{"id":{"repo_id":"u-pacific","oai_identifier":"oai:scholarlycommons.pacific.edu:uop_etds-1878"},"canonical_url":"https://search.dev.ndltd.org/etd/u-pacific/oai:scholarlycommons.pacific.edu:uop_etds-1878","repository":{"repo_id":"u-pacific","name":"University of the Pacific","base_url":"https://scholarlycommons.pacific.edu/do/oai/"},"display":{"title":"National traits as revealed in the revenge theme in tragedy","abstract":"<p>In the Renaissance drama, revenge is known as a revenge of blood, generally the “eye for an eye” variety of retaliation. The revenge of late periods deals with the return injury directed not only to the body of the opponent but also to his mental discomfort.</p><p> It is the aim of this thesis to present the different types of revenge in tragic dramas and by means of them to show how the life, manners, and attitude of the various nationalities are reflected in dramas dealing with this theme.</p>","abstract_html":"&lt;p&gt;In the Renaissance drama, revenge is known as a revenge of blood, generally the “eye for an eye” variety of retaliation. The revenge of late periods deals with the return injury directed not only to the body of the opponent but also to his mental discomfort.&lt;/p&gt;&lt;p&gt; It is the aim of this thesis to present the different types of revenge in tragic dramas and by means of them to show how the life, manners, and attitude of the various nationalities are reflected in dramas dealing with this theme.&lt;/p&gt;","abstract_has_math":false,"creators":["Glaister, Hazel Pauline"],"institution":null,"degree_name":"Master of Arts (M.A.)","degree_level":"Thesis","degree_discipline":"English","degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":1926,"date_issued":"1926-01-01T08:00:00Z","date_published":"1926-01-01T08:00:00Z","updated_at":"2026-07-24T05:36:52Z","subjects":["Tragedy History and criticism;National characteristics","Arts and Humanities","Dramatic Literature, Criticism and Theory","English Language and Literature","Performance Studies","Social and Behavioral Sciences","Theatre and Performance Studies","Theatre History"],"languages":[],"rights":[],"rights_urls":["http://rightsstatements.org/vocab/NKC/1.0/"],"identifier_entries":[]},"links":{"outbound_url":"https://scholarlycommons.pacific.edu/uop_etds/879","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Glaister, Hazel Pauline"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2018-06-29T08:50:23Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts (M.A.)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Tragedy History and criticism;National characteristics","Arts and Humanities","Dramatic Literature, Criticism and Theory","English Language and Literature","Performance Studies","Social and Behavioral Sciences","Theatre and Performance Studies","Theatre History"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["http://rightsstatements.org/vocab/NKC/1.0/"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholarlycommons.pacific.edu/uop_etds/879"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["<p>In the Renaissance drama, revenge is known as a revenge of blood, generally the “eye for an eye” variety of retaliation. The revenge of late periods deals with the return injury directed not only to the body of the opponent but also to his mental discomfort.</p><p> It is the aim of this thesis to present the different types of revenge in tragic dramas and by means of them to show how the life, manners, and attitude of the various nationalities are reflected in dramas dealing with this theme.</p>"]},{"key":"dc:source","label":"Dc Source","values":["185"]},{"key":"dc:title","label":"Title","values":["National traits as revealed in the revenge theme in tragedy"]}]}],"canonical_facts":{"dc:creator":["Glaister, Hazel Pauline"],"dc:date.available":["2018-06-29T08:50:23Z"],"dc:description.abstract":["<p>In the Renaissance drama, revenge is known as a revenge of blood, generally the “eye for an eye” variety of retaliation. The revenge of late periods deals with the return injury directed not only to the body of the opponent but also to his mental discomfort.</p><p> It is the aim of this thesis to present the different types of revenge in tragic dramas and by means of them to show how the life, manners, and attitude of the various nationalities are reflected in dramas dealing with this theme.</p>"],"dc:identifier":["https://scholarlycommons.pacific.edu/uop_etds/879"],"dc:rights":["http://rightsstatements.org/vocab/NKC/1.0/"],"dc:source":["185"],"dc:subject":["Tragedy History and criticism;National characteristics","Arts and Humanities","Dramatic Literature, Criticism and Theory","English Language and Literature","Performance Studies","Social and Behavioral Sciences","Theatre and Performance Studies","Theatre History"],"dc:title":["National traits as revealed in the revenge theme in tragedy"],"thesis:degree_discipline":["English"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["Master of Arts (M.A.)"]},"updated_at":"2026-07-24T05:36:52Z"}