{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/108289"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/108289","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Staging race: Blackness, performance, and citizenship in Afro-Latin American writers (1940-2000)","abstract":"This dissertation project investigates the body as a medium of racial representation by looking at five Afro-Latin American artists in Brazil, Peru, and Colombia between 1940-2000. In conversation with performance studies and critical race studies, my project analyzes the emergence of an Afro-Latin American public sphere through distinct yet interconnected forms of art and activism. In particular, my study focuses on Abdias do Nascimento’s experimental theater, Nicomedes Santa Cruz’s radio broadcasting, Victoria Santa Cruz’s choreographies, Delia Zapata Olivella’s dance manuals, and Manuel Zapata Olivella’s street theater. In doing so, my research underlines how their respective performances created a vocabulary to enunciate everyday experiences of racism and discrimination in the region. I argue these artists used performances to reinvent discourses on blackness, cultural memory, and the meaning of democracy in multiracial societies.","abstract_html":"This dissertation project investigates the body as a medium of racial representation by looking at five Afro-Latin American artists in Brazil, Peru, and Colombia between 1940-2000. In conversation with performance studies and critical race studies, my project analyzes the emergence of an Afro-Latin American public sphere through distinct yet interconnected forms of art and activism. In particular, my study focuses on Abdias do Nascimento’s experimental theater, Nicomedes Santa Cruz’s radio broadcasting, Victoria Santa Cruz’s choreographies, Delia Zapata Olivella’s dance manuals, and Manuel Zapata Olivella’s street theater. In doing so, my research underlines how their respective performances created a vocabulary to enunciate everyday experiences of racism and discrimination in the region. I argue these artists used performances to reinvent discourses on blackness, cultural memory, and the meaning of democracy in multiracial societies.","abstract_has_math":false,"creators":["Suarez Ontaneda, Juan"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"Spanish","degree_department":null,"school":null,"contributors":["Meléndez, Mariselle","Goldman, Dara","Ledesma, Eduardo","Hertzman, Marc","Solis, Gabriel"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2020,"date_issued":"2020-08-27T00:50:09Z","date_published":"2020-08-27T00:50:09Z","updated_at":"2026-07-22T22:24:48Z","subjects":["Afro-Latin American Writers","Black Performance","Afro-Latin American Public Sphere","Racial Debates in Latin America"],"languages":["en"],"rights":["Copyright 2020 Juan Suarez Ontaneda"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/2142/108289","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Meléndez, Mariselle","Goldman, Dara","Ledesma, Eduardo","Hertzman, Marc","Solis, Gabriel"]},{"key":"dc:creator","label":"Author","values":["Suarez Ontaneda, Juan"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2020-08-27T00:50:09Z","2022-08-27T00:51:40Z","2020-05-01","2020-05"]},{"key":"dc:type","label":"Dc Type","values":["text","Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Spanish"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Afro-Latin American Writers","Black Performance","Afro-Latin American Public Sphere","Racial Debates in Latin America"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2020 Juan Suarez Ontaneda"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/108289"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["This dissertation project investigates the body as a medium of racial representation by looking at five Afro-Latin American artists in Brazil, Peru, and Colombia between 1940-2000. 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