{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/108535"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/108535","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"From a condition to a choice: gender and motherhood in adaptations of Torikaebaya","abstract":"In this paper, I explore multiple versions of the Heian Period prose known as Torikaebaya with a principal focus on the two most recent manga adaptations, The Change published in 1987 and Torikae Baya published in 2013. I examine social and cultural changes in regard to gender and motherhood from the 1980s to the 2010’s by studying the different choices authors made when creating the adaptation and contextualizing those choices within their contemporary time periods. I further argue that even though it is often stated that Japan lags behind the European and North American societies regarding gender rights due to its rigid gender roles and expectations, Japan in some ways, in its popular culture and especially literature, may be equal or even more progressive than those societies. Torikea Baya as well as other manga and literature are subversive and critical of contemporary Japanese society and law in connection with gender and offer not only critiques of current societal norms but an exploration of gender and sexuality outside social norms.","abstract_html":"In this paper, I explore multiple versions of the Heian Period prose known as Torikaebaya with a principal focus on the two most recent manga adaptations, The Change published in 1987 and Torikae Baya published in 2013. I examine social and cultural changes in regard to gender and motherhood from the 1980s to the 2010’s by studying the different choices authors made when creating the adaptation and contextualizing those choices within their contemporary time periods. I further argue that even though it is often stated that Japan lags behind the European and North American societies regarding gender rights due to its rigid gender roles and expectations, Japan in some ways, in its popular culture and especially literature, may be equal or even more progressive than those societies. Torikea Baya as well as other manga and literature are subversive and critical of contemporary Japanese society and law in connection with gender and offer not only critiques of current societal norms but an exploration of gender and sexuality outside social norms.","abstract_has_math":false,"creators":["Tyger, Suzie N"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"M.A.","degree_level":"Thesis","degree_discipline":"East Asian Studies","degree_department":null,"school":null,"contributors":["Tierney, Robert"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2020,"date_issued":"2020-10-07T21:00:09Z","date_published":"2020-10-07T21:00:09Z","updated_at":"2026-07-22T22:24:48Z","subjects":["Gender","Japan","Torikaebaya","Pop Culture","Motherhood"],"languages":["en"],"rights":["Copyright 2020 Suzie Tyger"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/2142/108535","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Tierney, Robert"]},{"key":"dc:creator","label":"Author","values":["Tyger, Suzie N"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2020-10-07T21:00:09Z","2020-07-24","2020-08"]},{"key":"dc:type","label":"Dc Type","values":["text","Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["East Asian Studies"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["M.A."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Gender","Japan","Torikaebaya","Pop Culture","Motherhood"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2020 Suzie Tyger"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/108535"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["In this paper, I explore multiple versions of the Heian Period prose known as Torikaebaya with a principal focus on the two most recent manga adaptations, The Change published in 1987 and Torikae Baya published in 2013. 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