hunt, Irvin J.","Jones, Jamie L."],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2021,"date_issued":"2021-03-05T21:45:12Z","date_published":"2021-03-05T21:45:12Z","updated_at":"2026-07-22T22:24:50Z","subjects":["American literature","pain","sentimentalism","realism","lyric poetry","medicine"],"languages":["en"],"rights":["Copyright 2020 Eric Thomas"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/2142/109568","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Parker, Robert D.","Newcomb, John T.","Hunt, Irvin J.","Jones, Jamie L."]},{"key":"dc:creator","label":"Author","values":["Thomas, Eric Austin"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2021-03-05T21:45:12Z","2023-03-05T21:47:41Z","2020-10-20","2020-12"]},{"key":"dc:type","label":"Dc Type","values":["text","Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["American literature","pain","sentimentalism","realism","lyric poetry","medicine"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2020 Eric Thomas"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/109568"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["This dissertation investigates the meanings we make out of pain—the inseparable spheres of bodily pain and psychological suffering. 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I ask: How has American literature represented and interpreted pain in the latter half of the nineteenth century and early twentieth century? What are the economic and moral consequences of such representations and interpretations of pain? What forms of linguistic expression disentangle bodily pain? I assert that American literature after the advent of surgical ether in 1846 at Massachusetts General Hospital in Boston offers a remarkable “turn” within the inquiry into pain and its representation. 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