{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/109344"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/109344","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"An introduction to the choral music of Galina Grigorjeva","abstract":"This study will examine Galina Grigorjeva’s compositional style and the influence of the Russian Orthodox tradition on her choral music. Grigorjeva, born in 1962, is a Ukraine-born Estonian composer, and has written over seventy compositions to date, twenty-two of which are choral works. She currently works as a freelancer composer in Tallinn, Estonia. This study begins with Grigorjeva’s professional biography and an overview of her background and education. It includes a discussion of Byzantine and Znamenny chants and how these traditions contribute to a deeper understanding of Grigorjeva’s music. It will then discuss some of the musical influences and the characteristics of Grigorjeva’s music, including her approach to rhythm, text, harmony, texture, timbre, and melody. Three selected choral works—On Leaving (1999), Nature Morte (2008), and In paradisum (2012)—which collectively exemplify the composer’s unique compositional style will then be investigated. Additionally, this study will offer an annotated catalog of Grigorjeva’s entire choral output to benefit readers in adding fresh choral repertoire. The purpose of this exploration is to introduce this great composer and her works to choral musicians looking for hidden gems of choral literature.","abstract_html":"This study will examine Galina Grigorjeva’s compositional style and the influence of the Russian Orthodox tradition on her choral music. Grigorjeva, born in 1962, is a Ukraine-born Estonian composer, and has written over seventy compositions to date, twenty-two of which are choral works. She currently works as a freelancer composer in Tallinn, Estonia. This study begins with Grigorjeva’s professional biography and an overview of her background and education. It includes a discussion of Byzantine and Znamenny chants and how these traditions contribute to a deeper understanding of Grigorjeva’s music. It will then discuss some of the musical influences and the characteristics of Grigorjeva’s music, including her approach to rhythm, text, harmony, texture, timbre, and melody. Three selected choral works—On Leaving (1999), Nature Morte (2008), and In paradisum (2012)—which collectively exemplify the composer’s unique compositional style will then be investigated. Additionally, this study will offer an annotated catalog of Grigorjeva’s entire choral output to benefit readers in adding fresh choral repertoire. The purpose of this exploration is to introduce this great composer and her works to choral musicians looking for hidden gems of choral literature.","abstract_has_math":false,"creators":["Ahn, Won Joo"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"A.Mus.D.","degree_level":"Dissertation","degree_discipline":"Music","degree_department":null,"school":null,"contributors":["Megill, Andrew","Coleman, Barrington L.","Solya, Andrea","Sweet, Bridget"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2021,"date_issued":"2021-03-05T21:36:51Z","date_published":"2021-03-05T21:36:51Z","updated_at":"2026-07-22T22:24:50Z","subjects":["Galina Grigorjeva","Choral Music","Estonian Composer","Russian Orthodox","Znamenny Chant"],"languages":["en"],"rights":["Copyright 2020 Won Joo Ahn"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/2142/109344","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Megill, Andrew","Coleman, Barrington L.","Solya, Andrea","Sweet, Bridget"]},{"key":"dc:creator","label":"Author","values":["Ahn, Won Joo"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2021-03-05T21:36:51Z","2020-10-26","2020-12"]},{"key":"dc:type","label":"Dc Type","values":["text","Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Music"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["A.Mus.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Galina Grigorjeva","Choral Music","Estonian Composer","Russian Orthodox","Znamenny Chant"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2020 Won Joo Ahn"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/109344"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["This study will examine Galina Grigorjeva’s compositional style and the influence of the Russian Orthodox tradition on her choral music. Grigorjeva, born in 1962, is a Ukraine-born Estonian composer, and has written over seventy compositions to date, twenty-two of which are choral works. She currently works as a freelancer composer in Tallinn, Estonia. This study begins with Grigorjeva’s professional biography and an overview of her background and education. It includes a discussion of Byzantine and Znamenny chants and how these traditions contribute to a deeper understanding of Grigorjeva’s music. It will then discuss some of the musical influences and the characteristics of Grigorjeva’s music, including her approach to rhythm, text, harmony, texture, timbre, and melody. Three selected choral works—On Leaving (1999), Nature Morte (2008), and In paradisum (2012)—which collectively exemplify the composer’s unique compositional style will then be investigated. Additionally, this study will offer an annotated catalog of Grigorjeva’s entire choral output to benefit readers in adding fresh choral repertoire. The purpose of this exploration is to introduce this great composer and her works to choral musicians looking for hidden gems of choral literature.","Submission original under an indefinite embargo labeled 'Open Access'. The submission was exported from vireo on 2021-03-04 without embargo terms","The student, Won Joo Ahn, accepted the attached license on 2020-10-06 at 19:45.","The student, Won Joo Ahn, submitted this Dissertation for approval on 2020-10-06 at 19:48.","This Dissertation was approved for publication on 2020-10-26 at 09:44.","DSpace SAF Submission Ingestion Package generated from Vireo submission #15827 on 2021-03-04 at 15:34:02","Made available in DSpace on 2021-03-05T21:36:51Z (GMT). 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