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University of the Highlands and Islands

A Contemporary Feminine Divine: utilising female presentation in Grecian Myth to articulate a deeper understanding of home and the domestic

Abstract

dc:description.abstract

<b>Lote (<i>intransitive, archaic</i>) To lurk; lie hidden</b><br/><br/>This written accompaniment to the exhibition Lote also by the author, examines<br/>female representation within Greek myths as a means of reclaiming the body as<br/>home. In it, the author examines how the use of these myths might help the reader to<br/>connect with their inner domestic space—the internal liminal space in our bodies and<br/>minds that shifts and alters in order to manifest the essence of someplace safe,<br/>nourishing, and sheltered. Using an autoethnographic methodology, the author<br/>discusses their own experiences in this field addressing exposure of retained trauma<br/>in the body, and how one might through the observation, abstraction, and creation of<br/>a mythic and divine self, be able to reclaim an inner sense of secure self-identity and<br/>safety. Using secondary sources of classicists and scholars, myths and plays, and<br/>contemporary artists, the author translates the feeling of disturbance/comfort,<br/>uncanny/nourishment, and captivity/autonomy into an experiential guide to aid them<br/>in the discovery of home as self.<br/>This paper can be read alongside the exhibition, and supplementary images have<br/>been included at the end of the text for those unable to attend. The exhibition itself<br/>consists of a series of twelve printed images, two projected images, six heather<br/>sculptures, thirty poems across paper and candles, eight weavings, and some 400+<br/>ceramic figures. Bookending the exhibition is a live performance, in which the author/<br/>artist sits in the centre of the room and weaves. The artworks and following words<br/>are intended as a way of considering what it might mean to delve into the self,<br/>reestablish a connection with Hestia, the Greek goddess of hearth and home, and<br/>accept oneself as a divine mythic being.

Degree

thesis:*
Name dc:type.qualificationname
Master of Research (awarded by UHI)
Level dc:type.qualificationlevel
Master's Thesis
Grantor dc:publisher.institution
University of the Highlands and Islands
Year dc:date.issued
2022

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Moffat-Hardy, Holly
Advisor dc:contributor.advisor
  • Jennings, Andrew

Rights

Language dc:language
eng

Identifiers

dc:identifier.*
Identifier
oai:pure.atira.dk:studenttheses/bf853abf-efb5-4550-8c7d-3f3c1e336476
OAI identifier oai:identifier
oai:pure.atira.dk:studenttheses/bf853abf-efb5-4550-8c7d-3f3c1e336476

Chain of custody

source
Harvested from
University of the Highlands and Islands
Base URL
pureadmin.uhi.ac.uk/ws/oai
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
related terms
citation

Moffat-Hardy, Holly. A Contemporary Feminine Divine: utilising female presentation in Grecian Myth to articulate a deeper understanding of home and the domestic. Master's Thesis thesis, University of the Highlands and Islands, 2022. https://pure.uhi.ac.uk/en/studentTheses/bf853abf-efb5-4550-8c7d-3f3c1e336476