{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/108677"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/108677","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Signifying against antiblackness: Black Rhetoric in early African American writing","abstract":"My dissertation, Signifying Against Antiblackness: Black Rhetoric in Early African American Writing, theorizes “Black Rhetoric” as a literary and theoretical tradition, distinct from the Anglo-American canon, that interrogates language as an apparatus of power. Through sermons, political pamphlets, press editorials, and life narratives, antebellum Black Rhetoricians such as David Walker, Adam Carman, William Whipper, and Harriet Wilson study how language can be used to mask antiblack violence. Each chapter balances two argumentative objectives: to demonstrate that Black Rhetoric produces knowledge about the relationship between language and antiblackness, and to show how Black Rhetoric is an active practice that intervenes in the masking protocols of antiblackness through argumentation, grammar, typography, sentence structuring, historiography, typology, characterization, and structural assembly, all of which stage the ontological contestation over meaning. This project draws on Hortense Spillers’s description of “American Grammar” as the “dominant symbolic activity,” an order of meaning wherein Black beings are recognizable only as that which is inhuman (or non-human). This order of meaning shapes the antebellum discursive context where seemingly diverse white discourses repress relations of power and enactments of violence in order to naturalize black inferiority. Black Rhetoric, by contrast, explicitly articulates the racist psychic and material investments that bond transnational power sectors to enslavement and other forms of antiblack violence. As such, Black Rhetoric interrogates how our behaviors are linguistically fabricated and directed, thereby rupturing American Grammar.","abstract_html":"My dissertation, Signifying Against Antiblackness: Black Rhetoric in Early African American Writing, theorizes “Black Rhetoric” as a literary and theoretical tradition, distinct from the Anglo-American canon, that interrogates language as an apparatus of power. Through sermons, political pamphlets, press editorials, and life narratives, antebellum Black Rhetoricians such as David Walker, Adam Carman, William Whipper, and Harriet Wilson study how language can be used to mask antiblack violence. Each chapter balances two argumentative objectives: to demonstrate that Black Rhetoric produces knowledge about the relationship between language and antiblackness, and to show how Black Rhetoric is an active practice that intervenes in the masking protocols of antiblackness through argumentation, grammar, typography, sentence structuring, historiography, typology, characterization, and structural assembly, all of which stage the ontological contestation over meaning. This project draws on Hortense Spillers’s description of “American Grammar” as the “dominant symbolic activity,” an order of meaning wherein Black beings are recognizable only as that which is inhuman (or non-human). This order of meaning shapes the antebellum discursive context where seemingly diverse white discourses repress relations of power and enactments of violence in order to naturalize black inferiority. Black Rhetoric, by contrast, explicitly articulates the racist psychic and material investments that bond transnational power sectors to enslavement and other forms of antiblack violence. As such, Black Rhetoric interrogates how our behaviors are linguistically fabricated and directed, thereby rupturing American Grammar.","abstract_has_math":false,"creators":["Plasencia, Samantha"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"English","degree_department":null,"school":null,"contributors":["Dean, Tim","Spires, Derrick R.","Murison, Justine S.","Asaka, Ikuko"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2020,"date_issued":"2020-10-07T22:49:49Z","date_published":"2020-10-07T22:49:49Z","updated_at":"2026-07-22T22:24:48Z","subjects":["Early Black Literature, antiblackness, signification, Orations Commemorating the Abolition of the Slave Trade, David Walker, Frederick Douglass, Harriet Wilson, American Grammar, Black Rhetoric"],"languages":["en"],"rights":["Copyright 2020 Sam Plasencia"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/2142/108677","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Dean, Tim","Spires, Derrick R.","Murison, Justine S.","Asaka, Ikuko"]},{"key":"dc:creator","label":"Author","values":["Plasencia, Samantha"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2020-10-07T22:49:49Z","2022-10-07T22:50:13Z","2020-07-15","2020-08"]},{"key":"dc:type","label":"Dc Type","values":["text","Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Early Black Literature, antiblackness, signification, Orations Commemorating the Abolition of the Slave Trade, David Walker, Frederick Douglass, Harriet Wilson, American Grammar, Black Rhetoric"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2020 Sam Plasencia"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/108677"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["My dissertation, Signifying Against Antiblackness: Black Rhetoric in Early African American Writing, theorizes “Black Rhetoric” as a literary and theoretical tradition, distinct from the Anglo-American canon, that interrogates language as an apparatus of power. Through sermons, political pamphlets, press editorials, and life narratives, antebellum Black Rhetoricians such as David Walker, Adam Carman, William Whipper, and Harriet Wilson study how language can be used to mask antiblack violence. Each chapter balances two argumentative objectives: to demonstrate that Black Rhetoric produces knowledge about the relationship between language and antiblackness, and to show how Black Rhetoric is an active practice that intervenes in the masking protocols of antiblackness through argumentation, grammar, typography, sentence structuring, historiography, typology, characterization, and structural assembly, all of which stage the ontological contestation over meaning. This project draws on Hortense Spillers’s description of “American Grammar” as the “dominant symbolic activity,” an order of meaning wherein Black beings are recognizable only as that which is inhuman (or non-human). This order of meaning shapes the antebellum discursive context where seemingly diverse white discourses repress relations of power and enactments of violence in order to naturalize black inferiority. Black Rhetoric, by contrast, explicitly articulates the racist psychic and material investments that bond transnational power sectors to enslavement and other forms of antiblack violence. As such, Black Rhetoric interrogates how our behaviors are linguistically fabricated and directed, thereby rupturing American Grammar.","Submission published under a 24 month embargo labeled 'Closed Access', the embargo will last until 2022-08-01","The student, Samantha Plasencia, accepted the attached license on 2020-07-08 at 17:38.","The student, Samantha Plasencia, submitted this Dissertation for approval on 2020-07-08 at 17:50.","This Dissertation was approved for publication on 2020-07-15 at 07:17.","DSpace SAF Submission Ingestion Package generated from Vireo submission #15533 on 2020-10-02 at 15:49:57","Made available in DSpace on 2020-10-07T22:49:49Z (GMT). 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Through sermons, political pamphlets, press editorials, and life narratives, antebellum Black Rhetoricians such as David Walker, Adam Carman, William Whipper, and Harriet Wilson study how language can be used to mask antiblack violence. Each chapter balances two argumentative objectives: to demonstrate that Black Rhetoric produces knowledge about the relationship between language and antiblackness, and to show how Black Rhetoric is an active practice that intervenes in the masking protocols of antiblackness through argumentation, grammar, typography, sentence structuring, historiography, typology, characterization, and structural assembly, all of which stage the ontological contestation over meaning. This project draws on Hortense Spillers’s description of “American Grammar” as the “dominant symbolic activity,” an order of meaning wherein Black beings are recognizable only as that which is inhuman (or non-human). This order of meaning shapes the antebellum discursive context where seemingly diverse white discourses repress relations of power and enactments of violence in order to naturalize black inferiority. Black Rhetoric, by contrast, explicitly articulates the racist psychic and material investments that bond transnational power sectors to enslavement and other forms of antiblack violence. As such, Black Rhetoric interrogates how our behaviors are linguistically fabricated and directed, thereby rupturing American Grammar.","Submission published under a 24 month embargo labeled 'Closed Access', the embargo will last until 2022-08-01","The student, Samantha Plasencia, accepted the attached license on 2020-07-08 at 17:38.","The student, Samantha Plasencia, submitted this Dissertation for approval on 2020-07-08 at 17:50.","This Dissertation was approved for publication on 2020-07-15 at 07:17.","DSpace SAF Submission Ingestion Package generated from Vireo submission #15533 on 2020-10-02 at 15:49:57","Made available in DSpace on 2020-10-07T22:49:49Z (GMT). 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