{"id":{"repo_id":"uhi-uk","oai_identifier":"oai:pure.atira.dk:studenttheses/349c0dbd-3b37-4b79-b18d-623aa76f421e"},"canonical_url":"https://search.dev.ndltd.org/etd/uhi-uk/oai:pure.atira.dk:studenttheses/349c0dbd-3b37-4b79-b18d-623aa76f421e","repository":{"repo_id":"uhi-uk","name":"University of the Highlands and Islands","base_url":"https://pureadmin.uhi.ac.uk/ws/oai"},"display":{"title":"Romantic subjectivity: women’s identity in their nineteenth-century travel writing about Scotland","abstract":"Women’s identities are created and performed relational to the contexts in
which they live and by which they are bound. Identities are performed within
and against those contexts. Romantic subjectivity: women’s identity in their
nineteenth-century travel writing about Scotland, is concerned with the
location of women and their creation and construction of relational identity in
their personal narratives of the nineteenth century.
The texts taken for study are travel journals, memoirs, and diaries, each of
which narrates times and journeys in Scotland. The subjects of study are
Sarah Stoddart Hazlitt, Dorothy Wordsworth, and Elizabeth Grant. The texts
considered are Journal of My Trip to Scotland, written by Sarah Stoddart
Hazlitt in 1803; Recollections of a Tour made in Scotland, 1803 and Journal of
my second tour in Scotland, 1822, written by Dorothy Wordsworth; and
Memoirs of a Highland Lady, written by Elizabeth Grant about her life before
1830.
The focus of study is Romantic subjectivity in the texts of the three women
writers. Women’s relational performativity to the prevailing social and
cultural norms is examined and considered in the context of women as
authors, women’s travel writing, and ideologies of women’s place in the
nineteenth century.","abstract_html":"Women’s identities are created and performed relational to the contexts in<br/>which they live and by which they are bound. Identities are performed within<br/>and against those contexts. Romantic subjectivity: women’s identity in their<br/>nineteenth-century travel writing about Scotland, is concerned with the<br/>location of women and their creation and construction of relational identity in<br/>their personal narratives of the nineteenth century.<br/>The texts taken for study are travel journals, memoirs, and diaries, each of<br/>which narrates times and journeys in Scotland. The subjects of study are<br/>Sarah Stoddart Hazlitt, Dorothy Wordsworth, and Elizabeth Grant. The texts<br/>considered are Journal of My Trip to Scotland, written by Sarah Stoddart<br/>Hazlitt in 1803; Recollections of a Tour made in Scotland, 1803 and Journal of<br/>my second tour in Scotland, 1822, written by Dorothy Wordsworth; and<br/>Memoirs of a Highland Lady, written by Elizabeth Grant about her life before<br/>1830.<br/>The focus of study is Romantic subjectivity in the texts of the three women<br/>writers. Women’s relational performativity to the prevailing social and<br/>cultural norms is examined and considered in the context of women as<br/>authors, women’s travel writing, and ideologies of women’s place in the<br/>nineteenth century.","abstract_has_math":false,"creators":["Beattie-Smith, Gillian"],"institution":"University of Edinburgh","degree_name":"Doctor of Philosophy (awarded by OU/Aberdeen)","degree_level":"Doctoral Thesis","degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Heddle, Donna","Fielding, Penny","Lumsden, Alison"],"committee_chairs":[],"committee_members":[],"year":2017,"date_issued":"2017-6-5","date_published":"2017-6-5","updated_at":"2026-07-24T05:12:07Z","subjects":[],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["oai:pure.atira.dk:studenttheses/349c0dbd-3b37-4b79-b18d-623aa76f421e"],"render_values":[{"text":"oai:pure.atira.dk:studenttheses/349c0dbd-3b37-4b79-b18d-623aa76f421e","href":null,"code":true}]}]},"links":{"outbound_url":"https://pure.uhi.ac.uk/en/studentTheses/349c0dbd-3b37-4b79-b18d-623aa76f421e","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Heddle, Donna","Fielding, Penny","Lumsden, Alison"]},{"key":"dc:creator","label":"Author","values":["Beattie-Smith, Gillian"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2017-6-5"]},{"key":"dc:date.issued","label":"Date","values":["2017-6-5"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["UHI Orkney","Institute for Northern Studies"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Edinburgh"]},{"key":"dc:relation.isreferencedby","label":"Dc Relation Isreferencedby","values":["https://pure.uhi.ac.uk/en/studentTheses/349c0dbd-3b37-4b79-b18d-623aa76f421e"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["Doctoral Thesis"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["Doctor of Philosophy (awarded by OU/Aberdeen)"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["oai:pure.atira.dk:studenttheses/349c0dbd-3b37-4b79-b18d-623aa76f421e","https://pure.uhi.ac.uk/en/studentTheses/349c0dbd-3b37-4b79-b18d-623aa76f421e"]},{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://pure.uhi.ac.uk/files/3090724/G_L_Beattie_Smith_PhD_Romantic_subjectivity.pdf"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Women’s identities are created and performed relational to the contexts in
which they live and by which they are bound. Identities are performed within
and against those contexts. Romantic subjectivity: women’s identity in their
nineteenth-century travel writing about Scotland, is concerned with the
location of women and their creation and construction of relational identity in
their personal narratives of the nineteenth century.
The texts taken for study are travel journals, memoirs, and diaries, each of
which narrates times and journeys in Scotland. The subjects of study are
Sarah Stoddart Hazlitt, Dorothy Wordsworth, and Elizabeth Grant. The texts
considered are Journal of My Trip to Scotland, written by Sarah Stoddart
Hazlitt in 1803; Recollections of a Tour made in Scotland, 1803 and Journal of
my second tour in Scotland, 1822, written by Dorothy Wordsworth; and
Memoirs of a Highland Lady, written by Elizabeth Grant about her life before
1830.
The focus of study is Romantic subjectivity in the texts of the three women
writers. Women’s relational performativity to the prevailing social and
cultural norms is examined and considered in the context of women as
authors, women’s travel writing, and ideologies of women’s place in the
nineteenth century."]},{"key":"dc:title","label":"Title","values":["Romantic subjectivity: women’s identity in their nineteenth-century travel writing about Scotland"]}]}],"canonical_facts":{"dc:contributor.advisor":["Heddle, Donna","Fielding, Penny","Lumsden, Alison"],"dc:creator":["Beattie-Smith, Gillian"],"dc:date":["2017-6-5"],"dc:date.issued":["2017-6-5"],"dc:description.abstract":["Women’s identities are created and performed relational to the contexts in
which they live and by which they are bound. Identities are performed within
and against those contexts. Romantic subjectivity: women’s identity in their
nineteenth-century travel writing about Scotland, is concerned with the
location of women and their creation and construction of relational identity in
their personal narratives of the nineteenth century.
The texts taken for study are travel journals, memoirs, and diaries, each of
which narrates times and journeys in Scotland. The subjects of study are
Sarah Stoddart Hazlitt, Dorothy Wordsworth, and Elizabeth Grant. The texts
considered are Journal of My Trip to Scotland, written by Sarah Stoddart
Hazlitt in 1803; Recollections of a Tour made in Scotland, 1803 and Journal of
my second tour in Scotland, 1822, written by Dorothy Wordsworth; and
Memoirs of a Highland Lady, written by Elizabeth Grant about her life before
1830.
The focus of study is Romantic subjectivity in the texts of the three women
writers. Women’s relational performativity to the prevailing social and
cultural norms is examined and considered in the context of women as
authors, women’s travel writing, and ideologies of women’s place in the
nineteenth century."],"dc:identifier":["oai:pure.atira.dk:studenttheses/349c0dbd-3b37-4b79-b18d-623aa76f421e","https://pure.uhi.ac.uk/en/studentTheses/349c0dbd-3b37-4b79-b18d-623aa76f421e"],"dc:identifier.uri":["https://pure.uhi.ac.uk/files/3090724/G_L_Beattie_Smith_PhD_Romantic_subjectivity.pdf"],"dc:language":["eng"],"dc:publisher.department":["UHI Orkney","Institute for Northern Studies"],"dc:publisher.institution":["University of Edinburgh"],"dc:relation.isreferencedby":["https://pure.uhi.ac.uk/en/studentTheses/349c0dbd-3b37-4b79-b18d-623aa76f421e"],"dc:title":["Romantic subjectivity: women’s identity in their nineteenth-century travel writing about Scotland"],"dc:type":["Thesis"],"dc:type.qualificationlevel":["Doctoral Thesis"],"dc:type.qualificationname":["Doctor of Philosophy (awarded by OU/Aberdeen)"]},"updated_at":"2026-07-24T05:12:07Z"}