{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/108693"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/108693","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Sexpeditions: mapping mobility and sexuality in postcolonial France and the Maghreb","abstract":"Limited","abstract_html":"Limited","abstract_has_math":false,"creators":["Tarjanyi, Peter"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"French","degree_department":null,"school":null,"contributors":["Blake, Nancy","Nadeau, Chantal","Proulx, Francois","Rushing, Robert A."],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2020,"date_issued":"2020-10-07T22:49:56Z","date_published":"2020-10-07T22:49:56Z","updated_at":"2026-07-22T22:24:48Z","subjects":["mobility","sexuality","sex tourism","queer","kinship","twentieth-century French literature","Maghrebi Francophone literature","Maghrebi-French cinema","colonialism","postcolonial France","immigration","diaspora"],"languages":["en"],"rights":["Copyright 2020 Peter Tarjanyi"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/2142/108693","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Blake, Nancy","Nadeau, Chantal","Proulx, Francois","Rushing, Robert A."]},{"key":"dc:creator","label":"Author","values":["Tarjanyi, Peter"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2020-10-07T22:49:56Z","2022-10-07T22:50:13Z","2020-07-13","2020-08"]},{"key":"dc:type","label":"Dc Type","values":["text","Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["French"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["mobility","sexuality","sex tourism","queer","kinship","twentieth-century French literature","Maghrebi Francophone literature","Maghrebi-French cinema","colonialism","postcolonial France","immigration","diaspora"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2020 Peter Tarjanyi"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/108693"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Limited","The student, Peter Tarjanyi, submitted this Dissertation for approval on 2020-07-11 at 15:21.","This Dissertation was approved for publication on 2020-07-13 at 11:11.","DSpace SAF Submission Ingestion Package generated from Vireo submission #15577 on 2020-10-02 at 15:50:27","Made available in DSpace on 2020-10-07T22:49:56Z (GMT). No. of bitstreams: 3 TARJANYI-DISSERTATION-2020.pdf: 4891393 bytes, checksum: 5cbd5590254b6686994a1c736b62b9a0 (MD5) LICENSE.txt: 4211 bytes, checksum: 83af15563f6d64b0c26ad155f0f8e6a4 (MD5) PROQUEST_LICENSE.txt: 4557 bytes, checksum: f47e38ed8244d32fd63255e940a8aa45 (MD5) Previous issue date: 2020-07-13","Embargo set by: Seth Robbins for item 116322 Lift date: 2022-10-07T22:50:13Z Reason: Author requested closed access (OA after 2yrs) in Vireo ETD system","Author requested closed access (OA after 2yrs) in Vireo ETD system","The dissertation explores the intersections of mobility and sexuality in France and the Maghreb from the heyday of colonialism to the postcolonial present. In particular, it investigates literary and cinematic representations of a specific kind of mobility known as sex tourism. The dissertation’s central argument is that sex tourism functions as a community building strategy for sexual and ethnic minorities for whom it provides alternative forms of kinship and belonging vis-à-vis the heteronormative family and the French and Maghrebi nation-state. Chapter one examines the travel narratives of French gay writers who journeyed from France to the Maghreb around the end of the nineteenth century. Focusing on André Gide’s novels and correspondence, it illustrates how Maghrebi sex tourism allowed the white European sexually dissident subject to overcome the institutional and affective crisis of heteronormative domesticity. Chapter two looks at literary representations of sex-tourism between France and North Africa following the collapse of France’s colonial empire. By analyzing Dominique Fernandez’s novel Une fleur de jasmin à l’oreille, the chapter demonstrates how Maghrebi decolonization has led to the subversion of the narrative and aesthetic conventions of sex tourism in an era when homosexuality enjoys a greater degree of visibility and acceptance in the West. Chapter three considers the reverse trajectory of sex tourism by showcasing the journey narratives of queer Maghrebi immigrants who travel from the Maghreb to Europe in the postcolonial present. By concentrating on the works of gay Moroccan author Abdellah Taïa, it shows how Maghrebi Francophone writers envision sex tourism as a form of affective community building for minority ethnic and sexual subjects. Chapter four explores how recent French and Maghrebi-French cinema has represented the return of immigrant and second-generation queer men of Maghrebi origin to their diasporic homeland in North Africa. Through an in-depth analysis of Rémi Lange’s Tarik El Hob and Mehdi Ben Attia’s Le fil, the chapter explains how contemporary developments in LGBTQ politics have highlighted the tensions between institutional forms of kinship and Maghrebi alternative ties of filiation.","Submission published under a 24 month embargo labeled 'Closed Access', the embargo will last until 2022-08-01","The student, Peter Tarjanyi, accepted the attached license on 2020-07-11 at 15:03."]},{"key":"dc:format","label":"Dc Format","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["Sexpeditions: mapping mobility and sexuality in postcolonial France and the Maghreb"]}]}],"canonical_facts":{"dc:contributor":["Blake, Nancy","Nadeau, Chantal","Proulx, Francois","Rushing, Robert A."],"dc:creator":["Tarjanyi, Peter"],"dc:date":["2020-10-07T22:49:56Z","2022-10-07T22:50:13Z","2020-07-13","2020-08"],"dc:description":["Limited","The student, Peter Tarjanyi, submitted this Dissertation for approval on 2020-07-11 at 15:21.","This Dissertation was approved for publication on 2020-07-13 at 11:11.","DSpace SAF Submission Ingestion Package generated from Vireo submission #15577 on 2020-10-02 at 15:50:27","Made available in DSpace on 2020-10-07T22:49:56Z (GMT). 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The dissertation’s central argument is that sex tourism functions as a community building strategy for sexual and ethnic minorities for whom it provides alternative forms of kinship and belonging vis-à-vis the heteronormative family and the French and Maghrebi nation-state. Chapter one examines the travel narratives of French gay writers who journeyed from France to the Maghreb around the end of the nineteenth century. Focusing on André Gide’s novels and correspondence, it illustrates how Maghrebi sex tourism allowed the white European sexually dissident subject to overcome the institutional and affective crisis of heteronormative domesticity. Chapter two looks at literary representations of sex-tourism between France and North Africa following the collapse of France’s colonial empire. By analyzing Dominique Fernandez’s novel Une fleur de jasmin à l’oreille, the chapter demonstrates how Maghrebi decolonization has led to the subversion of the narrative and aesthetic conventions of sex tourism in an era when homosexuality enjoys a greater degree of visibility and acceptance in the West. Chapter three considers the reverse trajectory of sex tourism by showcasing the journey narratives of queer Maghrebi immigrants who travel from the Maghreb to Europe in the postcolonial present. By concentrating on the works of gay Moroccan author Abdellah Taïa, it shows how Maghrebi Francophone writers envision sex tourism as a form of affective community building for minority ethnic and sexual subjects. Chapter four explores how recent French and Maghrebi-French cinema has represented the return of immigrant and second-generation queer men of Maghrebi origin to their diasporic homeland in North Africa. Through an in-depth analysis of Rémi Lange’s Tarik El Hob and Mehdi Ben Attia’s Le fil, the chapter explains how contemporary developments in LGBTQ politics have highlighted the tensions between institutional forms of kinship and Maghrebi alternative ties of filiation.","Submission published under a 24 month embargo labeled 'Closed Access', the embargo will last until 2022-08-01","The student, Peter Tarjanyi, accepted the attached license on 2020-07-11 at 15:03."],"dc:format":["application/pdf"],"dc:identifier":["http://hdl.handle.net/2142/108693"],"dc:language":["en"],"dc:rights":["Copyright 2020 Peter Tarjanyi"],"dc:subject":["mobility","sexuality","sex tourism","queer","kinship","twentieth-century French literature","Maghrebi Francophone literature","Maghrebi-French cinema","colonialism","postcolonial France","immigration","diaspora"],"dc:title":["Sexpeditions: mapping mobility and sexuality in postcolonial France and the Maghreb"],"dc:type":["text","Thesis"],"thesis:degree_discipline":["French"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["Ph.D."],"thesis:institution_name":["University of Illinois at Urbana-Champaign"]},"updated_at":"2026-07-22T22:24:48Z"}