{"id":{"repo_id":"u-pacific","oai_identifier":"oai:scholarlycommons.pacific.edu:uop_etds-2070"},"canonical_url":"https://search.dev.ndltd.org/etd/u-pacific/oai:scholarlycommons.pacific.edu:uop_etds-2070","repository":{"repo_id":"u-pacific","name":"University of the Pacific","base_url":"https://scholarlycommons.pacific.edu/do/oai/"},"display":{"title":"A correlative study of the anti-literal in modern art, music, and literature","abstract":"<p>This study is concerned with the understanding as a way to enjoyment of the anti-literal in modern art.<sup>1</sup> The work of art is regarded as the locus of various cultural factors--a live product of the vital energies of its age and itself a source as well as a reflection. The analysis of these cultural factors lays no claim to completeness. It seeks merely to indicate in simple language the layman can understand, conditions, forces, and stimuli in the artist's milieu which are potential motivations of his artistic idiom<sup>2</sup> and through the examination of those influential factors, to try to discover why the artist chose the anti-literal idoms.</p>","abstract_html":"&lt;p&gt;This study is concerned with the understanding as a way to enjoyment of the anti-literal in modern art.&lt;sup&gt;1&lt;/sup&gt; The work of art is regarded as the locus of various cultural factors--a live product of the vital energies of its age and itself a source as well as a reflection. The analysis of these cultural factors lays no claim to completeness. It seeks merely to indicate in simple language the layman can understand, conditions, forces, and stimuli in the artist&#x27;s milieu which are potential motivations of his artistic idiom&lt;sup&gt;2&lt;/sup&gt; and through the examination of those influential factors, to try to discover why the artist chose the anti-literal idoms.&lt;/p&gt;","abstract_has_math":false,"creators":["Smith, Alden Hervey"],"institution":null,"degree_name":"Master of Arts (M.A.)","degree_level":"Thesis","degree_discipline":"English","degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":1948,"date_issued":"1948-01-01T08:00:00Z","date_published":"1948-01-01T08:00:00Z","updated_at":"2026-07-24T05:36:58Z","subjects":["Literature","Modern 20th century History and criticism","Art","Modern 20th century History","Music History and criticism","Modernism (Art)","Aesthetics","Arts and Humanities"],"languages":[],"rights":[],"rights_urls":["http://rightsstatements.org/vocab/NKC/1.0/"],"identifier_entries":[]},"links":{"outbound_url":"https://scholarlycommons.pacific.edu/uop_etds/1071","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Smith, Alden Hervey"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2018-06-29T08:59:27Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts (M.A.)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Literature","Modern 20th century History and criticism","Art","Modern 20th century History","Music History and criticism","Modernism (Art)","Aesthetics","Arts and Humanities"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["http://rightsstatements.org/vocab/NKC/1.0/"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholarlycommons.pacific.edu/uop_etds/1071"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["<p>This study is concerned with the understanding as a way to enjoyment of the anti-literal in modern art.<sup>1</sup> The work of art is regarded as the locus of various cultural factors--a live product of the vital energies of its age and itself a source as well as a reflection. The analysis of these cultural factors lays no claim to completeness. It seeks merely to indicate in simple language the layman can understand, conditions, forces, and stimuli in the artist's milieu which are potential motivations of his artistic idiom<sup>2</sup> and through the examination of those influential factors, to try to discover why the artist chose the anti-literal idoms.</p>"]},{"key":"dc:source","label":"Dc Source","values":["139"]},{"key":"dc:title","label":"Title","values":["A correlative study of the anti-literal in modern art, music, and literature"]}]}],"canonical_facts":{"dc:creator":["Smith, Alden Hervey"],"dc:date.available":["2018-06-29T08:59:27Z"],"dc:description.abstract":["<p>This study is concerned with the understanding as a way to enjoyment of the anti-literal in modern art.<sup>1</sup> The work of art is regarded as the locus of various cultural factors--a live product of the vital energies of its age and itself a source as well as a reflection. 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