{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/109528"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/109528","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Franz Schubert’s Deutsches Stabat Mater, D. 383: Historical background and musical accessibility","abstract":"This study explores the historical context of the text and music of Franz Schubert’s Deutsches Stabat Mater in F minor, D. 383. Schubert’s German Stabat Mater stands apart from the majority of his sacred choral music, which, intended for use in a Catholic liturgical service, uses Latin text. The text Schubert uses is a German paraphrase of the Latin Sequence contrived by Friedrich Gottlieb Klopstock (1724–1803) to allow Pergolesi’s Monumental setting to be sung in German during Protestant services. The text was also used by Johann Adam Hiller (1728–1804) in his arrangement of Pergolesi’s Stabat Mater. Indeed, Hiller’s Stabat Mater served as a template for Schubert’s composition. The works of Klopstock, Hiller, and Schubert reflect social and cultural changes in the Austrian-German empire of the time. Schubert intended his German Stabat Mater to be accessible and theologically acceptable for both small, Protestant church choirs and amateur choral groups to perform. Despite being raised as a Catholic, Schubert used Klopstock’s German paraphrase precisely because it reflected the spirit of both Protestantism and the Enlightenment, thereby allowing a wider market and audience for his music.","abstract_html":"This study explores the historical context of the text and music of Franz Schubert’s Deutsches Stabat Mater in F minor, D. 383. Schubert’s German Stabat Mater stands apart from the majority of his sacred choral music, which, intended for use in a Catholic liturgical service, uses Latin text. The text Schubert uses is a German paraphrase of the Latin Sequence contrived by Friedrich Gottlieb Klopstock (1724–1803) to allow Pergolesi’s Monumental setting to be sung in German during Protestant services. The text was also used by Johann Adam Hiller (1728–1804) in his arrangement of Pergolesi’s Stabat Mater. Indeed, Hiller’s Stabat Mater served as a template for Schubert’s composition. The works of Klopstock, Hiller, and Schubert reflect social and cultural changes in the Austrian-German empire of the time. Schubert intended his German Stabat Mater to be accessible and theologically acceptable for both small, Protestant church choirs and amateur choral groups to perform. Despite being raised as a Catholic, Schubert used Klopstock’s German paraphrase precisely because it reflected the spirit of both Protestantism and the Enlightenment, thereby allowing a wider market and audience for his music.","abstract_has_math":false,"creators":["Cho, Seung Won"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"A.Mus.D.","degree_level":"Dissertation","degree_discipline":"Music","degree_department":null,"school":null,"contributors":["Alwes, Chester","Megill, Andrew","Moersch, Charlotte Mattax","Magee, Gayle"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2021,"date_issued":"2021-03-05T21:42:50Z","date_published":"2021-03-05T21:42:50Z","updated_at":"2026-07-22T22:24:50Z","subjects":["Schubert's German Stabat Mater, D. 383"],"languages":["en"],"rights":["Copyright 2020 Seung Won Cho"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/2142/109528","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Alwes, Chester","Megill, Andrew","Moersch, Charlotte Mattax","Magee, Gayle"]},{"key":"dc:creator","label":"Author","values":["Cho, Seung Won"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2021-03-05T21:42:50Z","2023-03-05T21:43:00Z","2020-12-04","2020-12"]},{"key":"dc:type","label":"Dc Type","values":["text","Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Music"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["A.Mus.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Schubert's German Stabat Mater, D. 383"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2020 Seung Won Cho"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/109528"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["This study explores the historical context of the text and music of Franz Schubert’s Deutsches Stabat Mater in F minor, D. 383. Schubert’s German Stabat Mater stands apart from the majority of his sacred choral music, which, intended for use in a Catholic liturgical service, uses Latin text. The text Schubert uses is a German paraphrase of the Latin Sequence contrived by Friedrich Gottlieb Klopstock (1724–1803) to allow Pergolesi’s Monumental setting to be sung in German during Protestant services. The text was also used by Johann Adam Hiller (1728–1804) in his arrangement of Pergolesi’s Stabat Mater. Indeed, Hiller’s Stabat Mater served as a template for Schubert’s composition. The works of Klopstock, Hiller, and Schubert reflect social and cultural changes in the Austrian-German empire of the time. Schubert intended his German Stabat Mater to be accessible and theologically acceptable for both small, Protestant church choirs and amateur choral groups to perform. Despite being raised as a Catholic, Schubert used Klopstock’s German paraphrase precisely because it reflected the spirit of both Protestantism and the Enlightenment, thereby allowing a wider market and audience for his music.","Submission published under a 24 month embargo labeled 'U of I Access', the embargo will last until 2022-12-01","The student, Seung Won Cho, accepted the attached license on 2020-12-04 at 12:06.","The student, Seung Won Cho, submitted this Dissertation for approval on 2020-12-04 at 12:28.","This Dissertation was approved for publication on 2020-12-04 at 16:15.","DSpace SAF Submission Ingestion Package generated from Vireo submission #16073 on 2021-03-04 at 16:20:41","Made available in DSpace on 2021-03-05T21:42:50Z (GMT). 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Schubert’s German Stabat Mater stands apart from the majority of his sacred choral music, which, intended for use in a Catholic liturgical service, uses Latin text. The text Schubert uses is a German paraphrase of the Latin Sequence contrived by Friedrich Gottlieb Klopstock (1724–1803) to allow Pergolesi’s Monumental setting to be sung in German during Protestant services. The text was also used by Johann Adam Hiller (1728–1804) in his arrangement of Pergolesi’s Stabat Mater. Indeed, Hiller’s Stabat Mater served as a template for Schubert’s composition. The works of Klopstock, Hiller, and Schubert reflect social and cultural changes in the Austrian-German empire of the time. Schubert intended his German Stabat Mater to be accessible and theologically acceptable for both small, Protestant church choirs and amateur choral groups to perform. Despite being raised as a Catholic, Schubert used Klopstock’s German paraphrase precisely because it reflected the spirit of both Protestantism and the Enlightenment, thereby allowing a wider market and audience for his music.","Submission published under a 24 month embargo labeled 'U of I Access', the embargo will last until 2022-12-01","The student, Seung Won Cho, accepted the attached license on 2020-12-04 at 12:06.","The student, Seung Won Cho, submitted this Dissertation for approval on 2020-12-04 at 12:28.","This Dissertation was approved for publication on 2020-12-04 at 16:15.","DSpace SAF Submission Ingestion Package generated from Vireo submission #16073 on 2021-03-04 at 16:20:41","Made available in DSpace on 2021-03-05T21:42:50Z (GMT). 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