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University of the Pacific

Prometheus in sound : one hundred years of musical adaptations of the myth of Prometheus: Beethoven, Shubert, Liszt, Wolf, Parry, Fauré and Scriabin

Abstract

dc:description.abstract

The Promethean characteristics of contemporary young iconoclasts as they have expressed disapproval of the society which they have inherited and in which they feel entrapped prompted this study. Our interest here lies with the nature of the dissatisfaction rather than with ways of expressing it. If follows that out concern is primarily with the gift of Prometheus - the fire rather than with the rebellion and defiance associated with the demigod who took action against the tyranny of Zeus.

Degree

thesis:*
Name thesis:degree_name
Master of Arts (M.A.)
Level thesis:degree_level
Thesis
Discipline thesis:degree_discipline
Conservatory of Music
Year dc:date.available
1972

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Mattson, Lurene
Contributors dc:contributor
  • Lucas Underwood

Subjects

dc:subject × 7

Rights

dc:rights

Identifiers

dc:identifier.*
Repository record dc:identifier
https://scholarlycommons.pacific.edu/uop_etds/1790
OAI identifier oai:identifier
oai:scholarlycommons.pacific.edu:uop_etds-2789

Chain of custody

source
Harvested from
University of the Pacific
Base URL
scholarlycommons.pacific.edu/do/oai/
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Mattson, Lurene. Prometheus in sound : one hundred years of musical adaptations of the myth of Prometheus: Beethoven, Shubert, Liszt, Wolf, Parry, Fauré and Scriabin. Thesis thesis, 1972. https://scholarlycommons.pacific.edu/uop_etds/1790