{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/108310"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/108310","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Making men: Spanish art and the politics of masculinity, 1898-1936","abstract":"This dissertation explores the formation of new gender-fluid masculine paradigms in Spanish visual culture from 1898 to 1936. It delves into the diverse constructions of gender and sexuality and their impact on the production of historical, national and sexual identities in the wake of Spain’s defeat and subsequent loss of its empire in the Spanish-American War of 1898. I argue that new masculine categories – namely the androgyne, the aesthete and the homosexual - emerged not only in marginalized and queer-dominated spaces, such as cabarets and specialized journals like La Esfera, but also in widely distributed illustrated novels and periodical illustration, and in the art of official painters. I analyze how Spanish mass culture disseminated these new masculine scripts in book illustrations, performer photographs, as well as photography featured in popular turn-of-the-century press. My research points to newer circuits of production evident in illustrated journals and erotic novels from the period that rupture the traditional art historical accounts of Spanish masculinity as heterosexual and grounded in Castilian values. I argue that the visual production of new masculine scripts ran parallel to and questioned the hegemony of the state-sanctioned heteronormative accounts of masculinity by introducing the alternative constructions of the national history and gender.","abstract_html":"This dissertation explores the formation of new gender-fluid masculine paradigms in Spanish visual culture from 1898 to 1936. It delves into the diverse constructions of gender and sexuality and their impact on the production of historical, national and sexual identities in the wake of Spain’s defeat and subsequent loss of its empire in the Spanish-American War of 1898. I argue that new masculine categories – namely the androgyne, the aesthete and the homosexual - emerged not only in marginalized and queer-dominated spaces, such as cabarets and specialized journals like La Esfera, but also in widely distributed illustrated novels and periodical illustration, and in the art of official painters. I analyze how Spanish mass culture disseminated these new masculine scripts in book illustrations, performer photographs, as well as photography featured in popular turn-of-the-century press. My research points to newer circuits of production evident in illustrated journals and erotic novels from the period that rupture the traditional art historical accounts of Spanish masculinity as heterosexual and grounded in Castilian values. I argue that the visual production of new masculine scripts ran parallel to and questioned the hegemony of the state-sanctioned heteronormative accounts of masculinity by introducing the alternative constructions of the national history and gender.","abstract_has_math":false,"creators":["Dorofeeva, Maria A"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"Art History","degree_department":null,"school":null,"contributors":["Vázquez, Oscar E","O'Brien, David","Delgado, Luisa-Elena","Rodríguez, Richard T"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2020,"date_issued":"2020-08-27T00:51:23Z","date_published":"2020-08-27T00:51:23Z","updated_at":"2026-07-22T22:24:48Z","subjects":["Masculinity, Spain, drag, symbolism, Ignacio Zuloaga, visual culture"],"languages":["en"],"rights":["© 2020 Maria Dorofeeva"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/2142/108310","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Vázquez, Oscar E","O'Brien, David","Delgado, Luisa-Elena","Rodríguez, Richard T"]},{"key":"dc:creator","label":"Author","values":["Dorofeeva, Maria A"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2020-08-27T00:51:23Z","2022-08-27T00:51:40Z","2020-05-05","2020-05"]},{"key":"dc:type","label":"Dc Type","values":["text","Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Art History"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Masculinity, Spain, drag, symbolism, Ignacio Zuloaga, visual culture"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["© 2020 Maria Dorofeeva"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/108310"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["This dissertation explores the formation of new gender-fluid masculine paradigms in Spanish visual culture from 1898 to 1936. It delves into the diverse constructions of gender and sexuality and their impact on the production of historical, national and sexual identities in the wake of Spain’s defeat and subsequent loss of its empire in the Spanish-American War of 1898. I argue that new masculine categories – namely the androgyne, the aesthete and the homosexual - emerged not only in marginalized and queer-dominated spaces, such as cabarets and specialized journals like La Esfera, but also in widely distributed illustrated novels and periodical illustration, and in the art of official painters. I analyze how Spanish mass culture disseminated these new masculine scripts in book illustrations, performer photographs, as well as photography featured in popular turn-of-the-century press. My research points to newer circuits of production evident in illustrated journals and erotic novels from the period that rupture the traditional art historical accounts of Spanish masculinity as heterosexual and grounded in Castilian values. I argue that the visual production of new masculine scripts ran parallel to and questioned the hegemony of the state-sanctioned heteronormative accounts of masculinity by introducing the alternative constructions of the national history and gender.","Submission published under a 24 month embargo labeled 'Closed Access', the embargo will last until 2022-05-01","The student, Maria Dorofeeva, accepted the attached license on 2020-05-04 at 18:21.","The student, Maria Dorofeeva, submitted this Dissertation for approval on 2020-05-04 at 18:37.","This Dissertation was approved for publication on 2020-05-05 at 13:05.","DSpace SAF Submission Ingestion Package generated from Vireo submission #15202 on 2020-08-25 at 17:42:53","Made available in DSpace on 2020-08-27T00:51:23Z (GMT). No. of bitstreams: 3 DOROFEEVA-DISSERTATION-2020.pdf: 5623397 bytes, checksum: 034dbf06dae7b7a7118b8a078ad5ad94 (MD5) LICENSE.txt: 4212 bytes, checksum: 5b9211b97b7fb6b312d59e075298b53d (MD5) PROQUEST_LICENSE.txt: 4558 bytes, checksum: 75dd09ebaa4ae845fa65bdf033e17126 (MD5) Previous issue date: 2020-05-05","Embargo set by: Seth Robbins for item 115925 Lift date: 2022-08-27T00:51:40Z Reason: Author requested closed access (OA after 2yrs) in Vireo ETD system","Author requested closed access (OA after 2yrs) in Vireo ETD system","Limited"]},{"key":"dc:format","label":"Dc Format","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["Making men: Spanish art and the politics of masculinity, 1898-1936"]}]}],"canonical_facts":{"dc:contributor":["Vázquez, Oscar E","O'Brien, David","Delgado, Luisa-Elena","Rodríguez, Richard T"],"dc:creator":["Dorofeeva, Maria A"],"dc:date":["2020-08-27T00:51:23Z","2022-08-27T00:51:40Z","2020-05-05","2020-05"],"dc:description":["This dissertation explores the formation of new gender-fluid masculine paradigms in Spanish visual culture from 1898 to 1936. It delves into the diverse constructions of gender and sexuality and their impact on the production of historical, national and sexual identities in the wake of Spain’s defeat and subsequent loss of its empire in the Spanish-American War of 1898. I argue that new masculine categories – namely the androgyne, the aesthete and the homosexual - emerged not only in marginalized and queer-dominated spaces, such as cabarets and specialized journals like La Esfera, but also in widely distributed illustrated novels and periodical illustration, and in the art of official painters. I analyze how Spanish mass culture disseminated these new masculine scripts in book illustrations, performer photographs, as well as photography featured in popular turn-of-the-century press. My research points to newer circuits of production evident in illustrated journals and erotic novels from the period that rupture the traditional art historical accounts of Spanish masculinity as heterosexual and grounded in Castilian values. I argue that the visual production of new masculine scripts ran parallel to and questioned the hegemony of the state-sanctioned heteronormative accounts of masculinity by introducing the alternative constructions of the national history and gender.","Submission published under a 24 month embargo labeled 'Closed Access', the embargo will last until 2022-05-01","The student, Maria Dorofeeva, accepted the attached license on 2020-05-04 at 18:21.","The student, Maria Dorofeeva, submitted this Dissertation for approval on 2020-05-04 at 18:37.","This Dissertation was approved for publication on 2020-05-05 at 13:05.","DSpace SAF Submission Ingestion Package generated from Vireo submission #15202 on 2020-08-25 at 17:42:53","Made available in DSpace on 2020-08-27T00:51:23Z (GMT). No. of bitstreams: 3 DOROFEEVA-DISSERTATION-2020.pdf: 5623397 bytes, checksum: 034dbf06dae7b7a7118b8a078ad5ad94 (MD5) LICENSE.txt: 4212 bytes, checksum: 5b9211b97b7fb6b312d59e075298b53d (MD5) PROQUEST_LICENSE.txt: 4558 bytes, checksum: 75dd09ebaa4ae845fa65bdf033e17126 (MD5) Previous issue date: 2020-05-05","Embargo set by: Seth Robbins for item 115925 Lift date: 2022-08-27T00:51:40Z Reason: Author requested closed access (OA after 2yrs) in Vireo ETD system","Author requested closed access (OA after 2yrs) in Vireo ETD system","Limited"],"dc:format":["application/pdf"],"dc:identifier":["http://hdl.handle.net/2142/108310"],"dc:language":["en"],"dc:rights":["© 2020 Maria Dorofeeva"],"dc:subject":["Masculinity, Spain, drag, symbolism, Ignacio Zuloaga, visual culture"],"dc:title":["Making men: Spanish art and the politics of masculinity, 1898-1936"],"dc:type":["text","Thesis"],"thesis:degree_discipline":["Art History"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["Ph.D."],"thesis:institution_name":["University of Illinois at Urbana-Champaign"]},"updated_at":"2026-07-22T22:24:48Z"}