{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/101510"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/101510","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Exiled nostalgia and musical remembrance: songs of grief, joy, and tragedy among Iraqi Jews","abstract":"This dissertation examines a practice of private song-making, one whose existence is often denied, among a small number of amateur Iraqi Jewish singers in Israel. These individuals are among those who abruptly emigrated from Iraq to Israel in the mid twentieth century, and share formative experiences of cultural displacement and trauma. Their songs are in a mixture of colloquial Iraqi dialects of Arabic, set to Arab melodic modes, and employ poetic and musical strategies of obfuscation. I examine how, within intimate, domestic spheres, Iraqi Jews continually negotiate their personal experiences of trauma, grief, joy, and cultural exile through musical and culinary practices associated with their pasts. Engaging with recent advances in trauma theory, I investigate how these individuals utilize poetic and musical strategies to harness the unstable affect associated with trauma, allowing for its bodily embrace. I argue that, through their similar synaesthetic capability, musical and culinary practices converge to allow for powerful, multi-sensorial evocations of past experiences, places, and emotions that are crucial to singers’ self-conceptions in the present day. Though these private songs are rarely practiced by younger generations of Iraqi Jews, they remain an under-the-radar means through which first- and second-generation Iraqi immigrants participate in affective processes of remembering, self-making, and survival.","abstract_html":"This dissertation examines a practice of private song-making, one whose existence is often denied, among a small number of amateur Iraqi Jewish singers in Israel. These individuals are among those who abruptly emigrated from Iraq to Israel in the mid twentieth century, and share formative experiences of cultural displacement and trauma. Their songs are in a mixture of colloquial Iraqi dialects of Arabic, set to Arab melodic modes, and employ poetic and musical strategies of obfuscation. I examine how, within intimate, domestic spheres, Iraqi Jews continually negotiate their personal experiences of trauma, grief, joy, and cultural exile through musical and culinary practices associated with their pasts. Engaging with recent advances in trauma theory, I investigate how these individuals utilize poetic and musical strategies to harness the unstable affect associated with trauma, allowing for its bodily embrace. I argue that, through their similar synaesthetic capability, musical and culinary practices converge to allow for powerful, multi-sensorial evocations of past experiences, places, and emotions that are crucial to singers’ self-conceptions in the present day. Though these private songs are rarely practiced by younger generations of Iraqi Jews, they remain an under-the-radar means through which first- and second-generation Iraqi immigrants participate in affective processes of remembering, self-making, and survival.","abstract_has_math":false,"creators":["Carrizo, Liliana"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"Music","degree_department":null,"school":null,"contributors":["Buchanan, Donna A.","Solis, Gabriel","Bashford, Christina","Cuno, Kenneth M."],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2018,"date_issued":"2018-09-27T16:17:33Z","date_published":"2018-09-27T16:17:33Z","updated_at":"2026-07-22T22:24:40Z","subjects":["Anthropology of Food","Affect","Colloquial Arabic (Iraqi)","Cultural exile","Emotion","Gustemology","Individual and Collective Memory","Iraqi women's domestic songs","Maqam","Nostalgia","Nationalism","Synaesthesia","Trauma"],"languages":["en"],"rights":["Copyright 2018 Liliana Carrizo"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/2142/101510","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Buchanan, Donna A.","Solis, Gabriel","Bashford, Christina","Cuno, Kenneth M."]},{"key":"dc:creator","label":"Author","values":["Carrizo, Liliana"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2018-09-27T16:17:33Z","2018-07-03","2018-08"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Music"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Anthropology of Food","Affect","Colloquial Arabic (Iraqi)","Cultural exile","Emotion","Gustemology","Individual and Collective Memory","Iraqi women's domestic songs","Maqam","Nostalgia","Nationalism","Synaesthesia","Trauma"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2018 Liliana Carrizo"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/101510"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["This dissertation examines a practice of private song-making, one whose existence is often denied, among a small number of amateur Iraqi Jewish singers in Israel. These individuals are among those who abruptly emigrated from Iraq to Israel in the mid twentieth century, and share formative experiences of cultural displacement and trauma. Their songs are in a mixture of colloquial Iraqi dialects of Arabic, set to Arab melodic modes, and employ poetic and musical strategies of obfuscation. I examine how, within intimate, domestic spheres, Iraqi Jews continually negotiate their personal experiences of trauma, grief, joy, and cultural exile through musical and culinary practices associated with their pasts. Engaging with recent advances in trauma theory, I investigate how these individuals utilize poetic and musical strategies to harness the unstable affect associated with trauma, allowing for its bodily embrace. I argue that, through their similar synaesthetic capability, musical and culinary practices converge to allow for powerful, multi-sensorial evocations of past experiences, places, and emotions that are crucial to singers’ self-conceptions in the present day. Though these private songs are rarely practiced by younger generations of Iraqi Jews, they remain an under-the-radar means through which first- and second-generation Iraqi immigrants participate in affective processes of remembering, self-making, and survival.","Submission original under an indefinite embargo labeled 'Open Access'. The submission was exported from vireo on 2018-09-27 without embargo terms","The student, Liliana Carrizo, accepted the attached license on 2018-07-02 at 12:24.","The student, Liliana Carrizo, submitted this Dissertation for approval on 2018-07-02 at 12:30.","This Dissertation was approved for publication on 2018-07-03 at 13:23.","DSpace SAF Submission Ingestion Package generated from Vireo submission #12680 on 2018-09-27 at 10:46:01","Made available in DSpace on 2018-09-27T16:17:33Z (GMT). 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These individuals are among those who abruptly emigrated from Iraq to Israel in the mid twentieth century, and share formative experiences of cultural displacement and trauma. Their songs are in a mixture of colloquial Iraqi dialects of Arabic, set to Arab melodic modes, and employ poetic and musical strategies of obfuscation. I examine how, within intimate, domestic spheres, Iraqi Jews continually negotiate their personal experiences of trauma, grief, joy, and cultural exile through musical and culinary practices associated with their pasts. Engaging with recent advances in trauma theory, I investigate how these individuals utilize poetic and musical strategies to harness the unstable affect associated with trauma, allowing for its bodily embrace. I argue that, through their similar synaesthetic capability, musical and culinary practices converge to allow for powerful, multi-sensorial evocations of past experiences, places, and emotions that are crucial to singers’ self-conceptions in the present day. Though these private songs are rarely practiced by younger generations of Iraqi Jews, they remain an under-the-radar means through which first- and second-generation Iraqi immigrants participate in affective processes of remembering, self-making, and survival.","Submission original under an indefinite embargo labeled 'Open Access'. The submission was exported from vireo on 2018-09-27 without embargo terms","The student, Liliana Carrizo, accepted the attached license on 2018-07-02 at 12:24.","The student, Liliana Carrizo, submitted this Dissertation for approval on 2018-07-02 at 12:30.","This Dissertation was approved for publication on 2018-07-03 at 13:23.","DSpace SAF Submission Ingestion Package generated from Vireo submission #12680 on 2018-09-27 at 10:46:01","Made available in DSpace on 2018-09-27T16:17:33Z (GMT). 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