{"id":{"repo_id":"u-pacific","oai_identifier":"oai:scholarlycommons.pacific.edu:uop_etds-2816"},"canonical_url":"https://search.dev.ndltd.org/etd/u-pacific/oai:scholarlycommons.pacific.edu:uop_etds-2816","repository":{"repo_id":"u-pacific","name":"University of the Pacific","base_url":"https://scholarlycommons.pacific.edu/do/oai/"},"display":{"title":"A morphological-poetic approach to Hemingway's \"Up in Michigan\"","abstract":"Hemingway’s first short story, “Up in Michigan,” portrays the growth and destruction of a young girls’ romantic illusions about love through her infatuation with and seduction by an apparently gentleman who is really an insensitive brute. Hemingway explores this typically anti-romantic theme in what appears at first glance to be straightforward journalistic style. But the prose, like almost everything else in this story, is deceptive, for lurking beneath the flat surface of its denotative diction and simple syntax lie linguistics strategies and dynamically charged meanings through whose interplay the real disillusioning world of the story emerges. In thus concealing the inward psychological phenomena of disillusionment within linguistic substructures which only release their meaning when seen as poetic forces playing against each other beneath the narrative level, Hemingway forces “form” to express the theme that appearance is deceptive.","abstract_html":"Hemingway’s first short story, “Up in Michigan,” portrays the growth and destruction of a young girls’ romantic illusions about love through her infatuation with and seduction by an apparently gentleman who is really an insensitive brute. Hemingway explores this typically anti-romantic theme in what appears at first glance to be straightforward journalistic style. But the prose, like almost everything else in this story, is deceptive, for lurking beneath the flat surface of its denotative diction and simple syntax lie linguistics strategies and dynamically charged meanings through whose interplay the real disillusioning world of the story emerges. In thus concealing the inward psychological phenomena of disillusionment within linguistic substructures which only release their meaning when seen as poetic forces playing against each other beneath the narrative level, Hemingway forces “form” to express the theme that appearance is deceptive.","abstract_has_math":false,"creators":["Cripe, George Robert"],"institution":null,"degree_name":"Doctor of Arts (D.A.)","degree_level":"Thesis","degree_discipline":"English","degree_department":null,"school":null,"contributors":["Louis Leiter"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":1973,"date_issued":"1973-01-01T08:00:00Z","date_published":"1973-01-01T08:00:00Z","updated_at":"2026-07-24T05:37:42Z","subjects":["Hemingway","Ernest","1899-1961 Up in Michigan;Hemingway","1899-1961 Style;University of the Pacific Dissertations","Arts and Humanities","English Language and Literature"],"languages":[],"rights":[],"rights_urls":["http://rightsstatements.org/vocab/NKC/1.0/"],"identifier_entries":[]},"links":{"outbound_url":"https://scholarlycommons.pacific.edu/uop_etds/1817","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Louis Leiter"]},{"key":"dc:creator","label":"Author","values":["Cripe, George Robert"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2018-06-29T08:48:32Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Doctor of Arts (D.A.)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Hemingway","Ernest","1899-1961 Up in Michigan;Hemingway","1899-1961 Style;University of the Pacific Dissertations","Arts and Humanities","English Language and Literature"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["http://rightsstatements.org/vocab/NKC/1.0/"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholarlycommons.pacific.edu/uop_etds/1817"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Hemingway’s first short story, “Up in Michigan,” portrays the growth and destruction of a young girls’ romantic illusions about love through her infatuation with and seduction by an apparently gentleman who is really an insensitive brute. Hemingway explores this typically anti-romantic theme in what appears at first glance to be straightforward journalistic style. But the prose, like almost everything else in this story, is deceptive, for lurking beneath the flat surface of its denotative diction and simple syntax lie linguistics strategies and dynamically charged meanings through whose interplay the real disillusioning world of the story emerges. In thus concealing the inward psychological phenomena of disillusionment within linguistic substructures which only release their meaning when seen as poetic forces playing against each other beneath the narrative level, Hemingway forces “form” to express the theme that appearance is deceptive."]},{"key":"dc:source","label":"Dc Source","values":["23"]},{"key":"dc:title","label":"Title","values":["A morphological-poetic approach to Hemingway's \"Up in Michigan\""]}]}],"canonical_facts":{"dc:contributor":["Louis Leiter"],"dc:creator":["Cripe, George Robert"],"dc:date.available":["2018-06-29T08:48:32Z"],"dc:description.abstract":["Hemingway’s first short story, “Up in Michigan,” portrays the growth and destruction of a young girls’ romantic illusions about love through her infatuation with and seduction by an apparently gentleman who is really an insensitive brute. Hemingway explores this typically anti-romantic theme in what appears at first glance to be straightforward journalistic style. But the prose, like almost everything else in this story, is deceptive, for lurking beneath the flat surface of its denotative diction and simple syntax lie linguistics strategies and dynamically charged meanings through whose interplay the real disillusioning world of the story emerges. In thus concealing the inward psychological phenomena of disillusionment within linguistic substructures which only release their meaning when seen as poetic forces playing against each other beneath the narrative level, Hemingway forces “form” to express the theme that appearance is deceptive."],"dc:identifier":["https://scholarlycommons.pacific.edu/uop_etds/1817"],"dc:rights":["http://rightsstatements.org/vocab/NKC/1.0/"],"dc:source":["23"],"dc:subject":["Hemingway","Ernest","1899-1961 Up in Michigan;Hemingway","1899-1961 Style;University of the Pacific Dissertations","Arts and Humanities","English Language and Literature"],"dc:title":["A morphological-poetic approach to Hemingway's \"Up in Michigan\""],"thesis:degree_discipline":["English"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["Doctor of Arts (D.A.)"]},"updated_at":"2026-07-24T05:37:42Z"}